Welcome Back! Fall 2025 in Special Collections

Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Fall 2025! We want to let you know about a variety of things to watch for in the coming semester.

Fall 2025 Exhibits

“What through the universe in leaves is scattered”
Mapping Global Dante in Translation

This exhibition traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature.

This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo (Notre Dame Italian Studies doctoral candidate) and co-curators Giulia Maria Gliozzi (Notre Dame Italian Studies doctoral candidate), Inha Park (Notre Dame Italian Studies doctoral candidate), and Peter Scharer (Yale Comparative Literature doctoral candidate). Theodore J. Cachey Jr. (Notre Dame) and Jacob Blakesley (Sapienza Università di Roma) served as consultants on the exhibit.

Current Spotlight Exhibits

Bibliomania: The Library of Sir Thomas Phillipps

May – December, 2025

Few 19th-century antiquarians matched the obsession or eccentricity of English baronet Sir Thomas Phillipps (1792-1872). A self-described “vello-maniac” (lover of parchment), Phillipps spent his life and fortune amassing what became the largest manuscript collection of his time. It included more than 60,000 manuscripts and 20,000 printed works.

Upon his death, Phillipps mandated that his collection never be dispersed, nor that any Catholic ever be permitted to view his library. After his will was contested, however, Phillipps’ descendants began the century-long process of ridding themselves of the burdensome trove. This exhibit features five manuscripts that have made their way from the Phillipps collection to the University of Notre Dame, testifying to the fraught legacy of one of history’s most extreme collectors. In this exhibit, three medieval charters, a medieval codex, and an early modern treatise are now available for all to see, in direct contrast to Phillipps’ restrictive wishes.

This exhibit is curated by Anne Elise Crafton, 2024-2025 Rare Books and Special Collections Postdoctoral Research Fellow.

Ars praedicandi: The Materiality of the Medieval Sermon

June – September, 2025

This exhibit displays a medieval sermon composed from a variety of preaching aids and sourcebooks: bibles, summae, florilegia, and other systematized anthologies. The sermon was the most influential vehicle for religious and moral instruction: virtues, vices, canon law, and living the faith all reached the masses in urban centers through preaching. The physical formats of the manuscripts themselves provide insight into pastoral care in the medieval world. This exhibit emphasizes a few of the many items from the Hesburgh Library’s collection of medieval manuscripts created for and used by actual medieval preachers.

This exhibit is curated by David T. Gura, Ph.D., Curator, Ancient and Medieval Manuscripts, Concurrent Professor of Classics and the Medieval Institute.

These and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

All exhibits are free and open to the public during business hours.

Special Collections’ Classes & Workshops

Throughout the semester, curators will lead instructional sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections materials to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.

Events

This program is free and open to the public.

Friday, September 12 from 2:00 to 3:30 pm | Exhibit Open House: Drop in to meet and speak informally with curator Salvatore Riolo (Notre Dame Italian Studies doctoral candidate) about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions.

Learn more about other Special Collections and Hesburgh Library events.

Recent Acquisitions

Special Collections acquires new material throughout the year. Watch this blog for information about recent acquisitions.

Anticipated Closures

Rare Books and Special Collections is regularly open 9:30am to 4:30pm, Monday through Friday. The department will be closed for the following holidays and events:

September 1, for Labor Day (Monday)

November 27–28, for Thanksgiving (Thursday and Friday)

Our last day open before the campus closure for Christmas Celebration will be Tuesday, December 23. We will reopen on January 5, 2026.

Hours and other information for all Hesburgh Library locations can be found on the Library Website.

Bibliomaniac: The Library of Sir Thomas Phillipps — a spotlight exhibit in Special Collections

by Anne Elise Crafton, PhD, RBSC Postdoctoral Research Fellow, Hesburgh Libraries

Sir Thomas Phillipps, 1st Bt, by Alexander George Tod (albumen carte-de-visite, late 1860s-early 1870s)

National Portrait Gallery, London; Photographs Collection, NPG x12731

Few 19th-century antiquarians matched the obsession of English baronet Sir Thomas Phillipps (1792-1872). A self-described “vello-maniac” (lover of parchment), Phillipps spent his life and fortune amassing what became the largest manuscript collection of his time — over 60,000 manuscripts, plus 20,000 printed works. 

