Tag: photographs

Students Propose New Diverse and Inclusive Acquisitions in RBSC

by Rachel Bohlmann, American History Librarian and Curator and Erika Hosselkus, Curator, Latin American Collections

Museums, special collections, and archives acquire materials in a variety of ways, most commonly through donation and purchase. Hesburgh Libraries is no exception. 

Last fall, students in the multi-disciplinary class, Stories of Power and Diversity: Inside Museums, Archives, and Collecting, created acquisition proposals for Hesburgh Libraries. Class members were asked to put themselves in the shoes of curators and select materials that would develop the library’s collection in diverse and inclusive ways. The formats of prospective purchases were left fairly open; students could consider a wide range of types of materials–from books to manuscripts to posters and even artifacts (realia). As an incentive (and as a gesture to how libraries and archives compete for and manage resources), the most deserving proposal (determined by class vote) would be purchased, placed in the library’s collections, and featured on the library’s social media (this blogpost!). 

Students searched vendor websites and online catalogs and considered some of the following questions. 

  • How complete is this item or collection? Are there significant gaps or pieces missing?
  • If a collection of photographs, are they identified or identifiable, in terms of locations, dates, names of people?
  • If it is a printed item (a book, posters, pamphlet), how rare is it? (Use WorldCat.)
  • Does HL already own it? (Check the library catalog, ask librarians/instructors.)
  • If the item is a manuscript (not printed or published), does the library hold related items?
  • What might be the research value? How might researchers (in different disciplines–history, gender studies, art history, etc.) make use of this item(s)? What perspectives does the item convey? What can we learn from it?

The students presented their proposals in class and discussed some of the challenges and satisfaction they discovered along the way. Timi Griffin, who assembled a small but significant collection of printed materials and realia from different vendors about Civil Rights activist, presidential candidate, and comedian Dick Gregory, won the class’s vote for best proposal. Congratulations Timi! 

The Dick Gregory Collection

Timi argued that the library should purchase items relating to Gregory’s 1968 presidential campaign, including a poster, flier, buttons, and fake dollar bills with the candidate’s portrait in place of Washington’s, and a signed copy of his 2000 memoir. Taken together, the items contextualize Gregory’s activism and prominence in the Civil Rights movement and American culture and politics in the last decades of the twentieth century. 

The students’ presentations showed that they had taken seriously the assignment’s task of strengthening diversity and inclusion in the collections. Rare Books and Special Collections decided to purchase all of the items they proposed adding to the collections. These are:

 –a 1914 photograph of the Hampton Normal and Agricultural Institute Football Team, an African American school in Hampton, Virginia.

Football Team, Hampton Normal and Agricultural Institute, 1914

–a signed, fine press copy of the first chapter of Margaret Atwood’s The Blind Assassin with an original print by Yoko Ono; created to raise funds to fight AIDS in Africa (2008). 

Slipcover and print for Margaret Atwood’s Blind Assassin

–an issue of Black Fire, the newspaper of the Black Students Union at San Francisco State University from 1969.

Black Fire [December 16, 1969]

–a collection of nine mid-century lesbian pulp fiction paperbacks and reprinted novels, and a related work.

Two novels by Ann Bannon

–an album of photographs, probably by an American, of the Pacific and South-East Asia, including Hawaii, Japan, the Philippines, Ceylon, India, and the Himalayas, circa 1905.

Views from Darjeeling and
“a thorn between two roses”
chair carriers and
“on the way to Tiger Hill to see Mt. Everest”

–diaries of Thaddeus Hayes of Connecticut, created between 1795 and 1803.

Thaddeus Hayes diary page, December 1797 – January 1798

–two photographic essays about Japan by W. Eugene Smith and associates: Japan–a Chapter of Image (1963) and Minamata : Life – Sacred and Profane (1973).

Front cover, Minamata
“The Chisso Corporation waste-water 1971,” Minamata

These new acquisitions are welcome additions to the library’s special collections, adding particularly to sources about Southeast and East Asia, and materials created in the last 30 years. The collections need to be strengthened in all of these areas. The newly-purchased materials are currently in the process of being cataloged, organized, and housed so that they can be accessed and used by present and future generations of library users.

A Day in a Life of the Warsaw Ghetto in Photographs

by Natasha Lyandres, Head of Special Collections and Curator, Russian and East European Collections

Special Collections recently acquired two World War II era photo albums featuring original photographs from within and outside of the Warsaw Ghetto’s walls.

