Building a Campus Boycott to Support Midwestern Farmworkers — a spotlight exhibit in Special Collections

This spotlight exhibit and blog post were created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University.

Campbell Soup Boycott

By Emiliano Aguilar, PhD, Assistant Professor History, University Of Notre Dame

In 1979, a small cadre of University of Notre Dame and Saint Mary’s College students organized to push a boycott of Campbell Soup and Libby Manufacturing goods on their campuses. The group formed the Notre Dame–Saint Mary’s College Farm Worker Project in February to support the Farm Labor Organizing Committee (FLOC), a Midwest-based labor union and advocacy group that supported the rights of migrant farm workers. FLOC had initiated a nation-wide boycott campaign earlier that year to convince these major food manufacturers to pressure their suppliers to negotiate with FLOC to improve migrant farm workers’ salaries and labor conditions.

The immediate goal of the Notre Dame–Saint Mary’s College Farm Worker Project was to convince the undergraduate student bodies to pass a campus-wide referendum to join the boycott of both Campbell and Libby on their campuses. To do so, the organizers needed to convince most students to not only vote in favor of the boycott but to also participate in the election at all. While the vote favored the boycott, not enough students chose to vote—bringing the ballot initiative short of the university’s guidelines.

However, the organizers were not dismayed. When the students reconvened for a new semester, they stressed the need to make their classmates aware of both the issue and the impending ballot initiative. Members of the committee plastered the campus with impromptu posters urging their peers to boycott Campbell and Libby products. Donning small buttons urging a boycott of the companies and handing out business cards that listed all the goods included in the boycott, organizers initiated an awareness campaign and voter drive.

The calls for a boycott placed the university at the center of a moral battle between the company and Midwestern farmworkers. With a successful vote, Notre Dame would become the first major university to boycott Campbell and Libby goods in solidarity with FLOC. This potential shift would lead the company to engage in an extensive public relations campaign, including publishing editorials and letters in the campus newspaper, The Observer.

A chief piece of ephemera passed around by campus protesters was “The Farmworker Struggle: A Debate By Letter.” This eight-page pamphlet featured FLOC leader Baldemar Velasquez’s response to letters written by the Director of Customer Service at Campbell Soup, D.Y. Robinson. Within his letter, Robinson stressed that the company did not directly employ farmworkers and was not responsible for the demands leveled by FLOC. Robinson asserted Campbell’s policy that the company “should not and will not inject itself into the labor negotiations between our suppliers and organizations representing the employees of their suppliers.”

While Robinson argued that it would be “impractical” for the company to get involved, Velasquez’s response noted that the company was directly responsible for creating the conditions the migrants labored in – whether it was the field or a canning facility. Velasquez retorted that when the company dictated prices, that “the wages were automatically set for the farmworker, because the growers can afford only a limited amount of overheard.”

As a tool to educate and mobilize, the pamphlet offered not only multiple perspectives in direct conversation with each other but a partial list of supporters and a reprinted card, listing the goods included in the boycott. This pamphlet became one of many entry-ways for campus organizers to educate their peers and the broader community.

Campbell Soup also crafted materials to dissuade the boycott. A contemporary advertisement, for example, invoked the company’s popular “Labels for Education” school fundraising promotional program—as well as its support for Catholic education across the United States—to leverage Campbell’s Catholic identity against FLOC and the increasing support the farmworkers found within the Church. Featuring two young children, the ad hoped to emphasize that the pictured students were both the recipients of the company’s corporate philanthropy and victims of the boycott.

On Monday, February 25, 1980, the Notre Dame–Saint Mary’s referendum passed by a close margin, with exactly half of the campus voting. With 2,012 students in support and 1,321 opposed, Notre Dame began a boycott of Campbell and Libby. As one student organizer proclaimed, “We are not stopping. We are moving into South Bend and across the nation through the Catholic Church and the universities” (“FLOC Referendum Takes Voter Majority,” The Observer Feb. 26, 1980, pp 1, 6). Despite students graduating, the campus maintained the boycott for six years.