Driven by a fear of biblioclasm, Phillipps’ believed he was preserving manuscripts from destruction. This, however, came at a great cost. Life at his estate, Middle Hill, was characterized both by the extreme debts and temper of its master. Phillipps feuded with nearly everyone, including neighbors, tradesmen, tax collectors, scholars, Catholics, curators, his father, wives, daughters, and especially his son-in-law, James Haliwell. Despite near-constant financial ruin, he continued to buy relentlessly, often enlisting his daughters to help catalog and transcribe his acquisitions. 

The summer Spotlight Exhibit (running from May through August), Bibliomania: The Library of Sir Thomas Phillipps, features five items from this impressive collection.

Three of the items in this exhibit are medieval English documents known as “private charters” — that is, records of transactions between private citizens.

According to these documents, Ch_ang_01_12 (above) and Ch_ang_01_13 (below), on October 28, 1264, a man named Thomas conveyed vast tracts of land in Yorkshire to his daughters, Ramette and Berthe.

Despite his vast collection, Phillipps infamously rarely read the items in his library. Indeed, one of the great criticisms levied against the collector was that he simply hoarded manuscripts without the ability or interest to use them. An exception, however, were charters. Driven by a passion for genealogy, Phillipps was known to scour deeds for names and places for use in studies of pedigree, which he published with his own private press.  

Yet, notwithstanding this personal interest, thousands of the deeds in his collection went uncatalogued during his lifetime. Only after his death did his grandson, Thomas FitzRoy Fenwick, receive legal permission to organize the collection for sale, at which point over 26,000 items were finally given their iconic Phillipps numbers. To streamline the process, Fenwick often gave the same number to related items, such as Ch_ang_01_12 and Ch_ang_01_13, both catalogued as Phillipps no. 27,951. 

You can see the hand of Thomas FitzRoy Fenwick on the exterior of Ch_ang_01_09, the third charter in this exhibit. Ch_ang_01_09, which records a 14th century transaction between Robert of Cawthorne to Nicholas and Walter del Brom, is in its original “docketed” form — a pre-modern filing system in which documents were folded and labeled. Above the labels of “Scelmthorpe” (Skelmanthorpe, a nearby town) and “Lanc” (perhaps referencing the Lancaster family, lords of Skelmanthorpe), Fenwick wrote the number “29,202.” See the video below for how this charter unfolds!

Although Phillipps often described himself as a “vello-maniac,” he also owned many paper manuscripts. The other two items in this collection — both bound paper codices — tell us even more about the extensive Phillipps collection. 

This French manuscript (MS Fr. c. 2) contains the poem “The Song of Bertrand of Guesclin,” one of the last examples of the Old French epic tradition. This Chanson, copied in 1464, tells the story of Breton noble Bertrand, who rose to fame during the Hundred Years War. Phillipps acquired this copy from the library of Richard Heber (d. 1833). Though unable to afford the 1,700 manuscripts in the collection, Phillipps persuaded the auction house to postpone sale until he could amass the appropriate funds, which he finally did in 1836. The shelfmark affixed to the spine, by Phillipps or his daughters, identifies this manuscript as the 8,194th item in his library.  

Finally, although you might associate the early modern era with the advent of the printing press, people continued to write the majority of their works by hand for centuries. The final item in this collection is one such manuscript. 

In 18th century Europe, vampirism was a hotly debated topic. The concern was so great that in 1739 Pope Clement XII asked Giuseppi Antonio Davanzati to examine the subject. Though skeptical of such creatures, Davanzati’s Dissertazione sopra I Vampiri (MSE/EM 1005-1B) is often credited with introducing the word vampire to the Italian language. 

In his first catalogue of his library, Phillipps claimed to have acquired this copy of the Dissertazione (Phillipps no. 5,485) in 1830, when he purchased 1,560 items from the library of Frederick North, 5th Earl of Guilford (d. 1827). The manuscript does not appear in the original catalogue of the Guilford sale (Phillipps claims it was included informally), and so we must take him at his word. 