Although the albums lack dates and inscriptions, they probably belonged to а German soldier who visited Warsaw sometime after the establishment of the Ghetto in November 1940 and before the Warsaw Ghetto uprising in April 1943.  At the height of its existence in 1941, the Warsaw Ghetto included more than 500,000 Jews from Warsaw and surrounding towns. They lived in subhuman conditions in a small area segregated from the rest of the city by wire and brick walls. Fueled by years of massive Nazi propaganda, the occupied Warsaw was a popular destination for Wehrmacht soldiers who came here to see for themselves the “authentic” East European Jews and their culture. 

Three men standing in the Warsaw Ghetto. (MSE/REE 0042-1, fol. 4r)

The first album presents a broad spectrum of people and activities taking place inside the Ghetto walls.  It comprises twenty-four photographs probably taken during a single day as the photographer strolled through the streets documenting his encounters with the doomed inhabitants. The images vary from close up portraits of people directly facing the camera to more general depictions of the busy street life, misery, and suffering.

Old man wearing a winter coat and hat and an armband with the Star of David.
(MSE/REE 0042-1, fol. 7r)
Homeless boy on a sidewalk.
(MSE/REE 0042-1, fol. 17r)
People arriving to the ghetto.
(MSE/REE 0042-1, fol. 21r)
Man selling the Star of David armbands.
(MSE/REE 0042-1, fol. 22r)

The photographer captured “typical Jewish” men with long beards wearing traditional attire, women with strollers in the park, rickshaws used for transporting people and goods, crowded marketplaces with inhabitants trying to make a living by selling potatoes, warm water, and the obligatory Star of David armbands, uprooted families arriving to the Ghetto from nearby towns, homeless children begging for food, and people collapsing and dying on the sidewalks from hunger and diseases.

The Old town. (MSE/REE 0042-2, fol. 18r)

The second album presents forty-seven photographs depicting mostly street views and buildings on the “Aryan” side of Warsaw, including images of the Ghetto wall (Ulica Graniczna), views of the Old town with its charming narrow streets and alleys, palaces with Nazi flags and German soldiers, and historical monuments, many of which were later destroyed. This album also contains several aerial views of the soon to be destroyed city and bridges over the Vistula river. 

View of the ghetto ruins
and people collecting bricks.
(MSE/REE 0042-2, fol. 2r)
The Brühl Palace, formerly known as the Sandomierski Palace, with Nazi flag.
(MSE/REE 0042-2, fol. 11r)
Aerial view of Warsaw. (MSE/REE 0042-2, fol. 23r)

Taken by a perpetrator, these photographs serve as important historical evidence of the Holocaust and Nazi atrocities in Poland.

The albums are currently on display as the September spotlight exhibit in Special Collections. After the exhibit closes, they will be digitized. They will soon be available on the Marble (Museums, Archives, Rare Books and Libraries Exploration) online platform.

RBSC is closed Monday, September 5th, for Labor Day.

Upcoming Events: September 2022

Please note that the corridor outside RBSC is temporarily narrowed to a pedestrian tunnel due to ongoing library renovations, but we remain open regular hours.

Please join us for the following public events being hosted in Rare Books and Special Collections:

Thursday, September 1 at 5:00pm | Italian Research Seminar: “How Contini Worked: The Critic’s ‘Scartafacci'” – Ryan Pepin (University of Notre Dame).

Friday, September 16 at 3:30pm | The Diary of Pelagia Rościszewska: Facts, Secrets, and Surprises – Dariusz Skórczewski (John Paul II Catholic University).

Daughters of Our Lady: Finding a Place at Notre Dame, an exhibition of materials from the University of Notre Dame Archives curated by Elizabeth Hogan and reflecting on the 50th anniversary of coeducation at Notre Dame, opened late-August and will run through the fall semester.

The current spotlight exhibits are Three Sisterhoods and Two Servants of God (June – September 2022) and A Day in a Life of the Warsaw Ghetto in Photographs (August – September 2022).

RBSC will be closed Monday, September 5th,
for Labor Day.

WWII as Seen Through the Eyes of the Japanese Navy

by Hye-jin Juhn, East Asian Studies and Metadata Librarian

The book, The Dignified Appearance of the Imperial Navy (帝国海軍の威容), published on December 8, 1942,  provides an insight into the Japanese WWII military point of view.

The first chapter, the “Basics” or the “Foundations” (基礎篇), describes in detail how, in 1941, the Japanese Navy prepared its preemptive strikes against the United States and the Pacific colonies of the former British Empire.

On the chapter title page is the seamen’s weekly schedule. “Training” is planned for every day of the week; There is neither Saturday nor Sunday, but two Mondays and two Fridays.