The Farm Labor Organizing Committee and its boycott against Campbell Soup, a quintessentially American company, even led to a line in Jesse Jackson’s famous speech to the Democratic National Convention in 1984, “The Rainbow Coalition.” FLOC organizers and activists were on hand with fliers that invoked the company’s iconic can image, relabeling the soup as “Cream of Exploitation.” The reverse side implored delegates to partake in a floor action during Jackson’s speech, holding signs in support for the nearly 2,000 farmworkers on strike in Campbell’s tomato fields.

On February 19, 1986, after seven years of protest, FLOC, the Campbell Soup Company, and their growers, entered into a historic three-way labor contract in Ohio and Michigan—recognizing the union, establishing farmworkers as paid employees, and guaranteeing minimum earnings and benefits.

Upcoming Events: March 2025

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, March 6 at 5:00pm | Italian Research Seminar: M.A. Student Presentations (University of Notre Dame) — This semester’s speakers are: Samantha Civitarese and Carolina Minguzzi.

Friday, March 28 at 5:00pm | Faith in Action: Solidarity with Regional Migrant Farmworkers — view the RBSC Spotlight Exhibit, “Building a Campus Boycott to Support Midwestern Farmworkers,” and join a robust conversation afterward with curator Dr. Emiliano Aguilar (Assistant Professor in the Department of History). After viewing the exhibit, visitors will gather in room 125 for refreshments and discussion.

Monday, March 31 at 3:30pm | Exhibit Tour – Tragedies of War: Images of WWII in Print Visual Culture.

CANCELLED: Monday, March 31 at 4:30pm | Exhibit Lecture: “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” by Martina Cucchiara (Bluffton University). This event has been canceled. We apologize for the inconvenience.


The Spring 2025 Exhibition — Tragedies of War: Images of World War II in Print Visual Culture — will open shortly and runs through the end of July 2025. Based predominantly on recently acquired Rare Books and Special Collections European holdings, the exhibition commemorates the end of the Second World War (1939-1945) and will explore a diverse assortment of themes including Fascist Racial Ideology, the Holocaust, Children in War, Resistance, Liberation, and Memories of War.

Curated by Natasha Lyandres (Curator, Rare Books & Special Collections), Jean McManus (Catholic Studies Librarian, University Archives) and Julia Schneider (German Language and Literature and Italian Studies Librarian, Hesburgh Libraries).


The current spotlight exhibit is Building a Campus Boycott to Support Midwestern Farmworkers (January–April 2025). In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, OH). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity.

Curated by Emiliano Aguilar (Assistant Professor of History, University of Notre Dame, and Faculty Fellow, Institute for Latino Studies).


Special Collections is open regular hours during Notre Dame’s Spring Break (March 10-14).

Upcoming Events: February 2025

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, February 27 at 5:00pm | Italian Research Seminar: “‘Anticolonialism(s) as antiracism(s)?’ Italian Radicals Facing ‘Race’ and the Colonial Question at the Turn of the Twentieth Century” by Silvana Patriarca (Fordham University).


The Spring 2025 Exhibition — Tragedies of War: Images of World War II in Print Visual Culture — will open in February and run through the end of July 2025. Based predominantly on recently acquired Rare Books and Special Collections European holdings, the exhibition commemorates the end of the Second World War (1939-1945) and will explore a diverse assortment of themes including Nazi racial ideology, the Holocaust, Children in War, Resistance, Liberation, and Memories of War. Curated by Natasha Lyandres (Curator, Rare Books & Special Collections), Jean McManus (Catholic Studies Librarian, University Archives) and Julia Schneider (German Language and Literature and Italian Studies Librarian, Hesburgh Libraries).

(The Fall 2024 Exhibition, Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924, ends January 30. Come see the exhibition while you still can!)

The current spotlight exhibit is Building a Campus Boycott to Support Midwestern Farmworkers (January–April 2025). In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, OH). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. Curated by Emiliano Aguilar (Assistant Professor of History, University of Notre Dame, and Faculty Fellow, Institute for Latino Studies).

