Congratulations to the 2023 Graduates!

Best wishes to the 2023 graduates of the University of Notre Dame, Saint Mary’s College, and Holy Cross College, from all of us in Rare Books and Special Collections.

We would particularly like to congratulate the following students who worked in Special Collections during their time on campus:

Sarah Berland (ND ’23), Bachelor of Arts in Neuroscience and Behavior, with an Irish Language and Literature Minor.

Kathryn Heyser (ND ’23), Bachelor of Science in Aerospace Engineering and Bachelor of Arts in History.

Both images: MSE/EM 110-1B, Diploma, University of Padua, 1690

Upcoming Events: May and through the summer

Currently there are no events scheduled to be hosted this summer in Rare Books and Special Collections.

The exhibit Printing the Nation: A Century of Irish Book Arts  will run through the summer and close in late July.

The current spotlight exhibits are Language and Materiality in Late Medieval England (February – early May 2023) and Hagadah shel Pesaḥ le-zekher ha-Shoʼah – Pessach Haggadah in memory of the Holocaust (April – May 2023).

Rare Books and Special Collections is open
regular hours during the summer —
9:30am to 4:30pm, Monday through Friday.

RBSC will be closed Monday, May 29th, for Memorial Day and Tuesday, July 4th, for Independence Day.

Special Collections in the Classroom: Notre Dame Students’ Online Exhibition Hidden Depths

by Rachel Bohlmann, Curator of North Americana and American History Librarian and Erika Hosselkus, Curator of Latin Americana and Strategic Implementation Project Manager

This week Special Collections highlights an online exhibition created by Notre Dame students in their fall 2022 class, Stories of Power and Diversity: Inside Museums, Archives and Collecting. The exhibition, Hidden Depths: Resurfacing the Overlooked and Underrepresented, brings together materials from  the University of Notre Dame’s campus repositories–Rare Books and Special Collections, the Snite Museum of Art, and University Archives–selected and interpreted by the students.

Screen shot of the homepage of the digital exhibition "Hidden Depths", showing the header banner at top (a collage of detail images of the items explored in the digital exhibit) and below that the first few tiles of the exhibit showcases.

The items displayed here vary in format, time period, medium, style, and content–abstract painting, sculpture, installation art, photographs, and collections of historic documents–and are created by people of diverse backgrounds and experiences. Their selection reflects the themes of the class, which were to explore the history of collecting in Europe and North America and some of the field’s major questions, including, what has been left out? Where are there gaps and silences in collections and archives?

Eight students applied a curatorial gaze to these materials, to examine how they do and do not intersect with themes of diversity. While these curators recognize the diverse identities of the creators of these objects, the showcases comprising this exhibition point viewers to hidden depths. They ask that we consider how identities are nuanced through regional conditions, educational background, economic forces, and personal trauma. And just as importantly, the curators of the show consider how identity and diversity are not always directly linked in one’s art or expression. They also demand that consumers of these pieces of art and historical sources work to apprehend the complexities behind their creation. By extension, they suggest that we take a careful second look in other contexts, beyond the online gallery or the museum.

This exhibition offers interpretation, but it also asks questions, and challenges viewers even as it invites them to connect with holdings in the University of Notre Dame’s campus repositories. Information about the student curators and their experiences in this course can be found in the personal statements at the end of each showcase.

Hidden Depths showcases ways in which students engaged with special collections materials over a semester-long project. The result is a display that uncovers, refocuses and takes an imperative second look.

Upcoming Events: April 2023

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, April 6 at 5:00pm | Italian Research Seminar: “Democracy and Defeat: Morante, Moravia, and Malaparte in Capri, 1946” by Franco Baldasso (Bard College).

Monday, April 17 at 4:00pm | Special Collections Lecture: “Heinrich Jöst’s Warsaw Ghetto Photographs and the Challenges of Interpreting Holocaust Images” by Daniel H. Magilow (University of Tennessee, Knoxville). This lecture is co-sponsored by Hesburgh Libraries, Florence & Richard C. McBrien and Richard C. McBrien Endowment and by the Nanovic Institute for European Studies.

