Recent Acquisition: World War I Scrapbooks of U.S. Army Officer from Bloomington, Indiana

by George Rugg, Curator, Americana

4 volumes, 29 cm., 678 leaves, with typescript, photographs, postcards, maps and other published illustrations, typed and handwritten documents, and drawings tipped and bound in; 3 additional folders; 1 linear foot.

From August 1917 to May 1919 Humphrey Mahan Barbour (1894-1983) of Bloomington, Indiana served as an officer in the U.S. Army’s 150th Field Artillery Regiment, attached to the 42nd (Rainbow) Division. From February to November 1918 he saw periodic action on the Western Front, fighting at the 2nd Battle of the Marne, at Saint-Mihiel, and in the Meuse-Argonne offensive. On 1 July 1918 he was promoted from 1st lieutenant to captain, and command of the 150th Field Artillery’s Battery B.

Opening, three full length portraits of soldiers at left (two and one), text from July 12, 1918, at right.
Volume 2, opening 95v-96r.

At some point after the war Barbour compiled an extensive four-volume illustrated narrative of his military experiences, entitled “With the 42nd Division, 1917-19.” Around 220 typed pages of memoir, drawn by Barbour from wartime letters and perhaps a journal, are interspersed with more than 400 photographic prints, photo postcards, and published halftones relevant to the text. Also present are more than 500 printed, typed, and manuscript documents and bits of ephemera preserved by Barbour: division and regimental orders, memoranda, reports, and plans; handwritten notes from the battery commanding officer; fire orders and reports of fire; and drawings of sections of the front.

The Barbour scrapbooks were purchased by the Hesburgh Libraries in 2015.

 


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Recent Acquisition: Sacramentary of Henry II

by Julia Schneider, Medieval Studies Librarian

Notre Dame’s Medieval Institute has recently added the Sacramentary of Henry II to its substantial original-format facsimile collection. Original-format facsimiles are reproductions of important works that are intended to mimic the original. They are highly detailed, specialized, and provide insights into various aspects of intellectual history.

München, Bayerische Staatsbibliothek, Clm 4456, fol. 11r, is known as the coronation image of Henry II. In the image, Henry is crowned by Christ, as angels in the two windows beside Christ bring him his lance and sword. He is being supported by Saint Ulrich on the left and Emmeram on the right.
München, Bayerische Staatsbibliothek, Clm 4456, fol. 11r, is known as the coronation image of Henry II. In the image, Henry is crowned by Christ, as angels in the two windows beside Christ bring him his lance and sword. He is being supported by Saint Ulrich on the left and Emmeram on the right.

This sacramentary was a ceremonial service book for Mass to be used by the celebrant, and commissioned by Henry II, the Duke of Bavaria. Henry was crowned Holy Roman Emperor (1014-1024) by Boniface VIII and was known as a builder of the empire north of the Alps, as well as for being deeply religious. He considered himself to be “the Ruler of the House of God,” following in the footsteps of his not-so-distant ancestor, Charlemagne (d. 814), and thus was a great patron of the Bavarian church. The founder of the See of Bamberg, Henry and his wife Kunegunde were both canonized and are interred in the cathedral of Sts. Peter and Georg there.

Henry’s sacramentary is the epitome of a deluxe manuscript; it is made of calf and sheep skin, and its luxurious illuminations, decorated initials, elaborately designed marginalia, use of gold and silver lettering throughout the manuscript, and sumptuous goldsmith’s decorated binding with ivory decorative plate made this a book truly worthy of an emperor and one that the emperor thought worthy to celebrate the sacred liturgy. The original was produced in the scriptorium of the Benedictine monastery of St. Emmeram at Regensburg, later made its way to Bamberg, and is now in the Bayerische Staatsbibliothek in Munich, leaving its location in the vault only rarely. Unlike the original, the facsimile, though not inexpensive to purchase, is not priceless. Because it is not the original medieval manuscript, it may be handled, offering students and scholars the opportunity to learn about the sacramentary itself and aiding them in gaining insight into the history of medieval book production, liturgy, and art history.

 


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Spotlight Exhibit: Photograph Albums of Travel to Cuba, ca. 1900

August-September 2015

Come visit the current spotlight exhibit curated by David Dressing, Latin American, Latino, and Iberian Studies Librarian.

Photograph Albums of Travel to Cuba, ca. 1900Maintain that summer travel state of mind with a visit to our August Spotlight Exhibit, “Photograph Albums of Travel to Cuba, ca. 1900.” The recently acquired collection features two albums, the Liebee Family Cuba Photo Album and the Gómez Souvenir Album. The two albums illustrate the manner in which late nineteenth-century travelers memorialized their journeys through photography.

The exhibit is open to the public 9:00am to 5:00pm, Monday through Friday, through September 30, 2015.