Upon his death, Phillipps’ will mandated that his collection never be separated, nor that any Catholic ever be permitted to view the collection. These wishes proved untenable, and over the next century, his vast library was slowly dispersed. Today, as this exhibit attests, fragments of his hoard reside in institutions worldwide — including the Hesburgh Library.


After earning a Ph.D. in Medieval Studies at the University of Notre Dame, Anne Crafton undertook a postdoctoral fellowship in the Hesburgh Libraries’ Rare Books and Special Collections (RBSC), where she spent a year cataloging a diverse collection of previously undocumented materials. The opportunity was made possible through the College of Arts & Letters’ 5+1 postdoctoral fellowship program, which offers a postdoctoral fellowship to any student who finishes and submits their dissertation in five years.

Ars praedicandi: The Materiality of the Medieval Sermon — a spotlight exhibit in Special Collections

by David T. Gura, Ph.D., Curator, Ancient and Medieval Manuscripts

During the Middle Ages, the sermon was the most influential vehicle for religious and moral instruction: virtues, vices, canon law, and living the faith all reached the masses in urban centers through preaching. The term ars praedicandi (art of preaching) describes the literary genre of treatises that provide techniques (artes) and instruction for preaching. In addition to the composition of the sermon, artes praedicandi also address how a preacher should comport himself, what to study, and even how to speak and gesture while preaching. Numerous treatises from the twelfth- and thirteenth-century on the topic survive composed by well-known masters like Alan of Lille, Richard of Thetford, Humbert of Romans, and Ranulf Higden, but many anonymous examples exist.

The June-July spotlight exhibit displays a medieval sermon composed from a variety of preaching aids and sourcebooks, and emphasizes a few of the many items from the Hesburgh Library’s collection of medieval manuscripts created for and used by actual medieval preachers.

During the thirteenth century a new, more thematic type of sermon originated in the medieval universities, particularly the University of Paris: the scholastic sermon (sermo modernus). Likewise, new religious orders focused on preaching were created: namely the Franciscans in 1209 and Dominicans in 1216, who were in need of instruction and books. This resulted, especially in Paris, in an outpouring of different types of manuscripts need for sermon composition and preaching. Pandect Bibles (all biblical books in one volume) became pocket sized and portable, and a host of preaching aids were produced. For example, knowledge was systematized into reference manuals (summae) and textual anthologies (florilegia), both of which were used in composing sermons.

According to Sigfried Wenzel’s method of analysis (2015), a typical scholastic sermon can be outlined like this:

Thema is announced (quote from Scripture that the sermon builds on)
Protheme (prepares audience and capture their good will)
Oratio (prayer for divine assistance, often Hail Mary or Our Father)
Thema is repeated
Bridge passage (adapts the thema to the intention of the sermon)
Introductio thematis (why the thema was a good choice; helped by proverb, simile, quote, story)
Diuisio thematis (thema divided into parts; meaning of the thema unfolded)
Confirmatio (confirmation or proof of divisions; often with sentence from Scripture)
Prosecutio (thema developed with subdivision, subdistinction, elaboration, examples, etc.)
Vnitio (combination of all the parts)
Conclusio (closing formula with a prayer asking for God’s grace)

Some sermon collections enjoyed broad circulation and different traditions of use. For example, ca. 1240 Philip the Chancellor composed 330 scholastic sermons on the Psalms while he was chancellor of the Cathedral of Notre Dame in Paris. These sermons originated within the university milieu, but continued to have a robust afterlife. The fragmentary copy currently in the Hesburgh Library’s collection (cod. Lat. b. 11), once was part of the Servite Library at San Marcello al Corso in Rome ca. 1382–1402, where it was used in the formation of its novices despite being over one hundred forty years old. The Servites added an ownership inscription when the manuscript entered the collection at San Marcello. By 1402 the starving friars were selling books to survive and the library burned down in 1519. A later owner erased the inscription and obscured the medieval provenance of the manuscript, which was later dismembered in Cleveland, Ohio by biblioclast Otto F. Ege. Using ultraviolet light, the erased text can be revealed and for the first time the Servites’s ownership is known.

Bibliography

David T. Gura, A Descriptive Catalogue of the Medieval and Renaissance Manuscripts of the University of Notre Dame and Saint Mary’s College, pp. 204-213. University of Notre Dame Press, 2016.

