Women’s History Month: A Woman’s Sardonic Eye

by Rachel Bohlmann, American History Librarian

To honor Women’s History Month we are highlighting a new acquisition by a cartoonist who turned her sardonic eye on women and men in the WWII workplace.

Dorothy Bond drew on her working life in Chicago offices to create sarcastic, witty cartoons, which she turned into nationally syndicated comic strips after WWII. In 1940 Bond, a divorced mother of two, began working as the civilian executive secretary for a Rear Admiral in the United States Navy. The result was this self-published Life with the Navy by Navy Nora, a wry, biting, and affectionate look at office life during wartime. Bond dedicated it to “those unsung heroes and heroines who work in shore establishments for the finest Navy in the world – the United States Navy.”

In one cartoon (seen here), Bond mocked male self-importance and tweaked gender expectations by portraying a female secretary’s hesitation to interrupt a group of men in conversation. While she delayed, Bond revealed the men’s mundane discussion—about clothes (where to buy the cheapest, best-quality overcoats). In the panel opposite Bond caricatured the government’s wartime production expectations and the gendered labor market it exploited. While the young woman secretary doubled down, using two typewriters simultaneously, her male superiors merely observed and rationalized her work speed-up.

Bond made a career of capturing, in drawings and words, the absurdities and gender politics in American offices. After publishing two more cartoon books about women and office work, she became a nationally syndicated cartoonist with a daily panel called The Ladies in 1945. From this success Bond created a comic strip that she dedicated to secretaries, Chlorine, Champion of the Working Girl. Her post-war office humor included cartoons like, “Whatever It Is, No!” and “Out Looking for a Man. Back at ___.” Bond continued to publish cartoon books on timely post-war topics like Life with the Boss (1947) and Your First or Second Baby? (1956), and later in her career, broke into advertising.


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African American History Month

“Paying tribute to the generations of African Americans who struggled with adversity to achieve full citizenship in American society” – We join the Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution, and United States Holocaust Museum to observe African American History Month.

 

African Americans and Populism
by Rachel Bohlmann, American History Librarian

In this 1894 poster, the Democratic Party of Georgia felt the warm breath of third party competition on the back of its neck. The unnamed “Third Party” was the People’s Party of the United States, also known as the Populists.

The Populists were established in 1892 by a coalition of famers in the South and Midwestern plains states who believed that eastern banks and railroads, supported by government policies, exploited them with expensive credit and transportation. They were joined by industrial workers who criticized the major parties for being controlled by corporate and financial elites. In the 1892 election Populists won three governorships and 15 Congressional seats. It was the period’s most significant political insurgency.

In Georgia, the Populist wave had captured the allegiance of so many white Democrats by 1894 that the balance of political power had shifted to African Americans. If they swung their support from the minority Republican Party to the People’s Party, Democrats would lose control.

Panicked Democrats cravenly released broadsides like this one, which attempted to browbeat African American voters away from the People’s Party by threatening less public support for their children’s education. Despite such heavy-handed tactics, many African American farmers in Georgia supported Populism, as black farmers did across the South.

Georgia Democrats grimly hung onto power by mobilizing white voters against “Negro supremacy,” intimidating black voters, and outright vote fraud. Although Populism’s appeal had increased in rural states like Georgia in 1894, nationally the party lost ground. By the 1896 presidential election, the Democratic Party shrewdly absorbed part of the Populist’s platform and the agrarian revolt was checked.

Special Collections invites everyone to visit during African American History month to view or conduct research on materials such as the 1894 poster featured above. For more information, please contact us.


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Thanksgiving Humor by Mark Twain

Recalling his youth growing up in Hannibal, Missouri, Clemens recounts hunting with his uncle and cousins. A lousy shot, the young Clemens wouldn’t be embarrassed in front of deceitful mamma-turkey. Read on to find out what happened.

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Samuel Langhorne Clemens (1835-1910), better known as Mark Twain, authorized Harper’s Magazine to print his “Hunting the Deceitful Turkey.” This short piece was an excerpt from the manuscript he had been working on, “My Autobiography (Random Extracts of It).”

Ghosts in the Stacks

by Sara Weber, Special Collections Digital Project Specialist

From ghoulies and ghosties
And long-leggedy beasties
And things that go bump in the night,
Good Lord, deliver us!

Traditional Scottish Prayer

“What do you have in Special Collections?” is a question we are asked quite regularly. While we don’t have any ghosts (that we know of), we do have books that contain ghost stories. Whether a central character intended to frighten the reader or a convenient plot device, ghosts appear in a variety of works of fiction. Listed here are a selection of such stories to be found in our rare books.

One of the earliest recorded ghost stories is that told by Pliny the Younger in his Letters, written in the early 2nd century AD. He repeats a story he has heard told of an Athenian phantom “in the form of an old man . . . with a long beard and bristling hair” [Book 7, Letter 27]. boo_000525765-178_179 boo_000525765-180_181

“The Legend of Sleepy Hollow” from The sketch book of Geoffrey Crayon, gent, by Washington Irving (London: J. Murray, 1821).

