recent acquisitions – Page 15

Recent Acquisition: A Collection of Eighteenth-Century Illustrated Fables

by Marsha Stevenson, Visual Arts Librarian

The Hesburgh Libraries recently acquired a two-volume set called Raccolta di Varie Favole by Giorgio Fossati. Published in Venice in 1744, these books gather 216 fables from a variety of sources. The fables are printed in both Italian and French, and conclude with brief proverbs. Each is illustrated with a full-page engraving, many of which portray animals and/or architectural settings.

Giorgio Fossati (1705-1785) identifies himself as “Architetto” on the title page, but was a polymath of many talents. He was an accomplished etcher and book illustrator, publishing editions of Vignola and Palladio and producing numerous maps. He also worked in the performing arts, revising opera librettos and designing theatrical sets. He was specially noted for devising ephemeral decorations for feasts given in honor of distinguished foreign visitors.

This engraving “Of Armed Animals” comes from Book One, Fable 27. It illustrates the “soldiers” chosen by a wise Lion whose kingdom was being challenged by an upstart Leopard. These animals, among which are the Rhinoceros, the Crocodile, the Hedgehog, the Porcupine, and the Tortoise, all feature as their distinguishing characteristic both offensive and defensive capabilities. This thoughtful choice of “troops” enabled the Lion to defeat and banish the Leopard’s army. The accompanying proverb advises on the importance of soldiers being able to respect their leader.

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Recent Acquisition: L’École des armes (The School of Fencing)

Domenico Angelo. L’École des armes: avec l’explication générale des principals attitudes et positions concernant l’escrime. . . . London: R & J Dodsley, 1763.

Domenico Angelo (c1717-1802) was an Italian fencing master whose School of Arms in Soho, London brought continental small-sword techniques to a fashionable English clientele that included members of the royal family. His L’École des armes (The School of Fencing), first published in London in 1763, went on to become the most influential instructional of the later eighteenth century (and the immediate source for the article on fencing in Diderot’s Encyclopédie). It is also a lavish book, an oblong folio (29 x 47 cm) containing 47 engraved plates after John Gwynn. Together, Angelo’s text (written in French) and Gwynn’s images provide a course of instruction that emphasizes both the cultivation of poise and grace and practical modes of self-defense.

BOO_004370170-pl_14 — Plate 14: *Cinquieme position du Salut.* (Fifth position of the Salute.)

BOO_004370170-pl_21 — Plate 21: *De la parade de prime sur le coup de second.* (Of the parade called prime against the second thrust.)

BOO_004370170-pl_46 — Plate 46: *L’epée & Lanterne combattiie par l’epée & Manteau*. (The sword & Lantern against the sword & Cloak.)

Rare Books and Special Collections recently acquired a first edition of L’École des armes, an important addition to the early modern sport-related titles in the Joyce Sports Collection.

Recent Acquisition: Three Works of Battista Piranesi

by Marsha Stevenson, Visual Arts Librarian

An important new acquisition is Giovanni Battista Piranesi’s Antichità d’Albano e di Castel Gandolfo (Antiquities of Albano and Castel Gandolfo), published in Rome in 1764. This volume is dedicated to Pope Clement XIII, who was an important patron of Piranesi’s. It is bound with two related works from 1762: Descrizione e disegno dell’emissario del Lago Albano (Description and Design of the Emissarium of Lake Albano) and Di due spelonche ornate dagli antichi alla riva del Lago Albano (Concerning Two Caves Embellished by the Ancients on the Bank of Lake Albano). All three focus on the environs of Castel Gandolfo, which is just outside of Rome, overlooking Lake Albano, and is the summer residence of the popes.

Piranesi (1720-1778), best known as an etcher and engraver, was an influential figure in eighteenth-century neoclassicism. His Vedute di Roma (Views of Rome) were informed by his personal architectural and archaeological research and are especially celebrated. Also of significance are his Carceri, which are imaginative views of early Roman prisons.

