A Woman’s Reporting on the Bonus Army in Depression-Era Washington

by Rachel Bohlmann, American History Librarian and Curator

Rare Books and Special Collections recently acquired a small archive that documents the Bonus Army—a Depression-era protest by World War veterans and their families. Lonore Kent (1907-1993), a journalist living in Washington DC at that time, created and assembled these sources.

In 1924, Congress had rewarded World War soldiers for their service with certificates of investment that would be payable by the government in 1945. By 1932, however, many veterans, like millions of Americans, were desperate after nearly three years of the nation’s disastrous economic depression. Former soldiers began to demand that President Herbert Hoover pay out the promised veteran bonus immediately, given the national (and global) crisis. The men’s plea caught the attention of people who thought the federal government should be doing more to address the economic depression and people’s real need. By the spring of 1932 legislation began moving through the House of Representatives’ Ways and Means Committee.

Some veterans, in a determined effort to put the case directly to their Congressional representatives, embarked for Washington. In early May, 300 former soldiers left Portland, Oregon, bound for the capital. Quickly dubbed the Bonus Army, they were joined by a trickle and then a river of veterans and their families nationwide. By June 40,000 Bonus Army marchers were in Washington; some huddled in makeshift shelter amid construction sites downtown, but the largest concentration of marchers settled on a muddy stretch of the Anacostia River, in an encampment of thousands of men, women, and children.

On June 15, 1932, the House passed enabling legislation, but the Senate blocked the bill two days later. This spared Hoover the embarrassment of vetoing it, which he had promised to do, citing budgetary constraints. Most Bonus Army members stayed put, hoping for some form of government relief. By the end of July, as Hoover looked to his re-election prospects in November, the President ordered city officials to disperse the Bonus Army. When some squatters resisted, Hoover called in US Army General Douglas MacArthur to restore order. MacArthur exceeded his instructions, however, using armed troops, tanks, and cavalry to drive Bonus Army families out of their shacks and tents, and burning the Anacostia River encampment to the ground.

Lonore Kent’s collection offers a perspective on MacArthur’s violent overreach on the night of July 28 and the charred remains the next day. In a letter to her parents, Kent described how she used her press pass to get onto the Anacostia Bridge between Maryland and Washington, where a line of soldiers—bayonets drawn—fired tear gas at the evicted and homeless Bonus Army to keep them from crossing the bridge and entering the city. Beyond the soldiers, Kent saw the Bonus Army camp in flames.

Kent drew a map of where she was that night—in relation to the soldiers, the encampment, and what she saw. (She identifies the river as the Potomac, probably short for the “Eastern Branch of the Potomac,” commonly-used for the Anacostia River.) The next day she returned to the burned-out site and documented some of the destruction. Kent reflected on the Bonus Army, noting, “Probably the granting of the bonus is unsound economically, but you can’t expect people to be impressed with such arguments when they are starving.”

Hoover’s mistreatment of the Bonus Army and general mishandling of veterans’ requests for economic assistance fatally soured the nation on his administration. The brutal ousting of the Bonus Army came to symbolize Hoover’s callous indifference to Americans’ suffering and his inability to govern amidst a national economic disaster. In the fall, Franklin Delano Roosevelt decisively defeated Hoover and implemented federal-level economic and social reforms to address the magnitude of the Great Depression. The Bonus Army, although defeated in 1932, re-formed and continued to press for an early payout, which Congress granted in 1936.

RBSC welcomes researchers to use this collection (MSN/MN 10053) and others on American history topics. For further reading see Stephen R. Ortiz, Beyond the Bonus March and GI Bill: How Veteran Politics Shaped the New Deal Era. New York: NYU Press, 2009.


A happy Memorial Day to you and yours
from all of us in Notre Dame’s Special Collections!

2016 post: Memorial Day: Stories of War by a Civil War Veteran
2017 post: “Memorial Day” poem by Joyce Kilmer
2018 post: “Decoration Day” poem by Henry Wadsworth Longfellow
2019 post: Myths and Memorials
2020 post: Narratives about the Corby Statues—at Gettysburg and on Campus
2021 post: An Early Civil War Caricature of Jefferson Davis
2022 post: Representing Decoration Day in a 19th Century Political Magazine


Rare Books and Special Collections is closed today (May 29th) for Memorial Day and will be closed on July 4th for Independence Day. Otherwise, RBSC will be open regular hours this summer — 9:30am to 4:30pm, Monday through Friday.

During June and July the blog will shift to our summer posting schedule, with posts every other Monday rather than every week. We will resume weekly publication on August 7th.

Congratulations to the 2023 Graduates!

Best wishes to the 2023 graduates of the University of Notre Dame, Saint Mary’s College, and Holy Cross College, from all of us in Rare Books and Special Collections.

We would particularly like to congratulate the following students who worked in Special Collections during their time on campus:

Sarah Berland (ND ’23), Bachelor of Arts in Neuroscience and Behavior, with an Irish Language and Literature Minor.

Kathryn Heyser (ND ’23), Bachelor of Science in Aerospace Engineering and Bachelor of Arts in History.

