Collection highlights, news about acquisitions, events and exhibits, and behind-the-scenes looks at the work and services of Rare Books & Special Collections (RBSC) at Notre Dame.
Domenico Angelo (c1717-1802) was an Italian fencing master whose School of Arms in Soho, London brought continental small-sword techniques to a fashionable English clientele that included members of the royal family. His L’École des armes (The School of Fencing), first published in London in 1763, went on to become the most influential instructional of the later eighteenth century (and the immediate source for the article on fencing in Diderot’s Encyclopédie). It is also a lavish book, an oblong folio (29 x 47 cm) containing 47 engraved plates after John Gwynn. Together, Angelo’s text (written in French) and Gwynn’s images provide a course of instruction that emphasizes both the cultivation of poise and grace and practical modes of self-defense.
Plate 14: Cinquieme position du Salut. (Fifth position of the Salute.)Plate 21: De la parade de prime sur le coup de second. (Of the parade called prime against the second thrust.)Plate 46: L’epée & Lanterne combattiie par l’epée & Manteau. (The sword & Lantern against the sword & Cloak.)
Rare Books and Special Collections recently acquired a first edition of L’École des armes, an important addition to the early modern sport-related titles in the Joyce Sports Collection.
An important new acquisition is Giovanni Battista Piranesi’s Antichità d’Albano e di Castel Gandolfo (Antiquities of Albano and Castel Gandolfo), published in Rome in 1764. This volume is dedicated to Pope Clement XIII, who was an important patron of Piranesi’s. It is bound with two related works from 1762: Descrizione e disegno dell’emissario del Lago Albano (Description and Design of the Emissarium of Lake Albano) and Di due spelonche ornate dagli antichi alla riva del Lago Albano (Concerning Two Caves Embellished by the Ancients on the Bank of Lake Albano). All three focus on the environs of Castel Gandolfo, which is just outside of Rome, overlooking Lake Albano, and is the summer residence of the popes.
Piranesi (1720-1778), best known as an etcher and engraver, was an influential figure in eighteenth-century neoclassicism. His Vedute di Roma (Views of Rome) were informed by his personal architectural and archaeological research and are especially celebrated. Also of significance are his Carceri, which are imaginative views of early Roman prisons.
The volume acquired by the library was produced soon after Piranesi opened his own printing studio in 1761. It is a very early edition, issued without several of the illustrations that appeared in later versions. Two of the plates in Di due spelonche have lettering and drawing in pen and brown ink which are believed to be in Piranesi’s hand. Only eight other copies of this kind are known to be in existence.
Hesburgh Libraries recently acquired the important Latin works of Saint Fulgentius (468-533) and Saint Charles Borromeo (1538-1584).
The first is a printed edition of the Latin works of St. Fulgentius, a North African bishop who, in the tradition of St. Augustine, vigorously defended orthodox doctrines on the Trinity and original sin against Arianism and Pelagianism. The volume (Opera B. Fvlgentii Aphri, episcopi Rvspensis . . . item opera Maxentii Iohannis) also includes the works of his lesser known contemporary, Joannes Maxentius, and was printed by the famed German publisher Anton Koberger in 1520. Koberger is best known for publishing the Liber cronicarum (Nuremberg Chronicle), a landmark incunable.
In addition, Hesburgh Libraries acquired volumes 1-5 of the first complete critical edition of Saint Charles Borromeo’s homilies, entitled Homiliae (Mediolani, 1747-48) and published as a 6-volume set. Saint Charles Borromeo’s was one of the giants of the Catholic Reformation. As Archbishop of Milan (1564-1584), Saint Charles was a leader in implementing the reforms enacted at the Council of Trent (1545-1563), contributing to the creation of the new Catechism commissioned by the Council (published in 1566) and establishing numerous seminaries, colleges, and communities for the education of those preparing for the priesthood.
The Hesburgh Libraries recently acquired two resources that serve as important scholarly sources for those who study Chinese/Tibetan Buddhism and Buddhist art. These resources are the highly-regarded 1970s reprints of original publications from the 1920s:
This Tokyo reprint (1978) was praised by Dr. W. Pachow, a Chinese Buddhist scholar, as a “extraordinary” and “very valuable.” His review that appeared on The Journal of the International Association of Buddhist Studies in 1981 is a worthy introduction to the resource that includes a detailed description of the size and composition of the folio and its contents. Also important to note is Dr. Pachow’s point about a few unintended misinterpretations by Sir Aurel Stein who did not understand Chinese.