Welcome Back! Spring 2025 in Special Collections

Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Spring ’25! Here are a variety of things to watch for in Special Collections during the coming semester.

Special Collections Welcomed Two New Curators in the Fall 2024 Semester

Matthew Knight and Payton Phillips Quintanilla bring subject matter expertise in Irish Studies and Latin American and Iberian Studies.

In addition to stewarding the Hesburgh Libraries’ Irish Studies collections in both general and specialized collections, Knight works with other University faculty members to foster the use of these materials broadly across campus within the larger field of Irish Studies teaching and instruction.

The new Irish Studies Librarian and Curator brings deep expertise in the field of Irish Studies, teaching, and librarianship, including in special collections. He previously served as an Associate Librarian at the University of South Florida and holds an M.A. and Ph.D. in Celtic Languages and Literatures from Harvard University in addition to an M.A. in Library Science from the University of South Florida.

Phillips Quintanilla is responsible for stewarding the Libraries’ Latin American and Iberian Studies collections in both general and specialized collections. She works within the Libraries and across campus to foster the use of the collections broadly within the fields of Latin American Studies and Iberian Studies teaching and instruction. She also supports Latino Studies students and faculty in collaboration with Rachel Bohlmann, American History Librarian and Curator of North Americana.

Phillips Quintanilla brings deep expertise in the field of Latin American and Iberian Studies and teaching, as well as experience in the cultural heritage sector — particularly in areas of provenance and the stewardship of special collections. Before joining the Hesburgh Libraries faculty, she worked as a Research Specialist in the Pre-Hispanic Art Provenance Initiative at the Getty Research Institute. The new librarian and curator holds a Ph.D. in Hispanic Languages and Literatures with a specialization in transatlantic early modern literatures and cultures, as well as an M.A. in Spanish from the University of California, Los Angeles (UCLA), a Master of Professional Writing from the University of Southern California, and a B.A. in Urban and Environmental Policy from Occidental College.

Read the full press release on the Hesburgh Library website.

Fall 2024 Exhibition — Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924

Continuing through the end of January.

“Notre Dame football is a new crusade:
it kills prejudice and stimulates faith.”

— Rev. John F. O’Hara, C.S.C., Prefect of Religion,
Religious Bulletin, November 17, 1924

In the fall of 1924, the University of Notre Dame found great success on the football field and confronted a dangerous and divisive political moment. The undefeated Fighting Irish football team, cemented forever in national memory by Grantland Rice’s legendary “Four Horsemen” column, beat the best opponents from all regions of the country and won the Rose Bowl to claim a consensus national championship. Off the field, Notre Dame battled a reactionary nativist political environment that, in its most extreme manifestation, birthed the second version of the Ku Klux Klan. Sympathizers of this “100% Americanism” movement celebrated white, male, Protestant citizenship and attacked other groups—including Catholics and immigrants—who challenged this restrictive understanding of American identity.

In the national spotlight, Notre Dame leaders unabashedly embraced their Catholic identity. They consciously leveraged the unprecedented visibility and acclaim of the football team to promote—within the very real political constraints of the era—a more inclusive and welcoming standard of citizenship. Attracting a broad and diverse fan base, the 1924 national champion Fighting Irish discredited nativist politics and helped stake the claim of Notre Dame—and Catholics and immigrants—to full citizenship and undisputed Americanness.

Curated by Gregory Bond (Curator of the Joyce Sports Research Collection, Rare Books and Special Collections) and Elizabeth Hogan (Senior Archivist for Photographs and Graphic Materials, University Archives).

Spring 2025 Exhibition — Tragedies of War: Images of World War II in Print Visual Culture

Opening mid-February.

Based predominantly on recently acquired Rare Books and Special Collections European holdings, the exhibition commemorates the end of the Second World War (1939-1945) and explores a diverse assortment of themes including Nazi racial ideology, the Holocaust, Children in War, Resistance, Liberation, and Memories of War. By examining these topics through images created for personal use by ordinary people and for state-sponsored propaganda purposes, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how war was experienced and remembered.