David T. Gura, “The Medieval Provenance of Otto Ege’s ‘Chain of Psalms’ (FOL 4),” Fragmentology 4 (2021): 94-99.

Sigfried Wenzel, Medieval ‘Artes Praedicandi’, pp. 48, 50-95. University of Toronto Press, 2015.

Unfolding and Understanding a Medieval English Charter

by Anne Elise Crafton, PhD, RBSC Postdoctoral Research Fellow, Hesburgh Libraries

As the 2024-2025 Rare Books and Special Collections Postdoctoral Research Fellow, I learn something new about the Hesburgh Library’s diverse collections every day. This is especially true of my primary research project: the description and arrangement of the library’s hitherto uncatalogued collection of medieval and early modern charters. The collection includes both public and private documents – primarily concerned with land and land-based transactions – spanning eight centuries and three countries (England, France, and Italy), though the majority are of English origin.

Many of the medieval English charters were part of the vast documentary collection of famous antiquarian and bibliophile, Sir Thomas Philipps (d. 1872). In fact, the iconic “Philipps Numbers” which he used to identify the over 40,000 documents in his collection are still visible on the exterior of many of the charters in the Hesburgh Library’s collection.

Image taken by Jen Hunt Johnson, Special Collections Conservator.

This Lincolnshire charter was evidently the 30,607th document to join the extensive Philipps collection. After his death, the collection was eventually disbanded and sold. Now, libraries across the world hold small portions of the once massive collection. Of the Hesburgh Library’s collection of charters, at least thirty-five were once owned by Sir Thomas Philipps.

Philipps was not the first person to annotate these charters before they arrived at the Hesburgh Library. In the Middle Ages, after the transaction was complete, the parties involved would add their personal seals and tightly fold the charter recording the event using a method known as “docketing.” This collection of charters was received in their original docketed form and are currently being flattened for ease of access by Hesburgh Library’s Special Collections Conservator Jen Hunt Jonson. The photos in this post were taken during that ongoing process.

Once docketed, a scribe would label the document, naming the location of the land in question, names of the parties, or the date. If no medieval label existed, early modern archivists might inscribe a label according to their own filing systems.

This next charter from the collection, for example, still retains a medieval wax pendent seal bearing an “S” and the word “Ughill,” a small town in Sheffield, Yorkshire, in an early modern hand. This corresponds with the text on the interior, which tells us in Latin that a Richard Schagh granted a tenement in “Ugilwode” to a Thomas Curton in 1377.

Image taken by Jen Hunt Johnson, Special Collections Conservator.

A third charter in the collection also bears an early modern inscription which reads, among other notes, “Without Date.” This is true. The text inside does not include the date of signing, though this is not particularly unusual for medieval English charters. Using modern resources and research, however, it is possible to ascertain a general date of origin.

Image taken by Jen Hunt Johnson, Special Collections Conservator.

This particular charter is a “feoffment” – an exchange of land for a pledge of service – between Thomas Furnival, son of Thomas Furnival, and John Witely, son of John Witely concerning lands in “Wiggethuysel” (Wigtwizzle, near Sheffield, Yorkshire). All in all, this charter is extremely typical of medieval English charters; the names “Thomas” and “John” are common medieval names and the contract between them is nothing special. The handwriting – a popular medieval English script known as “Cursiva Anglicana” – only tells us that the charter is medieval and English. There are few clues in the physical material of the charter – like many medieval charters, this document is small, made of soft parchment, and stained with wax.

There is, however, a clue in the surname “Furnival” (highlighted in yellow below). In the mid-fourteenth century, the Furnivall family was granted the Barony of Sheffield, Yorkshire and raised to minor nobility. As nobility, the Furnivall family kept detailed genealogical records dating back to the twelfth century.1 Based on these records, we find that there were two “Thomas, son of Thomas” Furnivalls, the first of whom died in 1279, and the second in 1348. This suggests that this document is either from the late thirteenth or early fourteenth century.