The publications symbolically represent the early 20th century history of the Silk Road where long-lost cultural relics were discovered and then disappeared again, some of them permanently. Peter Hopkirk’s Foreign Devils on the Silk Road: The Search for the Lost Cities and Treasures of Chinese Central Asia is a classic that tells of of the brave expeditions the above authors are credited with (or the blatant exploitation that they are accused of).
The Evgeniia Ginzburg and Antonina Axenova Collection is now open to students and researchers. The collection consists of several parts. The most important part revolves around Evgeniia Ginzburg (1904-1977), who spent 18 years in the Stalin GULAG and who chronicled those years in her memoir translated into English as: Journey into the Whirlwind and Within the Whirlwind. Ginzburg’s classic work is one of the earliest revelations of the Stalin camps and remains one of the most significant. The collection contains arrest documents, letters, some manuscript material, and many original photographs.
Antonina Axenova with Evgenii Karelskikh in the movie I Serve on the Frontier (Lenfilm, 1974).
MSE/REE 0021-192
Another part of the collection revolves around Antonina Axenova, who was born in the Kolyma camps and who was adopted by Ginzburg in 1949. Axenova became a film and stage actress, and the archive includes her documents, letters, photographs, scripts, programs, playbills, broadsides, and advertisements. Beisdes her career Axenova has also dedicated herself to preserving the legacy of her mother. She visited former KGB archives, made several trips back to the sites of the camps in the Kolyma region, and gathered together all of the material in the archive.
For a description of the collection’s over 700 items, see the finding aid. The collection also includes almost 100 books from the libraries of Ginzburg and Axenova. These books have been cataloged and can be located through the online catalog.
The posthumous First Folio printing of William Shakespeare’s plays in 1623 represents a landmark development in the history of English drama, rescuing some of the bard’s works that would have been lost forever. The earlier editions that do exist, however, differ markedly from the First Folio, and there is little evidence that Shakespeare oversaw their publication. What, then, is the “real” text?
The Shakespeare we know emerges from hundreds of years of this debate. Current holdings and recent acquisitions in Rare Books and Special Collections shed light on the discussion as it developed into the nineteenth century. Selections from the Second and Third Folio accompany printings by some of Shakespeare’s earliest critical editors, including the famous poet Alexander Pope and the moral censor Thomas Bowdler.
The images below depict Christmas celebrations by Gorals, the indigenous highlanders from the Carpathian Mountains in southern Poland. Dressed in traditional leather shoes with lacing, tight trousers with ornamented belts, and mountaineer hats with feathers, they gather joyfully to dance and sing.
This charming livre d’artiste is comprised of six Christmas poems (pastorałki) written by Polish Futurist poet Tytus Czyżewski (1880-1945) between 1919 and 1922. Tadeusz Makowski (1882-1932), a leading Polish artist of his time, designed the cover and produced six full-page woodcuts to accompany each poem. Both artists were living in Paris when this book was commissioned and published in 1925 as an inaugural edition by the Polskie Towarzystwo Przyjaciół Książki (Polish Society of Book Lovers). Czyżewski’s expressive verse and Makowski’s “primitive” woodcuts capture whimsical images from folk tradition and rituals of their native land. Rustic and textured hand-made paper with rough and even edges on which the book was printed also conveys a sense of folksiness.
The present copy is a special issue printed for Staniława Piotra, who was the first president of the Polskie Towarzystwo Przyjaciół Książki. It was acquired by the library in 2013.
This is the last post for 2015. Happy holidays to you and yours from Notre Dame’s Rare Books and Special Collections!
With his excitement barely contained, Dan Johnson reveled in what a great addition this would be for RBSC—a map of Middle Earth annotated by J. R. R. Tolkien himself! Dan went on to explain that this map was recently discovered stuck in the renowned illustrator, Pauline Baynes’ personal copy of The Lord of the Rings and that it promises to be an important piece of Tolkien ephemera. “If only we had a Tolkien collection to justify pursuing this,” he lamented.
Dan’s enthusiasm and appreciation for the Inklings is among his many literary interests. He studied English literature, earning his BA from Bethany Lutheran College in Mankato, MN, and then went on to earn an MA from Wake Forest University. He is currently researching the supernatural in the 18th century. Part of this research examines the work of Charles Brockden Brown, the first major American novelist and Gothic fiction pioneer. He is finishing his dissertation, “Visible Plots, Invisible Realms,” en route to earning his PhD in English literature at Princeton University. All the while he is learning the ropes of the library world as the new English Literature and Digital Humanities librarian for Hesburgh Libraries.
