The June spotlight exhibit, on display through the end of the month, is J. P. Homann’s “Buffalo Map,” ca. 1720.
On display is a map of North America by the important German cartographer J. P. Homann, emphasizing French claims in the Mississippi River Valley in the early eighteenth century. The map is one of several hundred items making up the Edward and Sheila Scanlan Collection of Maps of the Great Lakes Region, donated by the Scanlans to the Hesburgh Libraries in 2003-04. The exhibit is curated by George Rugg (Curator, Special Collections).
The July spotlight exhibit will feature German children’s literature from the two World Wars, and will be co-curated by Sara Quashnie (MLIS Candidate, University of Illinois, Urbana-Champaign, ND ’15) and Julie Tanaka (Curator, Special Collections).
The Summer spotlight exhibit, on display now through September, is “Which in future time shall stir the waves of memory” — Friendship Albums of Antebellum America. On display are seven manuscripts from Special Collections’ manuscripts of North America holdings.
Among the characteristic manuscript forms of antebellum America are albums filled with poetry, prose, drawings, and other content created for the book’s owner by family and acquaintances. Such friendship albums, as they are called, have a long history, but they were especially prevalent in the Romantic era, with its new ideology of sentimental friendship. In the United States friendship albums begin to appear in number in the 1820s, and while contributors were often male, the albums themselves were usually maintained by young women.
The current spotlight exhibit, “Exhibition of Artifacts from Mother Cabrini’s Archive”, will close May 19. The summer spotlight exhibit will highlight North American Antebellum friendship albums and will open the following week.
Rare Books and Special Collections is open
regular hours during the summer —
9:00am to 5:00pm, Monday through Friday.
RBSC will be closed for Memorial Day, May 29th,
and the Fourth of July.
Join co-curators Rachel Bohlmann (American History Librarian) and Jean McManus (Catholic Studies Librarian) for a guided tour Thursdays at 12:30 pm through March (excluding Spring Break, March 16), and learn more about American Catholic history held in the library’s Rare Books and Special Collections and ND Archives. Tours will last up to an hour.
To schedule a class or group tour, please contact Rachel Bohlmann via email or phone: (574) 631-1575.
Spotlight Exhibits: Bram Stoker’s Lecture on Abraham Lincoln and The Nathaniel Rogers Sermon Notebook, ca. 1634-1645.
Please join us for the following event being hosted in Rare Books and Special Collections:
Thursday, Feb. 23 at 5:00pm | The Italian Research Seminar:Graduate Student Presentations — “Memory, narration and intertextual references: Shakespeare’s presence in the works of Primo Levi” by Valentina Geri, and ” ‘I don’t like labels’: Reactions to the Publication of The Complete Works of Primo Levi” by Lorenzo Bonaiti. Sponsored by Italian Studies at Notre Dame.
Birds! Winged Wonders in Naturalists’ Eyes concludes this week and a new exhibit goes in showcasing a 13th-c. Bible leaf from a Parisian Bible painted by the Dominican Painter, once in the possession of Chester Beatty: A Leaf from the Chester Beatty Bible (W.116).
The Nathaniel Rogers Sermon Notebook, ca. 1634-1645 continues through March.
A new exhibit opens January 16: “Preserving the Steadfastness of your Faith”: Catholics in the Early American Republic. This exhibition displays examples of American Catholicism expressed through (mostly) printed texts from 1783 through the early 1840s. They include the earliest Catholic bibles published by Mathew Carey, and editions of Thomas à Kempis’ The Imitation of Christ used and produced in the United States; polemical pamphlets with sexual and political subtexts that flew back and forth across the Atlantic; no-holds-barred dueling sectarian newspapers; books and pamphlets created in reaction to mob violence against the Ursuline convent school near Boston; and official reports that mapped the Church’s growth and growing pains. The exhibition is curated by Rachel Bohlmann and Jean McManus.
Continuing on display during the month are the two spotlight exhibits: Birds! Winged Wonders in Naturalists’ Eyes and The Nathaniel Rogers Sermon Notebook, ca. 1634-1645
Revolutions in politics, thought, science, society, and art swept through Western Europe during the century and a half that stretched from the 1680s to the early 1800s, the period often referred to as the Enlightenment. Significant advances were made in the natural sciences. Previously investigated within the presuppositions and methods of theology, the study of nature was now guided by new methods of scientific inquiry. Examining specimens and observing plants and wildlife in their native environments allowed a new generation of natural scientists to compose scientifically verifiable accounts of the natural world exemplified by Georges-Louis Leclerc, Comte de Buffon’s Histoire naturelleand Mark Catesby’s Natural History of Carolina, Florida, and the Bahama Islands.
Emerging from this work was ornithology, the study of birds. Birds captured the interest of eighteenth century society; they were an important food source, used as symbols in armorial designs, and were a source of amusement for hunters, artists, and onlookers. This new discipline brought more accuracy and realism to descriptions of birds. Personality traits such as a goose keeping careful watch and having the power to understand wisdom as the Roman naturalist, Pliny the Elder, records yield to physical characteristics such as Mark Catesby’s description of the white-bill woodpecker’s bill being “white as ivory, three inches long, and channelled from the basis to the point.” Books about birds now brought empirical knowledge and life-like illustrations to a new audience. Notable in this effort are Thomas Bewick and his early field guide, A History of Birds, compact and written for the general bird enthusiast.
The exhibit is open to the public.
December 2, 2016 – January 31, 2017
Hesburgh Library, room 102
University of Notre Dame
Come see other natural histories and books on ornithology in Special Collections including:
This small exhibit highlights selections from the Hesburgh Libraries’ collections of musical adaptations of Dante’s works. On view are historical examples of compositions relating to Dante’s Divina Commedia and Vita Nuova. While Dante witnessed musical adaptations of his texts composed already in his own lifetime, they hit a high point in the mid-19th century when the author’s popularity surged in both Italian and translation readership.
This spotlight exhibit will be visible from October 3-28 in Rare Books & Special Collections on the ground floor of Hesburgh Library. The exhibit is presented in conjunction with Journeying La Divina Commedia: Desert, Discovery, Song, an interdisciplinary musical project, which will be performed at the DeBartolo Performing Arts Center on the campus of the University of Notre Dame on October 8-9, 2016.
For more information about the exhibit or collections in this area, please contact Tracy Bergstrom, Curator of the Zahm Dante and Early Italian Imprints Collection.
The posthumous First Folio printing of William Shakespeare’s plays in 1623 represents a landmark development in the history of English drama, rescuing some of the bard’s works that would have been lost forever. The earlier editions that do exist, however, differ markedly from the First Folio, and there is little evidence that Shakespeare oversaw their publication. What, then, is the “real” text?
The Shakespeare we know emerges from hundreds of years of this debate. Current holdings and recent acquisitions in Rare Books and Special Collections shed light on the discussion as it developed into the nineteenth century. Selections from the Second and Third Folio accompany printings by some of Shakespeare’s earliest critical editors, including the famous poet Alexander Pope and the moral censor Thomas Bowdler.