Thursday, April 27 at 5:00pm | Ravarino Lecture: “Pandemic and Wages in Boccaccio’s Florence” by William Caferro (Vanderbilt).

RBSC will be closed for Easter weekend, April 7-9, 2023.


The spring exhibit, Printing the Nation: A Century of Irish Book Arts, features selected books from the Hesburgh Libraries’ Special Collections that demonstrate the art and craft of the Irish book since 1900. The exhibit, curated by Aedín Ní Bhróithe Clements, will run through the semester.

Tours of the exhibit may be arranged for classes and other groups, and additional curator-led tours are available at 12 noon on the following upcoming Friday: April 21.

The April spotlight exhibits are Language and Materiality in Late Medieval England (February – April 2023) and Hagadah shel Pesaḥ le-zekher ha-Sho’ah – Pessach Haggadah in memory of the Holocaust (April – May 2023).


Although ongoing library renovations will continue through 2023, Special Collections is no longer behind a construction tunnel!

Students Propose New Diverse and Inclusive Acquisitions in RBSC

by Rachel Bohlmann, American History Librarian and Curator and Erika Hosselkus, Curator, Latin American Collections

Museums, special collections, and archives acquire materials in a variety of ways, most commonly through donation and purchase. Hesburgh Libraries is no exception. 

Last fall, students in the multi-disciplinary class, Stories of Power and Diversity: Inside Museums, Archives, and Collecting, created acquisition proposals for Hesburgh Libraries. Class members were asked to put themselves in the shoes of curators and select materials that would develop the library’s collection in diverse and inclusive ways. The formats of prospective purchases were left fairly open; students could consider a wide range of types of materials–from books to manuscripts to posters and even artifacts (realia). As an incentive (and as a gesture to how libraries and archives compete for and manage resources), the most deserving proposal (determined by class vote) would be purchased, placed in the library’s collections, and featured on the library’s social media (this blogpost!). 

Students searched vendor websites and online catalogs and considered some of the following questions. 

  • How complete is this item or collection? Are there significant gaps or pieces missing?
  • If a collection of photographs, are they identified or identifiable, in terms of locations, dates, names of people?
  • If it is a printed item (a book, posters, pamphlet), how rare is it? (Use WorldCat.)
  • Does HL already own it? (Check the library catalog, ask librarians/instructors.)
  • If the item is a manuscript (not printed or published), does the library hold related items?
  • What might be the research value? How might researchers (in different disciplines–history, gender studies, art history, etc.) make use of this item(s)? What perspectives does the item convey? What can we learn from it?

The students presented their proposals in class and discussed some of the challenges and satisfaction they discovered along the way. Timi Griffin, who assembled a small but significant collection of printed materials and realia from different vendors about Civil Rights activist, presidential candidate, and comedian Dick Gregory, won the class’s vote for best proposal. Congratulations Timi! 

The Dick Gregory Collection

Timi argued that the library should purchase items relating to Gregory’s 1968 presidential campaign, including a poster, flier, buttons, and fake dollar bills with the candidate’s portrait in place of Washington’s, and a signed copy of his 2000 memoir. Taken together, the items contextualize Gregory’s activism and prominence in the Civil Rights movement and American culture and politics in the last decades of the twentieth century. 

The students’ presentations showed that they had taken seriously the assignment’s task of strengthening diversity and inclusion in the collections. Rare Books and Special Collections decided to purchase all of the items they proposed adding to the collections. These are:

 –a 1914 photograph of the Hampton Normal and Agricultural Institute Football Team, an African American school in Hampton, Virginia.

Football Team, Hampton Normal and Agricultural Institute, 1914

–a signed, fine press copy of the first chapter of Margaret Atwood’s The Blind Assassin with an original print by Yoko Ono; created to raise funds to fight AIDS in Africa (2008). 

Slipcover and print for Margaret Atwood’s Blind Assassin

–an issue of Black Fire, the newspaper of the Black Students Union at San Francisco State University from 1969.

Black Fire [December 16, 1969]

–a collection of nine mid-century lesbian pulp fiction paperbacks and reprinted novels, and a related work.