Curated by Natasha Lyandres (Curator, Rare Books & Special Collections), Jean McManus (Catholic Studies Librarian, University Archives) and Julia Schneider (German Language and Literature and Italian Studies Librarian, Hesburgh Libraries).

Spring Spotlight: Building a Campus Boycott to Support Midwestern Farmworkers

Opening end of January.

In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, OH). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity.

Curated by Emiliano Aguilar (Assistant Professor of History, University of Notre Dame, and Faculty Fellow, Institute for Latino Studies).

These and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

All exhibits are free and open to the public during regular hours.

Special Collections’ Classes & Workshops

Throughout the semester, curators will teach sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.

Upcoming Events

Thursday, January 16 at 5:00pm | The Spring 2025 Italian Research Seminar and Lectures will begin with a lecture by 4th-year Ph.D. student in Italian Rookshar Myram (University of Notre Dame) titled: “Forging Effigies in the Commedia: Deification as Artistry.”

Learn more about this and other Events in Italian Studies.

Recent Acquisitions

Special Collections acquires new material throughout the year. Watch this blog for information about recent acquisitions.

Upcoming Events: December 2024

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, December 5 at 5:00pm | Italian Research Seminar: “A Reckless and Scandalous Doctrine: Matthias Ferchius, a Franciscan in the Index” by Eva Del Soldato (University of Pennsylvania).


The exhibition Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924 is now open and will run through the end of January 2025.

Tours of the exhibit may be arranged for classes and other groups by contacting Greg Bond at gbond2@nd.edu.


The current spotlight exhibits are Wollstonecraft: Revolution & Textual Evidence (September–December 2024) and A Fourteenth-Century Chanson de Geste Fragment (September–December 2024).

RBSC will be closed during the University of Notre Dame’s Christmas and New Year’s Celebrations,
December 21, 2024 – January 1, 2025.

Upcoming Events: November 2024

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, November 7 at 5:00pm | Italian Research Seminar: “Literary Celebs: Amalia Guglielminetti, Guido Gozzano and the Price of Fame” by John Welle (University of Notre Dame).

Thursday, November 21 at 5:00pm | Italian Research Seminar: “The Activism of Imagination: Fictions of Europe Between Utopia and Disenchantment” by Nicoletta Pireddu (Georgetown University).


The exhibition Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924 is now open and will run through the end of January 2025.

Curators Gregory Bond and Elizabeth Hogan will host exhibit open houses on select Friday afternoons before Notre Dame home football games, including on November 8 and November 15. The drop-in open houses will run from 3:00–4:30pm and will feature brief remarks by the curators at 3:15pm.

Tours of the exhibit may be arranged for classes and other groups by contacting Greg Bond at gbond2@nd.edu.


The current spotlight exhibits are Wollstonecraft: Revolution & Textual Evidence (September – December 2024) and A Fourteenth-Century Chanson de Geste Fragment (September – November 2024).

RBSC will be closed during the University of Notre Dame’s Thanksgiving Break, November 28 – 29.

Upcoming Events: October 2024

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, October 3 at 5:00pm | Italian Research Seminar: Dante’s Chorographies: From the Territory to the Comedy” by Giovanna Corazza (Cà Foscari University of Venice).


The exhibition Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924 is now open and will run through the end of January 2025.

Curators Gregory Bond and Elizabeth Hogan will host exhibit open houses on select Friday afternoons before Notre Dame home football games, including on October 11, November 8, and November 15. The drop-in open houses will run from 3:00–4:30pm and will feature brief remarks by the curators at 3:30pm in October and 3:15pm in November.

Tours of the exhibit may be arranged for classes and other groups by contacting Greg Bond at gbond2@nd.edu.


The October spotlight exhibits are Wollstonecraft: Revolution & Textual Evidence (September–December 2024) and A Fourteenth-Century Chanson de Geste Fragment (September–November 2024).

RBSC will be open regular hours (9:30am–4:30pm) during the University of Notre Dame’s Fall Break, October 19 – 27.