Recent Acquisition: The Papers of Patrick McCabe

by Aedín Ní Bhróithe Clements, Irish Studies Librarian

The Hesburgh Libraries recently acquired the papers of Irish writer Patrick McCabe. A leading Irish writer and former Distinguished Keough Visiting Professor at Notre Dame, McCabe has received much recognition for his novels, short stories, plays and film scripts.

McCabe-photo3Patrick McCabe was born in County Monaghan in 1955. For over thirty years he has been at the forefront of the Irish literary scene. Two of his novels, The Butcher Boy and Breakfast on Pluto have been shortlisted for the Booker Prize and have been adapted for film. McCabe’s fictional settings are the small towns of the Irish midlands, a setting that he has made his own, to the extent that his writing has been called “Bog Gothic”.

His papers, now held in Hesburgh Libraries Special Collections, include notebooks, early drafts, later drafts, papers relating to films, financial papers from publishers, correspondence, song lyrics, photographs and newspaper clippings. A preliminary organization has taken place, and thanks to the work of Amanda Bohne and Finola Prendergast, it is anticipated that the papers will be available for scholars to consult by 2016.

 


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RBMS 2015

by Julie Tanaka, Curator, Special Collections, Western European History Librarian.

Bancroft_Library_-_University_of_California,_Berkeley_-_DSC04902Natasha Lyandres and Julie Tanaka attended the 56th Annual Rare Books and Manuscript Section (RBMS) Conference on June 21-24, 2015 in Oakland and Berkeley, CA. This year’s conference, “Preserve the Humanities! Special Collections as Liberal Arts Laboratory,” was devoted to the roles special collections libraries have undertaken to shape teaching and research in the liberal arts. Natasha and Julie spent three-and-a-half days attending workshops, paper panels, and seminars as well as networking with rare book vendors, conservators, faculty, archivists, curators, librarians, and other rare book and special collections professionals. Here are some of the topics they learned about:

  • digital infrastructure and curating digital exhibits for special collections libraries
  • engaged collection development
  • special collections as the liberal arts laboratory
  • digital humanities and special collections: tools, challenges, and opportunities
  • creating new partnerships with faculty, campus offices, and outside organizations
  • leveraging technology to create virtual research environments

rbms 2015RBMS is a section of the Association for College and Research Libraries (ACRL), a division of the American Library Association (ALA).

Recent Acquisition in the Architecture Library’s Ryan Rare Book Room

by Viveca Pattison Robichaud, Special Collections Librarian, Architecture Library & Institute for Latino Studies

Falda's Nuovo Teatro delle Fabriche, et Edificii, in Prospettiva di Roma Moderna
Falda, Giovanni Battista, Giovanni Giacomo de Rossi, et al. Nuovo Teatro delle Fabriche, et Edificii, in Prospettiva di Roma Moderna, Rome (Date in Luce da Gio. Iacomo Rossi dale sue Stampe in Roma), 1665.

The Architecture Library, with the support of Italian Studies, Art, Art History & Design, and Humanities funding, is pleased to announce our newest addition to the collection, Giovanni Battista Falda’s Nuovo Teatro della Fabriche from 1665. This volume consists of the first three books in the series, bound together, which are a collection of engravings detailing the contemporary architecture of Rome. The volume, in its present form, is incredibly rare with only twelve copies housed in American collections.

The illustrations contained in the volume are of the Renaissance and Baroque architecture of Rome, and include general views, facades, interiors, and details of churches, monasteries, palazzi, public buildings, monuments, piazzas, as well as other sites of interest in the city. This volume, important in itself because of its study of Rome, also complements the current holdings of the Ryan Rare Book Room, which houses Falda’s Palazzi di Roma, a counterpart to Il Nuovo Teatro delle Fabriche, and together these books present a more complete picture of Renaissance and Baroque Rome.

This volume is also an important acquisition for the expansion of our SPQR-ND mobile application (available for iPad and iPhone) and other digitization projects we have underway in the Architecture Library. This work provides the reader with a snapshot of Rome in the seventeenth century and, in the words of Professor Carroll William Westfall, this book “sharpens one’s understanding of Rome as a place where change is constant and each era has important things to teach.” Cities are not static places and each new project leaves its mark. This work documents Rome in one of its most noteworthy periods.

 


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Recent Acquisition: A curious hieroglyphic Bible

by George Rugg, Curator, Americana

Title page and frontispiece of A curious hieroglyphick Bible (Worcester : Printed at Worcester, Massachusetts, by Isaiah Thomas and sold ... at his bookstore, 1788).
Title page and frontispiece.

