Summer 2017 Exhibits

Detail of the Great Lakes region of the map on display (MAN 1719-01-F3).

The June spotlight exhibit, on display through the end of the month, is J. P. Homann’s “Buffalo Map,” ca. 1720.

On display is a map of North America by the important German cartographer J. P. Homann, emphasizing French claims in the Mississippi River Valley in the early eighteenth century. The map is one of several hundred items making up the Edward and Sheila Scanlan Collection of Maps of the Great Lakes Region, donated by the Scanlans to the Hesburgh Libraries in 2003-04. The exhibit is curated by George Rugg (Curator, Special Collections).

The July spotlight exhibit will feature German children’s literature from the two World Wars, and will be co-curated by Sara Quashnie (MLIS Candidate, University of Illinois, Urbana-Champaign, ND ’15) and Julie Tanaka (Curator, Special Collections).


The Summer spotlight exhibit, on display now through September, is “Which in future time shall stir the waves of memory” — Friendship Albums of Antebellum America. On display are seven manuscripts from Special Collections’ manuscripts of North America holdings.

Among the characteristic manuscript forms of antebellum America are albums filled with poetry, prose, drawings, and other content created for the book’s owner by family and acquaintances. Such friendship albums, as they are called, have a long history, but they were especially prevalent in the Romantic era, with its new ideology of sentimental friendship. In the United States friendship albums begin to appear in number in the 1820s, and while contributors were often male, the albums themselves were usually maintained by young women.

The exhibit is curated by George Rugg (Curator, Special Collections).


The current main exhibit, “Preserving the Steadfastness of Your Faith”: Catholics in the Early American Republic, continues through the summer and will close August 11, 2017.

“‘Preserving the Steadfastness of Your Faith’: Catholics in the Early American Republic” digital exhibit

This digital exhibit expands on the current exhibit on display in Special Collections. It displays examples of American Catholicism expressed through (mostly) printed texts from 1783 through the early 1840s. They include the earliest Catholic bibles published by Mathew Carey, and editions of Thomas à Kempis’ The Imitation of Christ used and produced in the United States; polemical pamphlets with sexual and political subtexts that flew back and forth across the Atlantic; no-holds-barred dueling sectarian newspapers; books and pamphlets created in reaction to mob violence against the Ursuline convent school near Boston; and official reports that mapped the Church’s growth and growing pains.

Questions and comments may be directed to Rachel Bohlmann and Jean McManus. The physical exhibition continues to be open to the public through August 11, 2017.


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Memorial Day

To honor all who died while serving in the United States Armed Forces.

Memorial Day, originally celebrated as Decoration Day, began after the Civil War. John A. Logan, a general in the Union Army and Commander-in-Chief of the Grand Army of the Republic, a fraternal organization of Civil War veterans, issued General Orders No. 11. Logan designated that the graves of those who died fighting to defend their country be decorated on May 30, 1868. Almost 100 years to the day later, President Lyndon B. Johnson signed into law, Public Law 90-363, the Uniform Holiday Bill, establishing the official observance of Memorial Day as the last Monday in May.

Joyce Kilmer (1886-1918), an American journalist and poet from New Brunswick, New Jersey, served in the 69th Infantry Regiment of the New York Army National Guard during the First World War. He fell victim to a sniper’s bullet during the Second Battle of the Marne on July 30, 1918. His poem, “Memorial Day,” appeared in his second volume of poetry, Trees and Other Poems, published in 1914 by George H. Doran and Company.

Recent Acquisition: First Edition Frankenstein (1818)

A fine, first edition of one of the most influential works of European literature and the most taught novel in universities—Mary Shelley’s Frankenstein—enhances our European literature collection. The stunning volumes now complement our holdings of the first illustrated edition (third overall edition) published in 1831 by Colburn and Bentley and the first American movie tie-in edition printed by Grosset and Dunlap in 1931.

Shelley’s novel was first printed anonymously in three volumes in 1818 for the London publishing firm Lackington, Hughes, Harding, Mayor, and Jones in an edition of 500 copies. RBSC’c set is tastefully bound in contemporary style in 20th-century tan, smooth morocco. Spines are gilt-ruled in compartments with black morocco title labels and the sides are bordered with a double gilt rule.

