Recent Acquisition: Celebrating the Achievements of Pope Gregory XIII

by Alan Krieger, Theology and Philosophy Librarian

We’ve just acquired an emblem book that may be of interest to Catholic Reformation researchers, Principio Fabricii’s Delle allusioni, imprese, et emblemi del. sig. Principio Fabricii da Teramo sopra la vita,opere, et attioni di Gregorio XIII pontefice massimo libri VI (Rome, 1588). This first edition contains 231 numbered emblems, drawn from the Bible, classical mythology, and other emblem collections, as well as events and buildings from Pope Gregory XIII’s papacy.

Gregory XIII (birth name: Ugo Boncompagni) reigned from 1572-1585 and, in addition to his famous calendar revision, energetically continued the implementation of reforms articulated at the Council of Trent (1545-1563). These reforms included the insistence that bishops reside within their sees and the foundation of many new schools for the training of the clergy.

 


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Women’s History Month: A Woman’s Sardonic Eye

by Rachel Bohlmann, American History Librarian

To honor Women’s History Month we are highlighting a new acquisition by a cartoonist who turned her sardonic eye on women and men in the WWII workplace.

Dorothy Bond drew on her working life in Chicago offices to create sarcastic, witty cartoons, which she turned into nationally syndicated comic strips after WWII. In 1940 Bond, a divorced mother of two, began working as the civilian executive secretary for a Rear Admiral in the United States Navy. The result was this self-published Life with the Navy by Navy Nora, a wry, biting, and affectionate look at office life during wartime. Bond dedicated it to “those unsung heroes and heroines who work in shore establishments for the finest Navy in the world – the United States Navy.”

In one cartoon (seen here), Bond mocked male self-importance and tweaked gender expectations by portraying a female secretary’s hesitation to interrupt a group of men in conversation. While she delayed, Bond revealed the men’s mundane discussion—about clothes (where to buy the cheapest, best-quality overcoats). In the panel opposite Bond caricatured the government’s wartime production expectations and the gendered labor market it exploited. While the young woman secretary doubled down, using two typewriters simultaneously, her male superiors merely observed and rationalized her work speed-up.

Bond made a career of capturing, in drawings and words, the absurdities and gender politics in American offices. After publishing two more cartoon books about women and office work, she became a nationally syndicated cartoonist with a daily panel called The Ladies in 1945. From this success Bond created a comic strip that she dedicated to secretaries, Chlorine, Champion of the Working Girl. Her post-war office humor included cartoons like, “Whatever It Is, No!” and “Out Looking for a Man. Back at ___.” Bond continued to publish cartoon books on timely post-war topics like Life with the Boss (1947) and Your First or Second Baby? (1956), and later in her career, broke into advertising.


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Recent Acquisition: A masterpiece of Chinese literature

by Hye-jin Juhn, East Asian Studies Librarian

Included in the recent gift from the University of Chicago is Lu Xun’s famous The True Story of Ah-Q published by Kaiming Book Company during the Sino-Japanese War (1939-1945), with illustrations by Feng Zikai. According to Feng’s preface, the set of illustrations in this edition was done for the third time after his first two sets were lost in the chaos of the war. The Libraries’ copy is the ninth reprint of the 1939 (Minguo 28) publication.

Exhibit Opens – “Preserving the Steadfastness of Your Faith”: Catholics in the Early American Republic

“Under these distressful feelings, one consideration alone relieved me . . . and that was, the hope of vindicating your religion to your own selves at least, and preserving the steadfastness of your faith.” — John Carroll, An Address to the Roman Catholics of the United States of America

With these words, John Carroll, head of the fledgling Catholic Church in the United States and future bishop, encouraged his fellow Catholics in 1784. Catholics held a precarious position in the Early Republic despite having gained more freedom to practice their religion after the Revolution. By the 1840s, in the face of increasing sectarian-driven violence, Catholicism had taken firm institutional root.