A curious hieroglyphick Bible, or, Select passages in the Old and New Testaments, represented with emblematical figures, for the amusement of youth: designed chiefly to familiarize tender age, in a pleasing and diverting manner, with early ideas of the Holy Scriptures: to which are subjoined, a short account of the lives of the Evangelists, and other pieces: illustrated with nearly five hundred cuts. Worcester, Massachusetts: Isaiah Thomas, 1788.

Isaiah Thomas’s hieroglyphic Bible of 1788 is both a landmark piece of American children’s literature and a newly ambitious use of woodcut illustration in an American printed book. The idea of a hieroglyphic Bible, in which select scriptural passages were presented in a combination of words and images, was consistent with Thomas’s interest in works for children that simultaneously instructed and amused. He based his book on an English edition first published in 1783. In his preface—dedicated to the “parents, guardians, and governesses of the [newly constituted] United States of America”—Thomas notes the “considerable expense” involved in commissioning the hundreds of woodcuts that fill the book. Some of these, to the modern eye at least, seem a bit opaque; fortunately, Thomas printed the full text of each passage at the foot of the page. The present copy is a first edition, with all of its pages intact. It was acquired by the Libraries in January 2015.

The nativity story as told by Luke from A curious hieroglyphick Bible (Worcester : Printed at Worcester, Massachusetts, by Isaiah Thomas and sold ... at his bookstore, 1788).
The nativity story as told by Luke.

 


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Spring & Summer Exhibit – Sacred Music at Notre Dame: The Voice of the Text

There’s still time to see the Special Collections spring and summer 2015 exhibit, Sacred Music at Notre Dame: the Voice of the Text, curated by Dr. David T. Gura, Curator, Ancient and Medieval Manuscripts.

library-web-graphicThis exhibition highlights the variety of medieval liturgical manuscripts and fragments housed in the University of Notre Dame’s Hesburgh Library which contain music. The manuscripts featured date from the eleventh through fifteenth century, and originate from various regions in France, Germany, Austria, and Italy. Some examples represent specific uses such as Carthusian monks or Dominican nuns. Other manuscripts in this exhibit were recovered from book bindings and serve as examples of older practices which may no longer exist in complete manuscripts.

The exhibit was featured as the cover story for ND Works in June 2015.

Select chants from the manuscripts on display were performed and recorded by Prof. Alexander Blachly (Department of Music, Notre Dame) and the Notre Dame Schola Musicorum. Audio files of these chants can be listened to online.

The exhibit is open to the public 9:00am to 5:00pm, Monday through Friday, through July 31, 2015.

Recent Acquisition: Malton’s Picturesque and Descriptive View of the City of Dublin (1791)

by Aedín Ní Bhróithe Clements, Irish Studies Librarian.

Over two hundred years before Google Maps photographed the buildings of Dublin, architectural draughtsman James Malton (c.1765-1803) depicted the grand public buildings of Dublin in his book, A Picturesque and Descriptive View of the City of Dublin Described. In a series of the most Interesting Scenes taken in the year 1791.

While the etchings from this book are well-known, both as framed reproductions and from the 1978 Dolmen Press edition, original editions, with their large and detailed prints, are very uncommon.

James Malton accompanied his father, an English architectural draughtsman, to Ireland and was employed for a time by the famous architect James Gandon, who was then working on Dublin’s Custom House. He was dismissed and later worked on a series of drawings of Dublin buildings, first published in six parts between 1792 and 1799 and later, in 1799, published in one volume.

The detail shown above is of the south end of Capel Street, looking across Grattan Bridge (then Essex Bridge) towards Parliament Street and City Hall.
The detail shown above is of the south end of Capel Street, looking across Grattan Bridge (then Essex Bridge) towards Parliament Street and City Hall.

 


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Welcome

I would like to welcome readers to Hesburgh Libraries’ Rare Books and Special Collections Blog. The postings will include highlights from our rich and diverse collections, news about acquisitions, events, and exhibits, our services, and behind-the-scenes looks at the work of our curators and conservators.

Hesburgh Libraries at the University of Notre Dame holds diverse collections of rare and unique materials that range from a Babylonian cylinder from the reign of Nebuchadnezzar II to Jean-Pierre Hébert’s In Visible Cities—a twenty-first century artist book that meshes the poetry of Italo Calvino with data landscapes generated from computer code based on the artist’s interpretation of Calvino’s writings. Our holdings include manuscripts, archives, rare books, periodicals, photographs, artist books, ephemera, and other materials with particular strengths in Roman Catholic Studies, Medieval Studies, Irish literature, Italian literature, Latin American history and culture, 20th-century Russian history and culture, Botany, and American sports. Every year, we welcome undergraduates, graduate students, faculty, other researchers, and the general public to our department to use our collections and attend our exhibitions and programs.

For more information about our department and collections, I invite you to visit our website and subscribe to our RSS feed (http://blogs.nd.edu/rbsc/feed/).

Natasha Lyandres, Head, Rare Books and Special Collections