Two novels by Ann Bannon

–an album of photographs, probably by an American, of the Pacific and South-East Asia, including Hawaii, Japan, the Philippines, Ceylon, India, and the Himalayas, circa 1905.

–diaries of Thaddeus Hayes of Connecticut, created between 1795 and 1803.

Thaddeus Hayes diary page, December 1797 – January 1798

–two photographic essays about Japan by W. Eugene Smith and associates: Japan–a Chapter of Image (1963) and Minamata : Life – Sacred and Profane (1973).

These new acquisitions are welcome additions to the library’s special collections, adding particularly to sources about Southeast and East Asia, and materials created in the last 30 years. The collections need to be strengthened in all of these areas. The newly-purchased materials are currently in the process of being cataloged, organized, and housed so that they can be accessed and used by present and future generations of library users.

Upcoming Events: February 2023

Please note that the corridor outside RBSC is temporarily narrowed to a pedestrian tunnel due to ongoing library renovations, but we generally remain open during our regular hours.

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, February 23 at 5:00pm | Italian Research Seminar: M.A. Students Presentations (University of Notre Dame)

“Anybody here speak English? / Non dovete avere paura, non c’è ragione”:
Dubbing as Translation and Rewriting in Spike Lee’s Miracle at St. Anna,
by Santain Tavella

The Infernal Arno: Mapping the Arno in Dante’s Hell
through the Lens of Purg. XIV,
by Toby Hale

Tuesday, February 28 at 3:30pm | Exhibit Lecture: “The Changing Face of Irish Writing” by Brian Ó Conchubhair (Associate Professor of Irish Language and Literature, University of Notre Dame). This lecture has had to be rescheduled—a new date will be announced later.


The spring exhibit, Printing the Nation: A Century of Irish Book Arts, features selected books from the Hesburgh Libraries’ Special Collections that demonstrate the art and craft of the Irish book since 1900. The exhibit, curated by Aedín Ní Bhróithe Clements, will run through the semester.

The February spotlight exhibits are Language and Materiality in Late Medieval England (February – April 2023) and “That Just Isn’t Fair; Settling for Left-Overs”: African American Women Activists and Athletes in 1970s Feminist Magazines (February – March 2023).


Rare Books and Special Collections will be closed
from 11:30am to 2:00pm on Thursday, February 9, 2023.

New to the Collection: Scrapbook of the Corona Rolling Devils—Pioneering Wheelchair Basketball Team

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

Team photographs of the Corona Rolling Devils. Dr. Gerald Gray, who introduced wheelchair basketball to Corona Naval Hospital, is kneeling on the left.

“Tonight will bring … one of the most unique athletic contests ever witnessed” wrote the Riverside Enterprise newspaper in March 1947 before a wheelchair basketball game between the local Riverside College basketball team and the Rolling Devils from the Corona Naval Hospital in Corona, California, on the outskirts of Los Angeles. 

This is one of many clippings from a significant new acquisition by the Joyce Sports Research Collection—a scrapbook documenting the short career of the Corona Rolling Devils, one of the first successful and popular wheelchair basketball teams in the country. The 12×15 inch scrapbook features about 20 double-sided leafs and contains newspaper clippings, ephemera, and about 30 original photographs documenting the career of the Rolling Devils during the spring and summer of 1947.

As recounted in the recent book Wheels of Courage by David Davis, wheelchair basketball was originally devised in 1946 by Bob Rynearson, the Assistant Athletic Director at the Birmingham Veterans Administration (VA) Hospital in Van Nuys, California, to provide recreation and rehabilitation for World War Two veterans who were paralyzed. Due to medical advances during the 1940s, it became increasingly common for soldiers to survive spinal cord injuries, and, in the aftermath of the war, the VA rushed to provide care for an unprecedented number of veterans with paralysis. Rynearson’s adaptation of rules for wheelchair basketball was an immediate hit among veterans at the hospital.

In early 1947, Dr. Gerald Gray, a reconstructive surgeon at the Corona Naval Hospital, visited colleagues at the nearby Birmingham VA hospital and happened to see patients there playing the new wheelchair basketball game. After conferring with Rynearson, Dr. Gray immediately introduced wheelchair basketball at the Corona Naval Hospital and organized a team, who dubbed themselves the “Rolling Devils.”