Welcome Back! Fall 2024 in Special Collections

Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Fall ’24! We want to let you know about a variety of things to watch for in the coming semester.

Fall 2024 Exhibition: Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924

“Notre Dame football is a new crusade:
it kills prejudice and stimulates faith.”
— Rev. John F. O’Hara, C.S.C., Prefect of Religion,
Religious Bulletin, November 17, 1924

In the fall of 1924, the University of Notre Dame found great success on the football field and confronted a dangerous and divisive political moment. The undefeated Fighting Irish football team, cemented forever in national memory by Grantland Rice’s legendary “Four Horsemen” column, beat the best opponents from all regions of the country and won the Rose Bowl to claim a consensus national championship. Off the field, Notre Dame battled a reactionary nativist political environment that, in its most extreme manifestation, birthed the second version of the Ku Klux Klan. Sympathizers of this “100% Americanism” movement celebrated white, male, Protestant citizenship and attacked other groups—including Catholics and immigrants—who challenged this restrictive understanding of American identity.

In the national spotlight, Notre Dame leaders unabashedly embraced their Catholic identity. They consciously leveraged the unprecedented visibility and acclaim of the football team to promote—within the very real political constraints of the era—a more inclusive and welcoming standard of citizenship. Attracting a broad and diverse fan base, the 1924 national champion Fighting Irish discredited nativist politics and helped stake the claim of Notre Dame—and Catholics and immigrants—to full citizenship and undisputed Americanness.

Curators will host exhibit open houses on select Friday afternoons before Notre Dame home football games, including on September 6, September 27, and October 11. The drop-in open houses will run from 3:00–4:30 and will feature brief remarks by the curators at 3:30.

Other curator-led tours open to the public will be announced soon. Tours of the exhibit may be arranged for classes and other groups by contacting Greg Bond at gbond2@nd.edu.

This exhibition is curated by Gregory Bond (Curator of the Joyce Sports Research Collection, Rare Books and Special Collections) and Elizabeth Hogan (Senior Archivist for Photographs and Graphic Materials, University Archives).

Stop in regularly to see our Collections Spotlights

Currently on Display: Making Books Count: Early Modern Books in the History of Mathematics

Discover how books shaped science and our understanding of nature. The history of mathematics guides our understanding of astronomy, as revealed in works by Galileo, Copernicus, and others. Through ancient texts tracing the evolution of mathematical thought, visitors can explore the dialogue between mathematics and nature.

The last public spotlight tour is scheduled for August 28 at 1:30 pm.

This dual case spotlight is curated by Caterina Agostini (Indiana University Bloomington, Department of History and Philosophy of Science and Medicine). She previously served as a Postdoctoral Research Associate with the Reilly Center for Science, Technology, and Values and the Navari Family Center for Digital Scholarship. She is Co-PI in the Harriot Papers project.

Opening Soon: September Spotlights

RBSC spotlight exhibits will switch over for the fall during September. Two new exhibits will feature recently acquired editions of books by Mary Wollstonecraft and two manuscript fragments of French poetry. Stay tuned for more information!

These and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

All exhibits are free and open to the public during business hours.

Special Collections’ Classes & Workshops

Throughout the semester, curators will lead instructional sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections materials to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.

Events

These programs are free and open to the public.

Thursday, October 3 at 5:00pm | The Fall 2024 Italian Research Seminar and Lectures will begin with a lecture by Giovanna Corazza (Università Ca’ Foscari), “Dante’s Chorographies: From the Territory to the Comedy.”

Learn more about Special Collections and other Hesburgh Library events, as well as other events in Italian Studies.

Recent Acquisitions

Special Collections acquires new material throughout the year. Watch this blog for information about recent acquisitions.

Anticipated Closures

Rare Books and Special Collections is regularly open 9:30am to 4:30pm, Monday through Friday. The department will be closed for the following holidays and events:

September 2, for Labor Day (Monday)
September 13, for Rev. Robert A. Dowd, C.S.C., Presidential Inauguration Events (Friday, afternoon only)
November 28-29, for Thanksgiving (Thursday and Friday)

Our last day open before the campus closure for Christmas Celebration will be December 20 (the Friday of final exams week).