The acquisition of the first edition of Frankenstein was made possible by the Hesburgh Libraries, a Nanovic Institute for European Studies Library Grant, the Department of Political Science (Notre Dame), and Professor Eileen Hunt Botting in memory of her brother, Kevin E. Hunt.


Mark Your Calendars – Upcoming Events

Mary Shelley’s 1818 Frankenstein will be the centerpiece of a spotlight exhibit, It’s Alive! Frankenstein in the Arts and Sciences, in Special Collections in Fall 2018. The exhibit will be part of a series of campus-wide events celebrating the bicentennial of Frankenstein.

Special Collections will also host a multidisciplinary panel discussion on Friday, October 19, 2018 with faculty from both Indiana University School of Medicine at South Bend and the University of Notre Dame exploring Frankenstein’s relevance to 21st-century medicine and medical ethics.

“Words on Play: Baseball Literature before 1900” digital exhibit

Among the harbingers of spring here in RBSC is the introduction of a newly completed digital exhibit of early baseball publications and manuscripts drawn from the holdings of the Joyce Sports Collection. “Words on Play: Baseball Literature before 1900” brings together recreational manuals, guidebooks, histories, biographies, fiction and other forms, including many of the subject area’s great rarities. The exhibit was created by RBSC’s Americana curator, George Rugg.

Over the course of the nineteenth century, American baseball evolved from a localized folk game of English origin to a codified sport of broad popular appeal, commonly cited as the “National Pastime.” Clubs of young men dedicated to playing the game began to appear in earnest in the New York City area in the second quarter of the century; the rules they established became the basis for the sport as we know it today. In the post-Civil War years baseball became thoroughly commodified: crowds of paying spectators gathered in enclosed “parks” to watch celebrated professionals compete at an elite level. By 1900 baseball had entered the mainstream of American popular culture, and had been imbued with many of the mythologies that would persist in the minds of its celebrants well into the twentieth century: baseball as pastoral ideal, baseball as an exercise in democracy, baseball as secular religion. As a recreational form, then, baseball originated in England, but as a form of sport it is American, for it was in America that the game became standardized, organized and popular—and, one might add, the subject of a literature.

The printed word both recorded baseball’s growth and stimulated it. In the first few decades of the nineteenth century the game is mentioned mainly in children’s recreational manuals. Baseball’s rapid rise after mid-century was accompanied by a growing commentary, mainly in sporting newspapers and paper-bound annual guides, describing, discussing, and otherwise publicizing the game. By the 1880s and 90s coverage of professional baseball in urban daily newspapers had became routine, and many of the familiar genres of baseball book had made their appearance. Baseball journalists—who authored many of the books in this exhibit—never tired of emphasizing their contribution to the game’s success, and that contribution was no doubt great. Still, the number of baseball monographs published in the nineteenth century was not large; “Words on Play” brings together copies of most of the key publications of baseball’s early history.

Questions and comments may be directed to George Rugg, Americana curator.

 


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Recent Acquisition: Celebrating the Achievements of Pope Gregory XIII

by Alan Krieger, Theology and Philosophy Librarian

We’ve just acquired an emblem book that may be of interest to Catholic Reformation researchers, Principio Fabricii’s Delle allusioni, imprese, et emblemi del. sig. Principio Fabricii da Teramo sopra la vita,opere, et attioni di Gregorio XIII pontefice massimo libri VI (Rome, 1588). This first edition contains 231 numbered emblems, drawn from the Bible, classical mythology, and other emblem collections, as well as events and buildings from Pope Gregory XIII’s papacy.

Gregory XIII (birth name: Ugo Boncompagni) reigned from 1572-1585 and, in addition to his famous calendar revision, energetically continued the implementation of reforms articulated at the Council of Trent (1545-1563). These reforms included the insistence that bishops reside within their sees and the foundation of many new schools for the training of the clergy.

 


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Women’s History Month: A Woman’s Sardonic Eye

by Rachel Bohlmann, American History Librarian

To honor Women’s History Month we are highlighting a new acquisition by a cartoonist who turned her sardonic eye on women and men in the WWII workplace.