“The Ghost and the Bonesetter” by Sheridan Le Fanu, first published in 1838 in the Dublin University Magazine (Dublin, Ireland: William Curry, Jun., and Co.; and London: Simpkin and Marshall).

A Christmas Carol (London: Chapman & Hall, 1843) and The haunted man and the ghost’s bargain (London: Bradbury & Evans, 1848), both by Charles Dickens. Although a tradition that has nearly disappeared, telling ghost stories on Christmas Eve was popular during the Victorian era.

A night in a haunted house: a tale of facts, by Edward Tracy Turnerelli (London: Ward & Lock, 1859).

“The Phantom Coach” by Amelia Edwards, first published December 1864 in the Extra Christmas Number “Mrs. Lirriper’s Legacy” issue of All the year Round, a Victorian periodical edited by Charles Dickens (London: Chapman and Hall, 1859-1895). Many 19th century ghost stories were initially published in magazines.boo_000809099-v12-18641201-34_35 boo_000809099-v12-18641201-36_37 boo_000809099-v12-18641201-38_39 boo_000809099-v12-18641201-40_41

Irish wonders: the ghosts, giants, pookas, demons, leprechauns, banshees, fairies, witches, widows, old maids, and other marvels of the Emerald Isle, by David Rice McAnally (London: Ward, Lock, 1888).

Some Chinese ghosts (Boston: Roberts brothers, 1887) and In ghostly Japan (Boston: Little, Brown and Co. 1899), both by Lafcadio Hearn.l_hearn-covers

“Tom Daly and the nut-eating ghost” from Tales of the fairies and of the ghost world, collected from the oral tradition in South-west Munster, by Jeremiah Curtin (London: D. Nutt, 1895). boo_001924558-054_055 boo_001924558-056_057

M. R. James’s Ghost stories of an antiquary (London: Penguin Books, 1937) and More ghost stories (Harmondsworth, Middlesex: Penguin Books, 1959). James’s first and second collections of ghost stories, these were originally published in 1904 and 1911, respectively. penguins-mrjames

Gods, goblins and ghosts; the weird legends of the Far East, by Bertha Lum (Philadelphia and London: J. B. Lippincott Company, 1922). 

Madam Crowl’s ghost: and other tales of mystery, by Joseph Sheridan Le Fanu, edited by M. R James (London: G. Bell and sons, ltd., 1923). 

Happy Haunting to you and yours from all of us in Notre Dame’s Special Collections!

P.S. If you’re curious about ghost stories here on campus, check out Notre Dame Magazine’s article “Haunt thee, Notre Dame?” from the Autumn 2009 issue.

Reproducing Independence Day

by Rachel Bohlmann, American History Librarian

Vicksburg, Mississippi’s most famous Independence Day, July 4, 1863, marked the surrender of its Confederate forces to Union Major General U. S. Grant during the American Civil War. After a 47-day siege of the city, which sat atop a high bluff on the Mississippi River, Grant accepted a negotiated truce from Vicksburg’s Confederate Lt. General John C. Pemberton on July 3. He surrendered the next day. This victory marked a turning point in the war. The Confederacy lost control of the Mississippi River as well as access between the eastern Confederacy and the Trans-Mississippi Confederacy of Arkansas, Texas, and Louisiana. At nearly the same moment, Union forces defeated Confederates at Gettysburg, a loss for Robert E. Lee’s Army of Northern Virginia that decisively checked Confederate encroachment northward.

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1863-07-02-VicksburgMS_Daily Citizen_bJ.M. Swords, publisher of the Vicksburg Daily Citizen, fled the city but left the July 2, 1863 edition partially finished on his press. Occupying Union soldiers completed it with an addendum dated July 4. Paper supplies in the besieged city, however, were long depleted so they printed the newspaper on what they had—wallpaper. Swords had earlier resorted to the same measure, creating so-called “wall-paper editions” on June 16, 18, 20, 27, 30, and July 2.

The last line of the July 4 note proved correct: the paper became a valuable curiosity. More than 30 reproductions have been identified, including this one. The Library of Congress holds two originals and two reproductions and offers guidance on identifying copies. Although of little monetary value, reproductions nevertheless are significant historical documents. They surfaced very soon after the war, probably as souvenirs at soldiers’ reunions.

Although many copies of its famous Fourth of July newspaper exist, after its defeat and surrender the city of Vicksburg did not officially celebrate Independence Day until 1945.

 


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Memorial Day: Stories of War by a Civil War Veteran

by Rachel Bohlmann, American History Librarian

When Congress declared the last Monday in May a national holiday in 1968, it standardized the many different ways that Americans had remembered our war dead since the Civil War (1861-1865). Defining “Decoration Day,” as Memorial Day was first known after that war, became part of a larger cultural and political conflict about how to remember the Civil War itself.

Wikimedia-Bierce_from_The_Letters_1922-croppedWriter, poet, journalist, and veteran Ambrose Bierce shaped this post-war conversation. As a nineteen year old he joined the Ninth Indiana regiment and served nearly the entire conflict. Bierce later settled in California as a journalist and writer, contributing social criticism and satire to the San Francisco Examiner and other publications.