We can specify further. Among the witnesses listed in the charter, there is a “Lord Elias Middehop” (in red) and “Robert Rus of Anesacre [Onesacre]” (in blue). According to a catalogue of Sheffield charters, the same Elias Middehop witnessed a separate charter for a Thomas, son of Thomas Furnivall, sometime between 1267-1279.2 Additionally, according to a genealogy of important Yorkshire families, in the late thirteenth century, the daughter of a “Sir Elias Middehop” married the grandson of a “Sir Robert Rus of Onesacre.”3 Altogether, this evidence suggests that the Hesburgh Library charter is probably dated to the late thirteenth century, likely between 1250-1279.

Each charter in the Hesburgh Library collection has similarly rich historical puzzles to unwind. Once catalogued, the collection will be made available for use by students and researchers alike.

 

Footnotes

1. John Burke, A general and heraldic dictionary of the peerages of England, Ireland, and Scotland, extinct, dormant, and in abeyance, (London, H. Colburn and R. Bentley, 1831), 215-217. Special Coll. Reference • CS 422 .B84 1831

2. Walter Hall, Sheffield and Rotherham from the 12th to the 18th Century: A Descriptive Catalogue of Miscellaneous Charters and Other Documents Relating to the Districts of Sheffield and Rotherham with Abstracts of Sheffield Wills, proved at York from 1554 to 1560 And 315 Genealogies Deduced Therefrom, (Sheffield: J. W. Northend, 1916), 210.

3. Joseph Foster, Pedigrees of the County Families of Yorkshire, v. 2 (London: W. Wilfred Head, P L O U O H Court, Fetter Lane, E.G., 1875), 281-282.

Upcoming Events: December 2024

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, December 5 at 5:00pm | Italian Research Seminar: “A Reckless and Scandalous Doctrine: Matthias Ferchius, a Franciscan in the Index” by Eva Del Soldato (University of Pennsylvania).


The exhibition Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924 is now open and will run through the end of January 2025.

Tours of the exhibit may be arranged for classes and other groups by contacting Greg Bond at gbond2@nd.edu.


The current spotlight exhibits are Wollstonecraft: Revolution & Textual Evidence (September–December 2024) and A Fourteenth-Century Chanson de Geste Fragment (September–December 2024).

RBSC will be closed during the University of Notre Dame’s Christmas and New Year’s Celebrations,
December 21, 2024 – January 1, 2025.

Upcoming Events: November 2024

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, November 7 at 5:00pm | Italian Research Seminar: “Literary Celebs: Amalia Guglielminetti, Guido Gozzano and the Price of Fame” by John Welle (University of Notre Dame).

Thursday, November 21 at 5:00pm | Italian Research Seminar: “The Activism of Imagination: Fictions of Europe Between Utopia and Disenchantment” by Nicoletta Pireddu (Georgetown University).


The exhibition Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924 is now open and will run through the end of January 2025.

Curators Gregory Bond and Elizabeth Hogan will host exhibit open houses on select Friday afternoons before Notre Dame home football games, including on November 8 and November 15. The drop-in open houses will run from 3:00–4:30pm and will feature brief remarks by the curators at 3:15pm.

Tours of the exhibit may be arranged for classes and other groups by contacting Greg Bond at gbond2@nd.edu.


The current spotlight exhibits are Wollstonecraft: Revolution & Textual Evidence (September – December 2024) and A Fourteenth-Century Chanson de Geste Fragment (September – November 2024).

RBSC will be closed during the University of Notre Dame’s Thanksgiving Break, November 28 – 29.

Upcoming Events: October 2024

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, October 3 at 5:00pm | Italian Research Seminar: Dante’s Chorographies: From the Territory to the Comedy” by Giovanna Corazza (Cà Foscari University of Venice).


The exhibition Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924 is now open and will run through the end of January 2025.

Curators Gregory Bond and Elizabeth Hogan will host exhibit open houses on select Friday afternoons before Notre Dame home football games, including on October 11, November 8, and November 15. The drop-in open houses will run from 3:00–4:30pm and will feature brief remarks by the curators at 3:30pm in October and 3:15pm in November.

Tours of the exhibit may be arranged for classes and other groups by contacting Greg Bond at gbond2@nd.edu.