The volume acquired by the library was produced soon after Piranesi opened his own printing studio in 1761. It is a very early edition, issued without several of the illustrations that appeared in later versions. Two of the plates in Di due spelonche have lettering and drawing in pen and brown ink which are believed to be in Piranesi’s hand. Only eight other copies of this kind are known to be in existence.

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Recent Acquisition: St. Fulgentius’ Works and the Homilies of St. Charles Borromeo

by Alan Krieger, Theology and Philosophy Librarian

Hesburgh Libraries recently acquired the important Latin works of Saint Fulgentius (468-533) and Saint Charles Borromeo (1538-1584).

The first is a printed edition of the Latin works of St. Fulgentius, a North African bishop who, in the tradition of St. Augustine, vigorously defended orthodox doctrines on the Trinity and original sin against Arianism and Pelagianism. The volume (Opera B. Fvlgentii Aphri, episcopi Rvspensis . . . item opera Maxentii Iohannis) also includes the works of his lesser known contemporary, Joannes Maxentius, and was printed by the famed German publisher Anton Koberger in 1520. Koberger is best known for publishing the Liber cronicarum (Nuremberg Chronicle), a landmark incunable.

In addition, Hesburgh Libraries acquired volumes 1-5 of the first complete critical edition of Saint Charles Borromeo’s homilies, entitled Homiliae (Mediolani, 1747-48) and published as a 6-volume set. Saint Charles Borromeo’s was one of the giants of the Catholic Reformation. As Archbishop of Milan (1564-1584), Saint Charles was a leader in implementing the reforms enacted at the Council of Trent (1545-1563), contributing to the creation of the new Catechism commissioned by the Council (published in 1566) and establishing numerous seminaries, colleges, and communities for the education of those preparing for the priesthood.

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Recent Acquisition: Buddhist Art

by Hye-jin Juhn, East Asian Studies Librarian

The Hesburgh Libraries recently acquired two resources that serve as important scholarly sources for those who study Chinese/Tibetan Buddhism and Buddhist art. These resources are the highly-regarded 1970s reprints of original publications from the 1920s:

The Thousand Buddhas: Ancient Buddhist Paintings from the Cave-temples of Tun-huang on the Western Frontier of China. Recovered and described by Sir Aurel Stein, with an introductory essay by Laurence Binyon

This Tokyo reprint (1978) was praised by Dr. W. Pachow, a Chinese Buddhist scholar, as a “extraordinary” and “very valuable.” His review that appeared on The Journal of the International Association of Buddhist Studies in 1981 is a worthy introduction to the resource that includes a detailed description of the size and composition of the folio and its contents. Also important to note is Dr. Pachow’s point about a few unintended misinterpretations by Sir Aurel Stein who did not understand Chinese.

Die buddhistische Spätantike in Mittelasien: Ergebnisse der Kgl. preussischen Turfan-Expeditionen (Postancient Buddhist Culture in Central Asia: Results of the Royal Prussian Turfan-Expedition). Records of items recovered and described by Albert von Le Coq.

This 1973-1975 print of the original Berlin edition (1922-1933) consists of seven volumes. Detailed descriptions about the first five volumes are available online.

The publications symbolically represent the early 20th century history of the Silk Road where long-lost cultural relics were discovered and then disappeared again, some of them permanently. Peter Hopkirk’s Foreign Devils on the Silk Road: The Search for the Lost Cities and Treasures of Chinese Central Asia is a classic that tells of of the brave expeditions the above authors are credited with (or the blatant exploitation that they are accused of).

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Evgeniia Ginzburg and Antonina Axenova Collection

Ginzburg and Axenova in Magadan, 1953.

MSE/REE 0021-87

The Evgeniia Ginzburg and Antonina Axenova Collection is now open to students and researchers. The collection consists of several parts. The most important part revolves around Evgeniia Ginzburg (1904-1977), who spent 18 years in the Stalin GULAG and who chronicled those years in her memoir translated into English as: Journey into the Whirlwind and Within the Whirlwind. Ginzburg’s classic work is one of the earliest revelations of the Stalin camps and remains one of the most significant. The collection contains arrest documents, letters, some manuscript material, and many original photographs.