This exhibition displays examples of American Catholicism expressed through (mostly) printed texts from 1783 through the early 1840s. They include the earliest Catholic bibles published by Mathew Carey, and editions of Thomas à Kempis’ The Imitation of Christ used and produced in the United States; polemical pamphlets with sexual and political subtexts that flew back and forth across the Atlantic; no-holds-barred dueling sectarian newspapers; books and pamphlets created in reaction to mob violence against the Ursuline convent school near Boston; and official reports that mapped the Church’s growth and growing pains.

This exhibition is curated by Rachel Bohlmann and Jean McManus and is open to the public through August 11, 2017.

Recent Acquisition: Mini Book about John Carroll

Francis J. Weber provides a glimpse into the life of John Carroll, the first Jesuit bishop and archbishop of the United States and father of Georgetown University, In John Carroll and the Vernacular Liturgy, also summarizes Carroll’s views about vernacular liturgy.

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Weber’s book is a limited edition miniature book. Special Collections copy is number 20 in an edition of 135. The book is 5.6 x 5.5 cm and is bound in paper boards covered with gold foil and a black leather spine. Affixed to the frontispiece is a postage stamp issued in 1989 by the Vatican to commemorate the bicentennial of the establishment of the Catholic hierarchy of the United States. The text is printed on Neenah Classic paper using a Chandler and Price Pilot Press.

Spotlight Exhibit: Birds! Winged Wonders in Naturalists’ Eyes

Buffon falcon pl13
Buffon, Histoire naturelle, pl. 13

Revolutions in politics, thought, science, society, and art swept through Western Europe during the century and a half that stretched from the 1680s to the early 1800s, the period often referred to as the Enlightenment. Significant advances were made in the natural sciences. Previously investigated within the presuppositions and methods of theology, the study of nature was now guided by new methods of scientific inquiry. Examining specimens and observing plants and wildlife in their native environments allowed a new generation of natural scientists to compose scientifically verifiable accounts of the natural world exemplified by Georges-Louis Leclerc, Comte de Buffon’s Histoire naturelle and Mark Catesby’s Natural History of Carolina, Florida, and the Bahama Islands.

Image of Lesser Redpole of Thomas Bewick
Bewick, History of British Birds, 200

Emerging from this work was ornithology, the study of birds. Birds captured the interest of eighteenth century society; they were an important food source, used as symbols in armorial designs, and were a source of amusement for hunters, artists, and onlookers. This new discipline brought more accuracy and realism to descriptions of birds. Personality traits such as a goose keeping careful watch and having the power to understand wisdom as the Roman naturalist, Pliny the Elder, records yield to physical characteristics such as Mark Catesby’s description of the white-bill woodpecker’s bill being “white as ivory, three inches long, and channelled from the basis to the point.” Books about birds now brought empirical knowledge and life-like illustrations to a new audience. Notable in this effort are Thomas Bewick and his early field guide, A History of Birds, compact and written for the general bird enthusiast.

The exhibit is open to the public.

On Display
December 2, 2016 – January 31, 2017
9am-5pm, Monday-Friday

Location
Special Collections
Hesburgh Library, room 102
University of Notre Dame

Come see other natural histories and books on ornithology in Special Collections including:

Alexander Wilson, American Ornithology (1870)

Dumont de Sainte-Croix, Ornithologie (1816)

Katy Dwyer and Jody Arthur, A Field Guide to Irregular Birds (2009)

Society for Promoting the Education of the Poor of Ireland, The Natural History of Remarkable Birds (1821)

Jacob Henry, Studer Studer’s Popular Ornithology (1881)

 

For more information about the exhibit, please contact Julie Tanaka, Curator of Rare Books.


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Recent Acquisition: Cultural Revolution novel

by Hye-jin Juhn, East Asian Studies Librarian

Zhu Jian’s Qing shi bao, a Cultural Revolution novel published in 1976, includes illustrations by Chen Danqing that are examples of Cultural Revolution art, and also of the artist’s works in that time period as an “educated youth” in rural areas. Approximately one year later, Chen completed his famous painting “Writing a Letter to Chairman Mao,” and traveled to Tibet where he got inspired for his Tibet series.