In February 1947, the wheelchair basketball team from the Birmingham VA traveled to Corona to play the Rolling Devils. The visiting team was victorious in one of the first recorded wheelchair basketball games in American history. The Rolling Devils quickly recovered from this loss, however, and went undefeated for the rest of 1947, garnering significant public attention in the process.

The newly acquired scrapbook documents the Rolling Devils impressive winning streak. Most of their opponents were teams composed of non-disabled players who had to quickly adapt to playing basketball while in a wheelchair. The Rolling Devils’ victories over teams like Riverside College, the La Verne American Legion, the Pomona Veterans, and the Bonita All Stars are documented in newspapers stories, programs, advertisements, and photographs. The Devils also convincingly won a return match with the Birmingham VA hospital 41-10.

Newspaper Advertisement for game between the Rolling Devils and the Bonita All Stars.

As recounted in the scrapbook, in the spring of 1947, the Rolling Devils made two trips to  Northern California. The Devils beat the varsity basketball teams from St. Mary’s College and the University of California. In a game in May sponsored by the Oakland Tribune, the Devils also defeated the semi-pro Oakland Bittners, a top AAU team led by former Stanford star and future Minneapolis Laker Jim Pollard. The Devils even invited California governor Earl Warren to their sold-out game against the Oakland Bittners, but he telegraphed his regrets.

Telegram from California Governor Earl Warren to Dr. Gerald Gray about the Rolling Devils.

Throughout their winning streak, the Rolling Devils received praise for their skill. After beating St. Mary’s, a local reporter enthused, “The veterans, who learned to use the chairs through necessity, scooted around the floor like a bunch of spiders, while the college boys gave the spectators a three-ring circus by running into everything in sight and alternating between falling on their noses and backs.”

Rosters and special rules for the Rolling Devils and University of California game.

Some accounts of the Rolling Devils exploits, though, were tinged with a patronizing sentiment towards the wheelchair athletes. Before the game against the Bittners, for example, Alan Ward, a sports columnist for the Oakland Tribune, melodramatically recounted “the moral courage which prompts 10 young men to perform a collective feat which verges on the impossible.”

In mid-June, the Rolling Devils visited Sacramento for what would prove to be their final hurrah.  They beat a local college all-star team in a fundraising game to record, reportedly, their 22nd consecutive victory. After the game, the Devils visited the California legislature and finally met Governor Earl Warren who presented the players with honorary scrolls. Upon returning home, however, the Rolling Devils abruptly disbanded. As the United States military began discharging or transferring patients out of the Corona Naval Hospital, players on the team went their separate ways.

Members of the Rolling Devils relax in a swimming pool during the trip to northern California.
#1 Jerry Fesenmeyer smiling for the camera

Despite the team’s relatively short existence, the Rolling Devils had been instrumental in popularizing the sport of wheelchair basketball and educating the public about expanded athletic opportunities for people with disabilities. Author David Davis explains in Wheels of Courage that, “Thanks to the publicity generated by events like the Rolling Devils’ groundbreaking road trips, the spread of adaptive sports beyond the VA hospitals was on the horizon.”

The Rolling Devils scrapbook is available to the public in the Joyce Sports Research Collection.

Upcoming Events: December 2022

Please note that the corridor outside RBSC is temporarily narrowed to a pedestrian tunnel due to ongoing library renovations, but we generally remain open during our regular hours.

Please join us for the following public event being hosted in Rare Books and Special Collections:

Thursday, December 1 at 5:00pm | Italian Research Seminar: “Fellini, Film, and the Proliferation of Petroculture in Postwar Italy” – Lora Jury (University of Notre Dame).


Daughters of Our Lady: Finding a Place at Notre Dame, an exhibition of materials from the University of Notre Dame Archives curated by Elizabeth Hogan and reflecting on the 50th anniversary of coeducation at Notre Dame, will run through December 16th.

The current spotlight exhibits are Hesburgh Library Special Collections: A Focus on W. B. Yeats (October – December 2022) and The Ladies Flower-Garden of Ornamental Annuals (December 2022 – January 2023).