The October spotlight exhibits are Wollstonecraft: Revolution & Textual Evidence (September–December 2024) and A Fourteenth-Century Chanson de Geste Fragment (September–November 2024).

RBSC will be open regular hours (9:30am–4:30pm) during the University of Notre Dame’s Fall Break, October 19 – 27.

Welcome Back! Fall 2024 in Special Collections

Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Fall ’24! We want to let you know about a variety of things to watch for in the coming semester.

Fall 2024 Exhibition: Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924

“Notre Dame football is a new crusade:
it kills prejudice and stimulates faith.”
— Rev. John F. O’Hara, C.S.C., Prefect of Religion,
Religious Bulletin, November 17, 1924

In the fall of 1924, the University of Notre Dame found great success on the football field and confronted a dangerous and divisive political moment. The undefeated Fighting Irish football team, cemented forever in national memory by Grantland Rice’s legendary “Four Horsemen” column, beat the best opponents from all regions of the country and won the Rose Bowl to claim a consensus national championship. Off the field, Notre Dame battled a reactionary nativist political environment that, in its most extreme manifestation, birthed the second version of the Ku Klux Klan. Sympathizers of this “100% Americanism” movement celebrated white, male, Protestant citizenship and attacked other groups—including Catholics and immigrants—who challenged this restrictive understanding of American identity.

In the national spotlight, Notre Dame leaders unabashedly embraced their Catholic identity. They consciously leveraged the unprecedented visibility and acclaim of the football team to promote—within the very real political constraints of the era—a more inclusive and welcoming standard of citizenship. Attracting a broad and diverse fan base, the 1924 national champion Fighting Irish discredited nativist politics and helped stake the claim of Notre Dame—and Catholics and immigrants—to full citizenship and undisputed Americanness.

Curators will host exhibit open houses on select Friday afternoons before Notre Dame home football games, including on September 6, September 27, and October 11. The drop-in open houses will run from 3:00–4:30 and will feature brief remarks by the curators at 3:30.

Other curator-led tours open to the public will be announced soon. Tours of the exhibit may be arranged for classes and other groups by contacting Greg Bond at gbond2@nd.edu.

This exhibition is curated by Gregory Bond (Curator of the Joyce Sports Research Collection, Rare Books and Special Collections) and Elizabeth Hogan (Senior Archivist for Photographs and Graphic Materials, University Archives).

Stop in regularly to see our Collections Spotlights

Currently on Display: Making Books Count: Early Modern Books in the History of Mathematics

Discover how books shaped science and our understanding of nature. The history of mathematics guides our understanding of astronomy, as revealed in works by Galileo, Copernicus, and others. Through ancient texts tracing the evolution of mathematical thought, visitors can explore the dialogue between mathematics and nature.

The last public spotlight tour is scheduled for August 28 at 1:30 pm.

This dual case spotlight is curated by Caterina Agostini (Indiana University Bloomington, Department of History and Philosophy of Science and Medicine). She previously served as a Postdoctoral Research Associate with the Reilly Center for Science, Technology, and Values and the Navari Family Center for Digital Scholarship. She is Co-PI in the Harriot Papers project.

Opening Soon: September Spotlights

RBSC spotlight exhibits will switch over for the fall during September. Two new exhibits will feature recently acquired editions of books by Mary Wollstonecraft and two manuscript fragments of French poetry. Stay tuned for more information!

These and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

All exhibits are free and open to the public during business hours.

Special Collections’ Classes & Workshops

Throughout the semester, curators will lead instructional sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections materials to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.

Events

These programs are free and open to the public.

Thursday, October 3 at 5:00pm | The Fall 2024 Italian Research Seminar and Lectures will begin with a lecture by Giovanna Corazza (Università Ca’ Foscari), “Dante’s Chorographies: From the Territory to the Comedy.”

Learn more about Special Collections and other Hesburgh Library events, as well as other events in Italian Studies.

Recent Acquisitions

Special Collections acquires new material throughout the year. Watch this blog for information about recent acquisitions.