Hours and other information for all Hesburgh Library locations can be found on the Library Website.

Upcoming Events: May 2024 and through the summer

Currently there are no events scheduled to be hosted this summer in Rare Books and Special Collections.

The exhibition Mapping the Middle Ages: Marking Time, Space, and Knowledge runs through the summer and closes in late July. Learn more about the exhibit in this video, and plan your visit this summer.

The current spotlight exhibits are Scripts and Geographies of Byzantine Book Culture (February – May 2023) and The Book Beautiful: A Selection from the Arts & Crafts Movement (April – May 2024). Towards the end of May, we will install a double case spotlight exhibit highlighting Special Collections items relating to the early modern history of mathematics.

Rare Books and Special Collections is open
regular hours during the summer —
9:30am to 4:30pm, Monday through Friday.

RBSC will be closed Monday, May 27th, for Memorial Day and Thursday, July 4th, for Independence Day.

Spotlight Exhibit: The Book Beautiful

by Luke Kelly, Gladys Brooks Conservation Fellow, Hesburgh Libraries

The books in Special Collections’s April-May spotlight exhibit represent a small selection of materials from the University of Notre Dame’s collection that reveal the influence of William Morris on the Arts & Crafts movement. From the printing and binding of Thomas J. Cobden-Sanderson to the illumination and calligraphy of Edward Johnston and Alberto Sangorski, Morris’s ideal of the “book beautiful” was taken up by dozens of other makers who sought in their own way to merge artistry and craftsmanship in the creation of beautiful books.

William Morris founded the Kelmscott Press in 1891 in response to the decorative excesses of the waning Victorian era and declining material and design standards in book publishing. He aimed to print books “which would have a definite claim to beauty, while at the same time they should be easy to read and should not dazzle the eye, or trouble the intellect of the reader by eccentricity of form in the letters.” 1 Perhaps for the first time in Europe since Gutenberg, Morris sought to design the whole book, selecting the paper, type, illustrations, typography, binding, and even the ink that were used in the production of books from the Kelmscott Press.

In making these decisions, Morris was informed by a set of exemplary medieval manuscripts and early printed works that he assembled as a personal reference library. On his historical influences in book design, Morris wrote “I have always been a great admirer of the calligraphy of the Middle Ages, & of the earlier printing which took its place. As to the fifteenth century books, I had noticed that they were always beautiful by force of the mere typography, even without the added ornament, with which many of them are so lavishly supplied.” 2 The University of Notre Dame is fortunate to have two medieval manuscripts (cod. Lat. c. 6 and cod. Lat. e. 4) owned by William Morris.

Cod. Lat. c. 6 is a 13th century copy of Peter Riga’s Aurora. Its undecorated, utilitarian limp parchment binding is charming even in its worn state and exemplifies the authenticity that Morris was attracted to in scribal book production. This book features particularly pronounced “yapped” fore-edge folds on the parchment cover, which were intended to protect the page edges from wear. Yapped edges are commonly found in this style of binding, and Morris would go on to incorporate them in his binding designs for books from the Kelmscott Press.

Except for the Kelmscott Press edition of Chaucer’s works, most books from the press were issued in two possible binding configurations: limp vellum with colored silk ties or a hardcover binding with off-white linen covering the spine and blue paper covering the boards. The Earthly Paradise was one of the last publications by the Kelmscott Press, and this particular copy retains its William Morris-designed limp vellum binding with green silk ties. It was bound for the Kelmscott Press by J. & J. Leighton. The yapped fore-edge folds of this binding are reminiscent of the yapped edges on the Riga Aurora manuscript, though they are more diminutive. The use of green silk (custom dyed at the request of Morris and used for the fore-edge ties on this binding) appears frequently in British Arts & Crafts movement books. A similarly colored green silk was used to sew the copy of Men & Women by the Doves Press in the exhibit and is visible in the gutter fold.