Monday: training (訓練)
Monday: training (訓練)
Tuesday: training (訓練)
Wednesday: training (訓練)
Thursday: training (訓練)
Friday: training (訓練)
Friday: intensive training (猛訓練)

The photos in this chapter show the sailors performing daily military tasks, exercising, dining, etc. They also highlight the battleships, military planes, and weapons.

This photo shows the subservient relationship of the sailors to the guns above their heads.
The caption reads: “A weapon is the spirit of a military man. For a sailor, the battleship is the largest weapon; the cannons are the battleship’s most important weapon…”

The second chapter, the “Outcome of the War” (戦果篇),  presents a panorama of images of Hawaii, Malaya, New Guinea, and other targets in Southeast Asia, shortly after bombing by the Japanese planes. The photos were not intended to be realistic or artistic. Nor do they appear to attempt to “entertain” or “thrill” their audience, as today’s “war pornography” does. Seen from the distant sky, the smoke shrouds the ongoing destruction below.

For the Japanese at the time, these images likely evoked a sense of pride and superiority, and promoted a worship of the Navy, its weapons and machines, and especially of the provider of those weapons: the emperor. These images were meant to “promote unity, suppress individuality, defend hierarchy, and still dissent.” (See “Revolution by Redefinition: Japan’s War without Pictures,” by Julia Adeney Thomas, in Visualizing Fascism.)

In the preface, there are various references to “sound”:

“Breaking the thirty-years’ silence, early in the morning of the eighth day, the Japanese Imperial Navy briskly woke up and raided Pearl Harbor of Hawaii…”

卅年の沈黙を破つて蹶然と起きった帝国海軍は，開戦劈頭の八日朝，ハワイ眞珠灣を急襲し…

“The spirits of the Japanese Imperial Navy, reinforced by iron-like silence and bloody training, were released, and finally shed a brilliant light above the world.”

鐵の沈黙と血の訓練とによって倍はれに帝国海軍魂喀，遂にその燦然たる光を全世界に放つたのである.

“The photos included in this book respond to the emotional cheers (voices) of 100 million Japanese citizens.”

本帖に収録した寫眞は,…一億国民の感激の聲に答へんとするものである.

Upcoming Events: August 2022

Please note that the corridor outside RBSC has construction barriers due to ongoing library renovations, but we remain open regular hours.

There are no public events currently scheduled for August. Please check back for events being hosted in Rare Books and Special Collections during September.

An exhibition of materials from the University of Notre Dame Archives reflecting on the 50th anniversary of coeducation at Notre Dame will open mid-August and run through the fall semester.

The current spotlight exhibits are Three Sisterhoods and Two Servants of God (June – August 2022) and Fifties Flair and Seventies Feminism Presented by Two Magazines (May – August 2022). The latter exhibit will be replaced towards the end of August by an exhibit showcasing two recently acquired World War II era photo albums featuring original photographs from the within and outside of the Warsaw Ghetto’s walls.

RBSC will be closed Monday, September 5th,
for Labor Day.

Stories of Power and Diversity in Notre Dame’s Collections

This week we highlight the Hesburgh Libraries’ first student-curated digital exhibition, Still History? Exploring Mediated Narratives.

Seven Notre Dame students who enrolled in the Winter Session course, “Stories of Power and Diversity: Inside Museums, Archives, and Collecting” worked together to create this unique show. The students ranged from first year to graduate students and their fields of study included history, English, anthropology, classics, art history, and liberal studies. Their show brings together seven items from three Notre Dame campus repositories – Rare Books and Special Collections, University Archives, and the Snite Museum of Art – and reflects on how they intersect with themes of diversity. 

We invite you to explore Still History?’s seven showcases. Each explores a single object or set of objects. Each also includes a personal reflection statement about the student’s work on this project. The show presents a variety of twentieth-century visual and textual sources, including photographs by Laura Gilpin, Aaron Siskind, Ernest Knee, and Mary Ellen Mark, a poster supporting women in prison, a pamphlet on disabilities, and articles from the Observer. Questions about representation link these disparate sources and thread the showcases together in interesting ways. The students ask how art and artifacts do and do not represent the experiences of Black, Native American, LGBTQ, mentally- and physically-disabled, incarcerated, poor, and Hispanic-American individuals and groups. An introduction and afterword by RBSC’s own curators, Erika Hosselkus and Rachel Bohlmann, who taught this new course, bookend the show.

This exhibition invites viewers to connect with holdings in the University of Notre Dame’s campus repositories and to ongoing campus and nationwide conversations about diversity and representation. We are pleased to share it here!