MSE-REE_0021-192 — Antonina Axenova with Evgenii Karelskikh in the movie *I Serve on the Frontier* (Lenfilm, 1974).

MSE/REE 0021-192

Another part of the collection revolves around Antonina Axenova, who was born in the Kolyma camps and who was adopted by Ginzburg in 1949. Axenova became a film and stage actress, and the archive includes her documents, letters, photographs, scripts, programs, playbills, broadsides, and advertisements. Beisdes her career Axenova has also dedicated herself to preserving the legacy of her mother. She visited former KGB archives, made several trips back to the sites of the camps in the Kolyma region, and gathered together all of the material in the archive.

For a description of the collection’s over 700 items, see the finding aid. The collection also includes almost 100 books from the libraries of Ginzburg and Axenova. These books have been cataloged and can be located through the online catalog.

Spotlight Exhibit: Constructing Shakespeare

January 2016

The posthumous First Folio printing of William Shakespeare’s plays in 1623 represents a landmark development in the history of English drama, rescuing some of the bard’s works that would have been lost forever. The earlier editions that do exist, however, differ markedly from the First Folio, and there is little evidence that Shakespeare oversaw their publication. What, then, is the “real” text?

The Shakespeare we know emerges from hundreds of years of this debate. Current holdings and recent acquisitions in Rare Books and Special Collections shed light on the discussion as it developed into the nineteenth century. Selections from the Second and Third Folio accompany printings by some of Shakespeare’s earliest critical editors, including the famous poet Alexander Pope and the moral censor Thomas Bowdler.

This month’s spotlight exhibit is curated by Daniel Johnson, English Literature and Digital Humanities Librarian, and accompanies the special traveling exhibit “First Folio! The Book that Gave Us Shakespeare, on tour from the Folger Shakespeare Library.” The exhibit is open to the public 9:00am to 7:00pm Monday through Friday and noon to 5:00pm on weekends, through January 29, 2016 (extended hours due to the “First Folio!” exhibit).

Polish Christmas Carols

Pastorałki by Tytus Czyżewski and Tadeusz Makowski

The images below depict Christmas celebrations by Gorals, the indigenous highlanders from the Carpathian Mountains in southern Poland. Dressed in traditional leather shoes with lacing, tight trousers with ornamented belts, and mountaineer hats with feathers, they gather joyfully to dance and sing.

This charming livre d’artiste is comprised of six Christmas poems (pastorałki) written by Polish Futurist poet Tytus Czyżewski (1880-1945) between 1919 and 1922. Tadeusz Makowski (1882-1932), a leading Polish artist of his time, designed the cover and produced six full-page woodcuts to accompany each poem. Both artists were living in Paris when this book was commissioned and published in 1925 as an inaugural edition by the Polskie Towarzystwo Przyjaciół Książki (Polish Society of Book Lovers). Czyżewski’s expressive verse and Makowski’s “primitive” woodcuts capture whimsical images from folk tradition and rituals of their native land. Rustic and textured hand-made paper with rough and even edges on which the book was printed also conveys a sense of folksiness.

The present copy is a special issue printed for Staniława Piotra, who was the first president of the Polskie Towarzystwo Przyjaciół Książki. It was acquired by the library in 2013.

This is the last post for 2015. Happy holidays to you and yours from Notre Dame’s Rare Books and Special Collections!

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Who’s Who in RBSC: Dan Johnson

With his excitement barely contained, Dan Johnson reveled in what a great addition this would be for RBSC—a map of Middle Earth annotated by J. R. R. Tolkien himself! Dan went on to explain that this map was recently discovered stuck in the renowned illustrator, Pauline Baynes’ personal copy of The Lord of the Rings and that it promises to be an important piece of Tolkien ephemera. “If only we had a Tolkien collection to justify pursuing this,” he lamented.