Men & Women opening showing colophon and green silk in gutter.

After taking up bookbinding in 1883 at the suggestion of Jane Morris, William Morris’ wife, Thomas J. Cobden-Sanderson established a new aesthetic for gold tooling in bookbinding using repeating patterns of a custom-designed set of brass finishing tools and high quality leather. Cobden-Sanderson’s aesthetic was also disseminated through his teaching. His students, such as Douglas Cockerell and Katharine Adams, became leading binders in their own right. Like William Morris, Cobden-Sanderson was interested in the design of the whole book and believed that ideally each part of the book’s production–materials, typography, illustration, and binding–should function together harmoniously to communicate the ideas contained by the written word.

Though foremost a bookbinder, Cobden-Sanderson collaborated with Emery Walker—a renowned typographer who assisted Morris in the development of several Kelmscott typefaces—to establish the Dove Press in 1900 four years after the death of William Morris. Their Doves typeface was a more accurate, svelte interpretation of Nicolas Jenson’s roman types from the late 15th century than was Kelmscott’s squat Golden typeface used in The Earthly Paradise (and in Morris’s bookplate).

This Doves Press copy of Men & Women by Robert Browning was “flourished” in the margins by Edward Johnston. Johnston was a calligrapher who was inspired by Medieval and Renaissance manuscripts and helped revitalize illumination and lettering in the Arts & Crafts movement. Ironically, Johnston is perhaps best known today for creating the sans serif typeface used by the London Underground transportation system than for his floral calligraphy.

Sometime between 1901 and 1905, Edward Johnston taught calligraphy at the Central School in London to Francis Sangorski, an virtuosic bookbinder and younger brother of Alberto Sangorski. Though Alberto was initially a bookkeeper from Francis’s bindery, Sangorski & Sutcliffe, Alberto learned the rudiments of calligraphy, quill pen cutting, and gold illumination from Francis. In 1905 at the age of 43 (coincidentally the same age Thomas J. Cobden-Sanderson gave up lawyering for bookbinding) Alberto Sangorski established himself as a calligrapher.3

This illuminated manuscript of John Milton’s On the morning of Christ’s nativity: an Ode was created by Alberto Sangorski sometime between 1905 and 1910. Alborto Sangorski developed his own miniaturist painting style based on Medieval and Pre-Raphaelite artists, which can been seen in this manuscript and in the manuscript of Dante Gabriel Rosetti’s The Blessed Damozel also on display in the exhibit. Alberto’s work drifted from the historical modeling of other Arts & Crafts figures and embraced the Edwardian era’s exuberance in design and catered to the conspicuous consumption of the truly “Gilded Age.”

This Alberto Sangorski manuscript of Dante Gabriel Rosetti’s poem The Blessed Damozel was bound by his brother Francis’s bindery, Sangorski & Sutcliffe. Francis Sangorski began his bookbinding apprenticeship in 1901 under Douglas Cockerell, another leading figure in the Arts & Crafts movement who himself trained under Thomas J. Cobden-Sanderson at the Doves Bindery. This binding is typical of Sangorski & Sutcliffe’s higher-end design bindings, featuring elaborate gold tooling and decorative leather onlays of thinly skived crimson goatskin. Sangorski & Sutcliffe’s most expensive and celebrated binding of an 1884 imprint of the Rubáiyát of Omar Khayyám sank on the RMS Titanic on April 14, 1912. Francis Sangorski drowned six weeks later while swimming in the English Channel. Like the Milton manuscript, this codex was likely created early in Alberto Sangorski’s career sometime between 1905 and 1910.

 

Footnotes

1. Morris 1.

2. Ibid.

3. The Cinderella of the arts 41.

 

Bibliography

Morris, William. A note by William Morris on his aims in founding the Kelmscott Press. Hammersmith: Kelmscott Press, 1898.

Shepherd, Rob. The Cinderella of the arts: a short history of Sangorski & Sutcliffe. London & New Castle, DE: Oak Knoll Books, 2015.