Both images: MSE/EM 110-1B, Diploma, University of Padua, 1690

An early Italian vernacular response to Martin Luther’s teachings

by Alan Krieger, Theology and Philosophy Librarian

The Hesburgh Libraries has recently acquired a very rare sole edition of an early Italian vernacular response to Martin Luther’s teachings, Giovanni Pili Da Fano’s Iesus Maria Opera vtilissima uulgare co[n]tra le pernitiosissime heresie Lutherane p[er] li simplici (Bologna, 1532).

“At the end of the 1520’s and especially in the course of the 1530s, the Italian market offered a wide range of anonymous books in the vernacular that were merely translations, often partial, of Lutheran texts disguised behind seemingly innocent titles… To the complete absence of reaction by controversialists … there had been one significant exception… Giovanni of Fano offered the uneducated reader a Luther skilled in controversy, a violently anti-Roman, systematic theologian and subverter of tradition, presenting, together with a ‘clearer notice’ of the fundamentals of Catholic doctrine, a fully detailed picture of Lutheran errors.”

Giorgio Caravale, Beyond the Inquisition:
Ambrogio Catarino Politi and
the Origins of the Counter-Reformation

(University of Notre Dame Press, 2017)

The first chapter of the work treats the handling of all kinds of heretics. Fano subsequently introduces his lay reader to the usual anti-Lutheran responses found in Latin treatises of the time: on the unity of the Church; St. Peter and the Apostolic Succession; on faith, Confession, the Eucharist, indulgences, Purgatory, idolatry, prayer, and finally on the celibacy of the clergy.

We have located only one other North American institutional holding of this title.

Summer Exhibition Spotlights 1940s Periodicals

by Rachel Bohlmann, American History Librarian and Curator

Rare Books and Special Collections recently acquired limited runs of two American periodicals from the 1940s, New York’s View and The Texas Spectator. Each captures part of the zeitgeist of the 1940s, war-time to peace-time.

View, a quarterly magazine published in New York City, covered the avant-garde and surrealist art scene from 1940 through 1947. The publication drew American artists—like Georgia O’Keeffe, Man Ray, and Alexander Calder—and also featured European artists, many of whom were wartime refugees. These included Marcel Duchamp, Max Ernst, André Masson, and Marc Chagall, and writer André Breton.

As shaped by the editorial hands of artist and writer Charles Henri Ford and author and film critic Parker Tyler, View unabashedly popularized surrealism in the US while also challenging the European movement’s sexual conventionalism.

The Texas Spectator newspaper, published weekly in Austin, maintained a progressive, sardonic eye on Texas politics between 1945 and 1948. The paper featured reporting by liberal journalist and novelist Hart Stilwell, and western writer J. Frank Dobie.

The newspaper’s motto—from Shakespeare’s Cymbeline—conveyed its raison d’etre: “Fear no more the frown o’ the great . . . Thou art past the tyrant’s stroke.” It championed civil rights, education, and labor, and scrutinized the state’s powerful oil and gas companies and their political surrogates.

At first glance View and The Texas Spectator’s differences seem obvious. The former promoted a cultural movement propelled by elements of surprise and spontaneity, while the former engaged in a David vs. Goliath struggle over political power. Yet they share an optimism about the possibility of social and political change for a better future.

The Henry Grattan Pamphlet Collection

by Aedín Ní Bhróithe Clements, Irish Studies Librarian

The Henry Grattan Pamphlet Collection, purchased by the Hesburgh Libraries some twenty years ago, deserves to be highlighted in a blogpost.

Henry Grattan (1746-1820), was a prominent Irish politician, closely associated with the Irish parliament so that from 1782 until the Act of Union of 1800, it was known as ‘Grattan’s Parliament.’ 

The collection of books and pamphlets, bound together in nine volumes, comprise part of his personal library. These nine volumes became separated from the rest of the Grattan Library which was sold at auction in 1888. These volumes were discovered some hundred years later in a country house in Ireland.

The thematically-arranged volumes are handsomely bound with a title on each spine and a list of contents inside, hand-written in ink by Henry Grattan and another person.  Many of the publications also have marginal pencil marks and some have annotations.

The volumes are as follows:

1. Ireland. Free Trade & Independence
2. Ireland.
3. Ireland. 1798
4. Ireland. Catholics
5. Ireland. Catholics
6. Ireland. Catholics
7. Ireland. Union
8. Ireland. Union
9. Ireland. Union

The fourth volume shown here has the usual listing of contents written on the inside cover, and this volume also has Henry Grattan’s name inscribed in ink.

Pencilled annotations were cut when the pamphlet was trimmed for binding.

Grattan’s careful reading of some of the publications may be inferred from pencil marks in the margins. In this example, the penciled annotations appear to have been cut when the pamphlet was trimmed for binding.

While the individual pamphlets are rare in libraries, digitized copies of various editions are available. Therefore, it is the provenance and the selection and grouping together of these publications that makes them so interesting, as part of the working library of an Irish politician.

To see a complete list of the pamphlets and books in these nine volumes, type the following in the ND Catalog: Henry Grattan Pamphlet Collection.