Due to OIT infrastructure work being done in the Hesburgh Library, Special Collections will be closed
on Monday, December 19, 2022.

Rare Books and Special Collections will be closed for Notre Dame’s Christmas and New Year’s Break
(December 23, 2022, through January 2, 2023).

We otherwise remain open for our regular hours during Reading Days and Exams, and welcome those looking for a quiet place to study.

Upcoming Events: November 2022

Please note that the corridor outside RBSC is temporarily narrowed to a pedestrian tunnel due to ongoing library renovations, but we remain open during regular hours.

Please join us for the following public event being hosted in Rare Books and Special Collections:

Thursday, November 10 at 5:00pm | Italian Research Seminar: “Deadly Letters: Plague, Banditry, and Heresy in Early Modern Mail” – Rachel Midura (Virginia Tech).

Thursday, November 11 at 4:00pm | “Ireland’s Lament”: The Story of the Manuscript of a 17th-century Irish Historica Poem in the Hesburgh Library. A panel discussion on the recently-acquired manuscript, Tuireamh na hÉireann (Ireland’s Lament), with the Department of Irish Language and Literature and the Keough-Naughton Institute of Irish Studies.


Daughters of Our Lady: Finding a Place at Notre Dame, an exhibition of materials from the University of Notre Dame Archives curated by Elizabeth Hogan and reflecting on the 50th anniversary of coeducation at Notre Dame, will run through the end of the fall semester.

The current spotlight exhibits are Hesburgh Library Special Collections: A Focus on W. B. Yeats (October – December 2022) and “Rosie the Riveters with a Vengeance” and Other Wartime Contributions by American Women (October – November 2022).

RBSC will be closed for the Thanksgiving Holiday,
November 24 – 25.

“Everyone Has a First Love”: Revisiting the All American Girls Baseball League Collection in the Joyce Sports Research Collection

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

“Action! Glamor! Travel! Thrills!”

A 1948 promotional flier for the All American Girls Baseball League (AAGBL)—which billed itself as “the tops in girls sports”—used these enticements to encourage women to try out for the league. Inside, the pamphlet further described “action-packed… All-American Girls baseball” as a “game of sensational growth and popularity with an equally brilliant future” and promised “a sport unlike any other in existence and one which offers real opportunities to the young girls of every city, village, and hamlet of America.”

1948 Promotional Flier Cover (MSSP 0014-167)

This flier comes from a remarkable All American Girls Baseball League manuscript collection housed in the Joyce Sports Research Collection in Hesburgh Libraries that documents the history of this important pioneering women’s sports league. A League of Their Own, a new Amazon streaming show about the league (that shares a name with the popular 1992 Geena Davis and Tom Hanks movie on the same topic) has re-focused attention on the actual history of the AAGBL and has also brought renewed interest in the unique AAGBL materials in the Joyce Sports Research Collection. Recent visitors and researchers to consult the AAGBL collection include Notre Dame undergraduate students from Professor Annie Coleman’s Sports and American Culture class and attendees at an AAGBL convention and reunion hosted in South Bend this past August.

Letter on AAGBL letterhead from AAGBL President Max Carey to South Bend Blue Sox Board Member Harold T. Dailey, May 17, 1948 (MSSP 0014-21)

Founded in 1943 by Chicago Cubs owner Philip K. Wrigley and other baseball and civic leaders who worried that World War Two labor demands could threaten the viability of professional men’s baseball, the All American Girls Baseball League provided high-quality women’s sports in (mostly) mid-sized Midwestern cities like South Bend, Indiana; Rockford, Illinois; Racine, Wisconsin; Grand Rapids, Michigan; and others. 

Although Wrigley quickly sold his stake in the league when it became apparent that major league baseball would survive during the war, the AAGBL continued for 12 seasons until 1954. In the league’s first seasons, the game was akin to fast-pitch softball, but, in ensuing years, the rules evolved—including overhand pitching and a smaller ball—to more closely resemble men’s baseball.