Dorothy Bond drew on her working life in Chicago offices to create sarcastic, witty cartoons, which she turned into nationally syndicated comic strips after WWII. In 1940 Bond, a divorced mother of two, began working as the civilian executive secretary for a Rear Admiral in the United States Navy. The result was this self-published Life with the Navy by Navy Nora, a wry, biting, and affectionate look at office life during wartime. Bond dedicated it to “those unsung heroes and heroines who work in shore establishments for the finest Navy in the world – the United States Navy.”

In one cartoon (seen here), Bond mocked male self-importance and tweaked gender expectations by portraying a female secretary’s hesitation to interrupt a group of men in conversation. While she delayed, Bond revealed the men’s mundane discussion—about clothes (where to buy the cheapest, best-quality overcoats). In the panel opposite Bond caricatured the government’s wartime production expectations and the gendered labor market it exploited. While the young woman secretary doubled down, using two typewriters simultaneously, her male superiors merely observed and rationalized her work speed-up.

Bond made a career of capturing, in drawings and words, the absurdities and gender politics in American offices. After publishing two more cartoon books about women and office work, she became a nationally syndicated cartoonist with a daily panel called The Ladies in 1945. From this success Bond created a comic strip that she dedicated to secretaries, Chlorine, Champion of the Working Girl. Her post-war office humor included cartoons like, “Whatever It Is, No!” and “Out Looking for a Man. Back at ___.” Bond continued to publish cartoon books on timely post-war topics like Life with the Boss (1947) and Your First or Second Baby? (1956), and later in her career, broke into advertising.


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Recent Acquisition: A masterpiece of Chinese literature

by Hye-jin Juhn, East Asian Studies Librarian

Included in the recent gift from the University of Chicago is Lu Xun’s famous The True Story of Ah-Q published by Kaiming Book Company during the Sino-Japanese War (1939-1945), with illustrations by Feng Zikai. According to Feng’s preface, the set of illustrations in this edition was done for the third time after his first two sets were lost in the chaos of the war. The Libraries’ copy is the ninth reprint of the 1939 (Minguo 28) publication.

Exhibit Opens – “Preserving the Steadfastness of Your Faith”: Catholics in the Early American Republic

“Under these distressful feelings, one consideration alone relieved me . . . and that was, the hope of vindicating your religion to your own selves at least, and preserving the steadfastness of your faith.” — John Carroll, An Address to the Roman Catholics of the United States of America

With these words, John Carroll, head of the fledgling Catholic Church in the United States and future bishop, encouraged his fellow Catholics in 1784. Catholics held a precarious position in the Early Republic despite having gained more freedom to practice their religion after the Revolution. By the 1840s, in the face of increasing sectarian-driven violence, Catholicism had taken firm institutional root.

This exhibition displays examples of American Catholicism expressed through (mostly) printed texts from 1783 through the early 1840s. They include the earliest Catholic bibles published by Mathew Carey, and editions of Thomas à Kempis’ The Imitation of Christ used and produced in the United States; polemical pamphlets with sexual and political subtexts that flew back and forth across the Atlantic; no-holds-barred dueling sectarian newspapers; books and pamphlets created in reaction to mob violence against the Ursuline convent school near Boston; and official reports that mapped the Church’s growth and growing pains.

This exhibition is curated by Rachel Bohlmann and Jean McManus and is open to the public through August 11, 2017.

Recent Acquisition: Mini Book about John Carroll

Francis J. Weber provides a glimpse into the life of John Carroll, the first Jesuit bishop and archbishop of the United States and father of Georgetown University, In John Carroll and the Vernacular Liturgy, also summarizes Carroll’s views about vernacular liturgy.

boo_004468216-00a

Weber’s book is a limited edition miniature book. Special Collections copy is number 20 in an edition of 135. The book is 5.6 x 5.5 cm and is bound in paper boards covered with gold foil and a black leather spine. Affixed to the frontispiece is a postage stamp issued in 1989 by the Vatican to commemorate the bicentennial of the establishment of the Catholic hierarchy of the United States. The text is printed on Neenah Classic paper using a Chandler and Price Pilot Press.