Of the many former soldiers who put their wartime experiences into literature, Bierce probably had seen the most combat. It never left him. By the 1880s, when American culture was awash in sentimental and nostalgic literature about the Civil War and slavery, Bierce’s stories stood apart. He despised war sentiment and, as one historian put it, “never stopped recollecting the corpses.” (David Blight, Race and Reunion, 2001, p. 248) Bierce’s realism about war’s horrors, most notably expressed in “An Occurrence at Owl Creek Bridge” and “Chickamauga,” was nearly unrivaled in his generation and distinguished him from other writers until after World War I.

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In addition to the finely-produced first edition of collected short stories featured here, Tales of Soldiers and Civilians, Hesburgh Library holds every first edition work by Bierce, thanks to the generosity of two university benefactors, John Bennett Shaw and Walter Trohan.

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For more about Ambrose Bierce, and where most of this post’s content comes, see, David W. Blight, Race and Reunion: The Civil War in American Memory (Cambridge, MA: Belknap Press, 2001). See also S. T. Joshi and David E. Schultz, Ambrose Bierce: An Annotated Bibliography of Primary Sources (Westport, CT: Greenwood Press, 1999).

 


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Leap Day

In 1582, Pope Gregory XIII reformed the Julian calendar in order to bring the date for celebrating Easter closer in line with the date the early Church had celebrated it. He removed 10 days, skipping from October 4 to October 15, 1582, established February 29 as the official day to be added during a leap year, revised how leap years were determined, and also set January 1 as the first day of the year.

Although most Catholic countries adopted these reforms after they were enacted in 1582 by the papal bull Inter gravissimas, Protestant and Orthodox countries resisted. England and her colonies did not adopt the Gregorian calendar until almost two centuries later as this excerpt from the 1752 edition of Poor Richard Improved, an almanac published by Benjamin Franklin, explains.

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Bram Stoker’s Manuscript of His Lecture on Abraham Lincoln

Bram Stoker (1847-1912), when he was manager of the renowned English actor Henry Irving, made many trips to the United States. Over the course of these visits and perhaps after meeting the poet Walt Whitman in 1884, he became intrigued by Abraham Lincoln. In the late 1880s and 1890s, Stoker lectured on Lincoln at numerous venues in both the United States and Europe.

In composing his lecture, Stoker drew on many of the standard sources of the day and also quotes Whitman. Stoker emphasizes slavery throughout and Lincoln’s role as emancipator. A long prelude provides background on the “peculiar institution” in the United States and the sectional crisis of the 1850s. Then follows the life of Lincoln proper. Stoker’s attitude toward his subject is reverent in the extreme. Explaining that “the hour had come for the final struggle . . . between slavery and freedom,” Stoker reiterates to the audience in introducing his subject, “The hour had come—and with it . . . came the man—Abraham Lincoln.”

Notre Dame holds the original, working copy of Bram Stoker’s 152-page, unbound manuscript. Approximately half of the Notre Dame manuscript is a single, essentially sustained narrative though deletions, additions, and corrections abound. The rest consists of variations on portions of that narrative inserted, perhaps, to suit a particular audience.

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Folio 19r, showing the first example of the beginning of the lecture (MSE/IR 5304-1B).
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Folio 98r, showing a variation on the beginning of the lecture (MSE/IR 5304-1B).
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Folio 99r, showing another version of the beginning of the lecture (MSE/IR 5304-1B).
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Folio 160r, showing a third version of the beginning of the lecture (MSE/IR 5304-1B).

Polish Christmas Carols

Pastorałki by Tytus Czyżewski and Tadeusz Makowski

The images below depict Christmas celebrations by Gorals, the indigenous highlanders from the Carpathian Mountains in southern Poland. Dressed in traditional leather shoes with lacing, tight trousers with ornamented belts, and mountaineer hats with feathers, they gather joyfully to dance and sing.

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This charming livre d’artiste is comprised of six Christmas poems (pastorałki) written by Polish Futurist poet Tytus Czyżewski (1880-1945) between 1919 and 1922. Tadeusz Makowski (1882-1932), a leading Polish artist of his time, designed the cover and produced six full-page woodcuts to accompany each poem. Both artists were living in Paris when this book was commissioned and published in 1925 as an inaugural edition by the Polskie Towarzystwo Przyjaciół Książki (Polish Society of Book Lovers). Czyżewski’s expressive verse and Makowski’s “primitive” woodcuts capture whimsical images from folk tradition and rituals of their native land. Rustic and textured hand-made paper with rough and even edges on which the book was printed also conveys a sense of folksiness.

The present copy is a special issue printed for Staniława Piotra, who was the first president of the Polskie Towarzystwo Przyjaciół Książki. It was acquired by the library in 2013.

 

This is the last post for 2015. Happy holidays to you and yours from Notre Dame’s Rare Books and Special Collections!

 


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