1947 South Bend Blue Sox yearbook cover (MSSP 0014-59)

The AAGBL manuscript collection consists chiefly of the personal and collected papers of two men involved with the South Bend Blue Sox—one of two franchises (along with the Rockford Peaches) to compete in all 12 league seasons from 1943 to 1954. Harold T. Dailey, a South Bend oral surgeon, was a team administrator for most of the Blue Sox’s existence and served on the team Board of Directors from 1945–1952. Chet Grant managed the Blue Sox in 1946 and 1947. 

Years later in the 1970s, Grant helped oversee the Joyce Sports Research Collection, and he facilitated the donation of these one-of-a-kind materials. The AAGBL collection includes a variety of formats, including correspondence, programs, yearbooks, photographs, financial records, scrapbooks, player questionnaires, clippings and more, all of which help to document the full history of the league.

1954 Harold T. Dailey AAGBL notebook (MSSP 0014-8-B, 46v-47r)

“A High Standard of Conduct”

One important theme of the new Amazon League of Their Own series—and one that is well reflected in the manuscript collection—is the League’s emphasis on conventional ideas of femininity. Perhaps because the players were exceptional athletes, the male owners and administrators always insisted on promoting images of traditional feminine appearance and behavior—from the required uniform skirts to elaborate rules and regulations that (hoped to) govern player conduct. The 1948 promotional flier, for instance, assured fans and prospective players that “All-American girls… are selected for their athletic ability and baseball ability as well as femininity, character, and deportment. A high standard of conduct and behavior is maintained at all times.”

Printed material from the league, too, consistently featured stylized images that emphasized conventional ideals of feminine appearance. A few examples from the AAGBL collection include the 1948 South Bend Blue Sox Yearbook, the 1946 Kenosha Comets Yearbook, and the 1950 Ft. Wayne Daisies Official Program.

Internal correspondence, also, addressed this issue. In a May 17, 1948, letter, for instance, League President Max Carey, a former major league baseball player, wrote Harold Dailey that “some of the girls from the National League [National Women’s Softball League] were out to our game the other night, and they were all dressed in slacks and looked like a bunch of bums, which in itself would not be an inducement to try and break into that league.”

Despite such precautions by the League and despite the AAGBL’s high-level of play and popularity in league cities, some in the public remained skeptical about the propriety of women participating in a traditionally male pastime. This undated clipping from the AAGBL collection, for example, asked “Do Girls Belong in Pro Baseball”?

“Do Girls Belong in Pro Baseball?” clipping (MSSP 0014-168)

The Amazon League of Their Own series also explores its characters’ sexuality and LGBTQ issues. League administrators in the 1940s and 1950s encouraged conventional heterosexual relationships for the players and promoted traditional heterosexual norms in their publicity material. Concerns about player sexuality do not seem to be often overtly mentioned in the surviving league records, but there are still some tantalizing glimpses of the issue.

The AAGBL manuscript collection, for example, includes a fascinating set of 76 promotional questionnaires completed by league athletes in about 1944. The forms solicited information about the players’ backgrounds, experiences, and interests, and instructed the women: “please don’t be bashful” with your answers. One question, though, did require more discretion. In a section about entertainment, the questionnaire invited players to name their “favorite star”—but then quickly stipulated that the answer “must be a man.” League administrators evidently wanted to avoid any suggestion that players might be interested in other women. 

Despite such contemporary gender and sexual politics that constrained the behavior and self-expression of players, more than 600 athletes appeared in the AAGBL during its 12 years of competition. These women excelled on the field, unabashedly exhibited their athletic prowess, demonstrated that there was an audience for high-caliber women’s sports, and, in their own way, helped to challenge and re-shape the very same strict societal gender norms the league sought to enforce. 

The athletes were doubtless aware of the league’s cultural significance. But many players were also simply thrilled to be playing ball and relished the opportunity to test their mettle against some of the best women athletes in the country. Pitcher Jo Kabick probably spoke for many of her league-mates when she wrote enthusiastically on her 1944 publicity questionnaire: “Everyone has a ‘first love’—mine was softball.”


The All American Girls Baseball League Collection is open to the public and available to researchers. Please email rarebook@nd.edu to make an appointment to consult the collection.