Recent Acquisition: Living Hiroshima photo anthology

by Hye-jin Juhn, East Asian Studies Librarian

The anthology Living Hiroshima: Scenes of A-Bomb Explosion with 378 Photographs Including Scenery of Inland Sea (1948) was planned and published by the Hiroshima Prefectural Tourist Association for the purpose of introducing images of post-war Hiroshima to the world. The production was handled by Bunkasha (formerly Tōhōsha, which had published propaganda materials for the Japanese military during the war). Most of its photos were taken in 1947 by three Bunkasha photographers, two of whom also had formerly worked for Tōhōsha. The anthology also includes photos taken in 1945 by Kimura Ihē, the former head of the Photography Department at Tōhōsha.

Although published under U.S. military censorship during the American Occupation, the anthology is a rare and valuable documentation of the devastation and the recovery of the city from the bombing.

Recent Acquisition: Hugo Achugar Papers

by Hannah E. Sabal, Processing Archivist for Special Collections

The Hugo Achugar Papers have been recently described and are open to students and researchers.

Hugo Achugar (1944-) is a Uruguayan literary critic and prolific writer of poetry and essays. He has held teaching positions at universities in both Latin America and the United States, including Universidad de la República, Uruguay; Universidad Católica, Venezuela; Northwestern University; and Dartmouth College. He currently serves as a member of the Emeritus Faculty at the University of Miami. Some of Achugar’s better-known works include Ideologías y estructuras narrativas en José Donoso, 1950-1970, a literary essay on the works of José Donoso; Hueso Quevrado (cuaderno de la Bahía), a collection of poetry; and Falsas Memorias: Blanca Luz Brum, a fictionalized account of the life of Blanca Luz Brum.

Conference Materials, 1991, 2008

The collection consists of manuscripts, photographs, clippings, and journals, all forming a record of Achugar’s professional career. Included are correspondence, notes and research files, lecture and conference materials, and poetry. The collection also includes Achugar’s personal library, which will soon be cataloged.

“Hueso Quevrado (Cuaderno de la Bahia),” Drafts, 2004-2006 (folder 1)

The highlight of the collection is the series of articles and drafts, comprised of drafts of both published and unpublished essays, poetry, and fiction. For some works, there are multiple drafts written at different points in time, allowing researchers to follow Achugar’s writing process. For example, in the series exist various drafts, notes, and preparatory materials for Hueso Quevrado, representing Achugar’s process from research to draft to revision.

“Hueso Quevrado (Cuaderno de la Bahia),” Drafts, 2004-2006 (folder 2)

For more information on this collection, please view the online finding aid.

Recent Acquisition: The Hildegard Sekler Collection

By Jennifer Brcka, Processing Archivist for Special Collections

In the immediate wake of the Anschluss, or German annexation of Austria on March 12, 1938, the German Reich initiated a campaign against that nation’s Jewish citizens. The Seklers, a Viennese family, were victims of these actions, and later, of the Holocaust. The Hildegard Sekler Collection, a recent archival acquisition by Hesburgh Libraries’ Rare Books and Special Collections, records the family’s story through a series of letters and documents.

The collection consists of over 400 pieces of correspondence generated surrounding the separation of Leopold and Toni Sekler from their daughter, Hildegard. Most relate to Hildegard’s flight from Austria at the age of sixteen, and chiefly date from the years between 1939 and 1945. The bulk are personal letters and postcards sent to Hildegard by family, friends, and her tutor. A body of official correspondence with governmental and aid agencies has been preserved here, as well. More than 100 documents and personal papers are also found within the collection. These range from official records relating to Leopold’s career in the Vienna Finance Ministry to, less formally, Hildegard’s homework assignments, school notes, and essays.

Name change slips for Leopold and Toni Sekler and the latter’s passport, as displayed in the January 2019 spotlight exhibit about Theresienstadt (Terezín).

This group of personal documents includes Leopold and Toni Sekler’s passports. In August of 1938, the German authorities enacted the Executive Order on the Law on the Alteration of Family and Personal Names. This order required Jews with non-Jewish first names to formally add “Israel” for males and “Sara” for females to their legal names. The Seklers were forced to comply. Three slips noting the name changes for each remain inserted in Leopold Sekler’s Passport. Following a similar pronouncement aimed at identifying Jewish citizens, Toni Sekler’s passport was stamped with a red “J”.