Dan’s enthusiasm and appreciation for the Inklings is among his many literary interests. He studied English literature, earning his BA from Bethany Lutheran College in Mankato, MN, and then went on to earn an MA from Wake Forest University. He is currently researching the supernatural in the 18th century. Part of this research examines the work of Charles Brockden Brown, the first major American novelist and Gothic fiction pioneer. He is finishing his dissertation, “Visible Plots, Invisible Realms,” en route to earning his PhD in English literature at Princeton University. All the while he is learning the ropes of the library world as the new English Literature and Digital Humanities librarian for Hesburgh Libraries.

Having come to Notre Dame in August, Dan quickly immersed himself in getting to know the collections, faculty, and students. Within the first couple of weeks, he was meeting with English students and faculty, and preparing classes that featured rare materials, including the works of Samuel Taylor Coleridge. He pulled out multiple editions of The Ancient Mariner and along with Professor Yasmin Solomonescu guided the students through Coleridge’s marginal glosses, talking about the book as artifact.

Tightly integrated with Dan’s interests in American and British literature from the 18th and 19th centuries is his fascination with how technology can enhance research in the Humanities. Dan founded and manages a digital archive of texts and digital humanities projects related to 18th- and 19th-century British and American literature called Scholar’s Grotto. This includes his own project, a scholarly edition of The Relief; or, Day Thoughts (1754), a parody and critique of graveyard poetry by Henry Jones, the “bricklayer poet.”

Dan is quite excited about enhancing RBSC’s literary collections. He has acquired two significant additions: a 1725 edition of Shakespeare’s works edited by Alexander Pope and the 1818 second edition of The Family Shakespeare in Ten Volumes edited by Thomas Bowdler. Both of these will be featured in his upcoming Shakespeare spotlight exhibit in RBSC—this will be the first exhibit Dan has ever curated. It will coincide with RBSC’s hosting of First Folio! The Book that Gave Us Shakespeare, the Folger Shakespeare Library’s touring exhibit that will bring a First Folio of the bard’s plays to each of the 50 states, Washington, D.C., and Puerto Rico. Dan will also lead guided tours of both exhibits and invites everyone to brave the snow and come out to learn about Shakespeare.

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Recent Acquisition: Loome Catholic Modernism Collection

by Jean McManus, Catholic Studies Librarian

The Hesburgh Libraries recently acquired the Thomas M. Loome Collection in Catholic Modernism, which comprehensively covers books on Modernism in Catholic thought, with over 1500 volumes. The modernist movement, from the late 19^th into the 20^th century, concerned theological, philosophical, and methodological insights applied to the Church’s engagement with the modern world. The controversies generated by this debate by many European and American Catholics led to censure, papal encyclicals, and excommunications. The themes resonated and were in many ways resolved in the course of Vatican II, and can certainly be said to be relevant to the global church today.

The printed works cover output from Great Britain, France, Italy, and Germany, but also include primary works for Modernism in the Netherlands, U.S., Switzerland, and Austria. Most of these printed works were published during the years 1895-1912, but also include subsequent studies and monographs on Modernism and individual Modernists.

LoomeColl-004-cropped — 1893 manuscript (MSE-MD 3824-063) and 1928 letter to Gwen Green (MSE-MD 3824-104), both written by Friedrich von Hügel.

In addition to books, the collection includes manuscript material from several principal thinkers, including George Tyrrell (letters) and Friedrich von Hügel (correspondence with other thinkers and relatives). Thomas Loome, the compiler of the collection (and former owner/bookseller of Loome Theological Books, Stillwater, MN), has written widely on modernism, and the collection includes his extensive research notes, reprints, copies of archival sources, and correspondence concerning his research and the debates.

The Loome Catholic Modernism Collection monographs are housed in Rare Books and Special Collections, and can be found in the ND Catalog with the keywords “Loome Catholic Modernism Collection.” The manuscript and archival materials are being processed, and are accessible for use in the Special Collections reading room. Contact the department for more information about using the collection.

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