Anticipated Closures

Rare Books and Special Collections is regularly open 9:30am to 4:30pm, Monday through Friday. The department will be closed for the following holidays and events:

September 2, for Labor Day (Monday)
September 13, for Rev. Robert A. Dowd, C.S.C., Presidential Inauguration Events (Friday, afternoon only)
November 28-29, for Thanksgiving (Thursday and Friday)

Our last day open before the campus closure for Christmas Celebration will be December 20 (the Friday of final exams week).

Hours and other information for all Hesburgh Library locations can be found on the Library Website.

A Closer Look at a Glossed Bible Leaf

by David T. Gura, Ph.D., Curator, Ancient and Medieval Manuscripts

This leaf (Frag. I. 21) comes from a glossed Bible produced in France during the twelfth century. Glossed bibles contained both scripture and explanatory comments (glosses) on the same page and were used in teaching and formation. The small format of this Bible (305 x 207 mm) allowed a master to bring it to the schoolroom easily for use. The layout of glossed bibles is intentional and functional: scripture occupies the central column and space is allotted for glosses to be written in the margins (marginal glosses) and between lines (interlinear glosses). The glosses can explicate the biblical text in literal, allegorical, moral, and even anagogical ways.

The particular text of this leaf comes from 2 Chronicles (II Paralipomenon). The function of interlinear and marginal glosses is distinct and can be observed in the following two examples. On the verso above the text misit Nabuchodonosor rex (“King Nebuchadnezzar sent”) an interlinear gloss is written: de hoc plenius in libro Regum scriptum est (“there is a fuller written account about him in the book of Kings”). The gloss is short and informative, directing the reader to find more information about a proper name.

Compare this to the gloss on Joachim copied in the left margin of the recto. This comment is more substantive and begins a literal/historical interpretation, then moves to allegorical and moral explications: “Joachim was taken prisoner and lead into Babylon; this signifies the fall of the righteous who were deceived by the Devil’s handiwork. They are lead astray into the ruin of heresy and vice. These people were supposed to teach others in word and deed and raise them from sin.” (Ioachim captiuus in Babilonem ductus, lapsum rectorum significat qui diaboli arte delusi, abducuntur in confusionem errorum ac uiciorum et qui alios uerbo et opere docere debuerant, et a peccato suscitare.)

The parent manuscript was formerly in the Benedictine abbey of Saint-Oyan de Joux (Saint-Claude), where it appeared in the abbey’s library catalogue dated 8 March 1492. The codex was later in the collection of William L. Clements of Bay City, Michigan (1860-1934) and then in possession of the Cleveland, Ohio, biblioclast Otto F. Ege by 1937. Leaves were also being offered for sale by Philip Duschnes (New York, NY) in 1943 and 1946.

Bibliography

Alexander Andrée, “Glossed Bibles,” in The Oxford Handbook of the Latin Bible, ed. H.A.G. Houghton, 208-224. Oxford University Press, 2023.

Auguste Castan “Le Bibliothèque de l’Abbaye de Saint-Claude du Jura: Esquisse de son histoire.” Bibliothèque de l’École des chartes 50 (1889): 301-354.

David T. Gura, A Descriptive Catalogue of the Medieval and Renaissance Manuscripts of the University of Notre Dame and Saint Mary’s College. Notre Dame (IN): University of Notre Dame Press, 2016, p. 429-430.

Scott J. Gwara, Otto Ege’s Manuscripts: A Study of Ege’s Manuscript Collections, Portfolios, and Retail Trade. Cayce, SC, 2013, 31-32, 39, 40, 71-72.

Upcoming Events: May 2024 and through the summer

Currently there are no events scheduled to be hosted this summer in Rare Books and Special Collections.

The exhibition Mapping the Middle Ages: Marking Time, Space, and Knowledge runs through the summer and closes in late July. Learn more about the exhibit in this video, and plan your visit this summer.

The current spotlight exhibits are Scripts and Geographies of Byzantine Book Culture (February – May 2023) and The Book Beautiful: A Selection from the Arts & Crafts Movement (April – May 2024). Towards the end of May, we will install a double case spotlight exhibit highlighting Special Collections items relating to the early modern history of mathematics.

Rare Books and Special Collections is open
regular hours during the summer —
9:30am to 4:30pm, Monday through Friday.

RBSC will be closed Monday, May 27th, for Memorial Day and Thursday, July 4th, for Independence Day.