Letters illuminate desperation the family felt in the months that followed. Leopold Sekler appealed to Switzerland and the United States to obtain visas for the family to emigrate. His requests were met with delays and little success. Undeterred, he sought out directories and wrote to a handful of New Yorkers, strangers with the Sekler name, whom he hoped might provide support for a visa application. Replies from a Constance Sekler express frustration over past experiences with the Consulate in Vienna, as well as with her own limited resources. Empathetic, though unable to assist, she wrote, “Whether or not we are related isn’t of great importance because I am just as much interested in your welfare in any event.” A Jack Sekler, living in the Bronx, was able to offer support, though a quota system placed the Sekler family on a waiting list, and ultimately prevented their seeking asylum in America.

In January of 1939, a letter from the Welfare Headquarters of the Jewish Cultural Society advised that it had secured passage to England for Hildegard. At age 16, she quickly fled, unaccompanied, to London where she lived in a youth hostel. A wave of letters from her parents and concerned family and friends soon followed. Many capture the bleakness of the situation for those who remained in Austria.  A March 14, 1939 letter sent by Trude Mesuse states (in German), “Furthermore, your father wants you to know, if he writes “ich” like this at the end or the beginning of a sentence, you ought to pay attention to this sentence and think about it, because it will have a particular meaning he can’t express clearly writing from Vienna. And you should be careful when you write, too.”

Many letters express the love and concern of parents separated from their only child. In a letter (in English) from her father on June 1, of 1940, he asks his “Dear Hilde” to, “[…] stay in the garden as long as possible and to sleep by open windows. You had better to speak only English, at home too. It would be better for all big girls. The German language you will not forget, I am sure. The conversation is the most important and the best mean to learn a language, believe me, I know it by experience.” By 1941, sending correspondence to countries at war with Germany was prohibited, and Leopold used the Red Cross Message Service to send his daughter greetings on her nineteenth birthday.

Further correspondence within the collection convey the uncertainties of life in London during the Blitz. Hildegard studied in London with a tutor, Dr. Judah Simon Goller, who wrote her frequently. In an undated letter he mentions two children, mutual acquaintances and also displaced minors, who had recently left London to be reunited with family. He muses, “So the twins have gone, and we are short two more. Please God, [may] they reach their parents in safety and soon forget all their sorrows, and remember sometimes the little joys they shared with us. I wonder what’s the good of telling me not to worry about the children when there’s a raid on? I just can’t help it.”

Hildegard continued, unsuccessfully, to seek a means for her parents to flee Austria. In October of 1942, Leopold and Toni Sekler were deported to Theresienstadt, a transit and labor camp. From there, the couple were transported to Auschwitz on October 12, 1944. Neither survived. Hildegard married her tutor, Dr. Goller, in 1960. She remained in London until her death in 2008.

Through materials largely in German or English (and occasionally in French), the Hildegard Sekler Collection presents a unique view of the Anschluss and its aftermath, unaccompanied child refugees of the Holocaust, wartime experiences in London, and personal histories of prisoners of Theresienstadt. The collection (MSE/MD 6408) is open for research in Rare Books and Special Collections, and a detailed finding aid can be found online.

Upcoming Events: August and early September

Please join us for the following events being hosted in Rare Books and Special Collections:

Wednesday, August 22 at 3:00pm | “The Conservation of Dante’s 1477 La Commedia.” A public talk by Jeff Peachey (Independent Book Conservator, New York City). The conservation treatment of the Hesburgh Libraries’ important copy of Dante’s La Commedia (Venice: Vindelinus de Spira, 1477) will be detailed in this profusely illustrated lecture. Bibliophiles, conservators, librarians, Italian scholars, and anyone curious about the physical structure of books will find this lecture of interest.

Thursday, August 23 at 5:00pm | The Italian Research Seminar: “The Scene of the Crime: Tombolo On- and Off-Screen” by Charles Leavitt (Notre Dame). Sponsored by Italian Studies at Notre Dame.

Friday, September 7 at 1:00pm | Operation Frankenstein: “Illustrated Frankenstein: The 200th Anniversary Edition” by David Plunkert (artist and illustrator for The New Yorker). Operation Frankenstein is a semester-long series of interdisciplinary events taking place at the University of Notre Dame to celebrate the bicentennial of Mary Shelley’s novel.

 

The exhibit In Solzhenitsyn’s Circle: the Writer and his Associates will open on August 20 and run through the end of the semester.

The current spotlight exhibits are Frankenstein 200 (August – December 2018) and The Forbes Simulachres: The “Dance of Death” Reimagined (July – August 2018).

RBSC will be closed Monday, September 3rd, for Labor Day.