Having come to Notre Dame in August, Dan quickly immersed himself in getting to know the collections, faculty, and students. Within the first couple of weeks, he was meeting with English students and faculty, and preparing classes that featured rare materials, including the works of Samuel Taylor Coleridge. He pulled out multiple editions of The Ancient Mariner and along with Professor Yasmin Solomonescu guided the students through Coleridge’s marginal glosses, talking about the book as artifact.
Tightly integrated with Dan’s interests in American and British literature from the 18th and 19th centuries is his fascination with how technology can enhance research in the Humanities. Dan founded and manages a digital archive of texts and digital humanities projects related to 18th- and 19th-century British and American literature called Scholar’s Grotto. This includes his own project, a scholarly edition of The Relief; or, Day Thoughts (1754), a parody and critique of graveyard poetry by Henry Jones, the “bricklayer poet.”
Dan is quite excited about enhancing RBSC’s literary collections. He has acquired two significant additions: a 1725 edition of Shakespeare’s works edited by Alexander Pope and the 1818 second edition of The Family Shakespeare in Ten Volumes edited by Thomas Bowdler. Both of these will be featured in his upcoming Shakespeare spotlight exhibit in RBSC—this will be the first exhibit Dan has ever curated. It will coincide with RBSC’s hosting of First Folio! The Book that Gave Us Shakespeare, the Folger Shakespeare Library’s touring exhibit that will bring a First Folio of the bard’s plays to each of the 50 states, Washington, D.C., and Puerto Rico. Dan will also lead guided tours of both exhibits and invites everyone to brave the snow and come out to learn about Shakespeare.
The Hesburgh Libraries recently acquired the Thomas M. Loome Collection in Catholic Modernism, which comprehensively covers books on Modernism in Catholic thought, with over 1500 volumes. The modernist movement, from the late 19th into the 20th century, concerned theological, philosophical, and methodological insights applied to the Church’s engagement with the modern world. The controversies generated by this debate by many European and American Catholics led to censure, papal encyclicals, and excommunications. The themes resonated and were in many ways resolved in the course of Vatican II, and can certainly be said to be relevant to the global church today.
The printed works cover output from Great Britain, France, Italy, and Germany, but also include primary works for Modernism in the Netherlands, U.S., Switzerland, and Austria. Most of these printed works were published during the years 1895-1912, but also include subsequent studies and monographs on Modernism and individual Modernists.
1893 manuscript (MSE-MD 3824-063) and 1928 letter to Gwen Green (MSE-MD 3824-104), both written by Friedrich von Hügel.
In addition to books, the collection includes manuscript material from several principal thinkers, including George Tyrrell (letters) and Friedrich von Hügel (correspondence with other thinkers and relatives). Thomas Loome, the compiler of the collection (and former owner/bookseller of Loome Theological Books, Stillwater, MN), has written widely on modernism, and the collection includes his extensive research notes, reprints, copies of archival sources, and correspondence concerning his research and the debates.
The Loome Catholic Modernism Collection monographs are housed in Rare Books and Special Collections, and can be found in the ND Catalog with the keywords “Loome Catholic Modernism Collection.” The manuscript and archival materials are being processed, and are accessible for use in the Special Collections reading room. Contact the department for more information about using the collection.
This month’s spotlight exhibit features materials from the recently acquired archive of Evgeniia Ginzburg, the most famous woman prisoner of Stalin’s GULAG, and Antonina Axenova (Ginzburg’s adopted daughter).
Evgeniia Ginzburg in her Moscow apartment, 1968.
Evgeniia Solomonovna Ginzburg (1904-1977) was a journalist and teacher who wrote an acclaimed autobiographical account of her 18-year journey through the Stalin GULAG. Ginzbrug’s epic story, which has been translated into many languages, was published in English in two volumes: Journey into the Whirlwind (1967) and Within the Whirlwind (1981). To this day her work remains one of the most significant and widely-read women’s memoirs about life and death in the Stalin camps.
Born in the Kolyma camps in 1946, Antonina Pavlovna Axenova was adopted by Ginzburg in 1949. Axenova later became a theater and movie actress. She has also worked tirelessly collecting materials to preserve the memory and legacy of her mother.
More than 7 boxes constitute the archive which consists of documents, letters, photographs, and some manuscripts relating to Ginzburg’s arrest and her life in the camps as well as materials about Axenova’s professional life. The finding aid is near completion and will be accessible to researchers in the near future.
With his excitement barely contained, 