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Ghosts in the Stacks

by Sara Weber, Special Collections Digital Project Specialist

From ghoulies and ghosties
And long-leggedy beasties
And things that go bump in the night,
Good Lord, deliver us!

Traditional Scottish Prayer

“What do you have in Special Collections?” is a question we are asked quite regularly. While we don’t have any ghosts (that we know of), we do have books that contain ghost stories. Whether a central character intended to frighten the reader or a convenient plot device, ghosts appear in a variety of works of fiction. Listed here are a selection of such stories to be found in our rare books.

One of the earliest recorded ghost stories is that told by Pliny the Younger in his Letters, written in the early 2nd century AD. He repeats a story he has heard told of an Athenian phantom “in the form of an old man . . . with a long beard and bristling hair” [Book 7, Letter 27]. boo_000525765-178_179 boo_000525765-180_181

“The Legend of Sleepy Hollow” from The sketch book of Geoffrey Crayon, gent, by Washington Irving (London: J. Murray, 1821).

“The Ghost and the Bonesetter” by Sheridan Le Fanu, first published in 1838 in the Dublin University Magazine (Dublin, Ireland: William Curry, Jun., and Co.; and London: Simpkin and Marshall).

A Christmas Carol (London: Chapman & Hall, 1843) and The haunted man and the ghost’s bargain (London: Bradbury & Evans, 1848), both by Charles Dickens. Although a tradition that has nearly disappeared, telling ghost stories on Christmas Eve was popular during the Victorian era.

A night in a haunted house: a tale of facts, by Edward Tracy Turnerelli (London: Ward & Lock, 1859).

“The Phantom Coach” by Amelia Edwards, first published December 1864 in the Extra Christmas Number “Mrs. Lirriper’s Legacy” issue of All the year Round, a Victorian periodical edited by Charles Dickens (London: Chapman and Hall, 1859-1895). Many 19th century ghost stories were initially published in magazines.boo_000809099-v12-18641201-34_35 boo_000809099-v12-18641201-36_37 boo_000809099-v12-18641201-38_39 boo_000809099-v12-18641201-40_41

Irish wonders: the ghosts, giants, pookas, demons, leprechauns, banshees, fairies, witches, widows, old maids, and other marvels of the Emerald Isle, by David Rice McAnally (London: Ward, Lock, 1888).

Some Chinese ghosts (Boston: Roberts brothers, 1887) and In ghostly Japan (Boston: Little, Brown and Co. 1899), both by Lafcadio Hearn.l_hearn-covers

“Tom Daly and the nut-eating ghost” from Tales of the fairies and of the ghost world, collected from the oral tradition in South-west Munster, by Jeremiah Curtin (London: D. Nutt, 1895). boo_001924558-054_055 boo_001924558-056_057

M. R. James’s Ghost stories of an antiquary (London: Penguin Books, 1937) and More ghost stories (Harmondsworth, Middlesex: Penguin Books, 1959). James’s first and second collections of ghost stories, these were originally published in 1904 and 1911, respectively. penguins-mrjames

Gods, goblins and ghosts; the weird legends of the Far East, by Bertha Lum (Philadelphia and London: J. B. Lippincott Company, 1922). 

Madam Crowl’s ghost: and other tales of mystery, by Joseph Sheridan Le Fanu, edited by M. R James (London: G. Bell and sons, ltd., 1923). 

Happy Haunting to you and yours from all of us in Notre Dame’s Special Collections!

P.S. If you’re curious about ghost stories here on campus, check out Notre Dame Magazine’s article “Haunt thee, Notre Dame?” from the Autumn 2009 issue.

Recent Acquisition: De laude monasticae religionis opusculum

by Alan Krieger, Theology and Philosophy Librarian

Hesburgh Libraries has just acquired the first (and only) edition of  De laude monasticae religionis opusculum (Paris, 1513) by the Flemish theologian Josse Clichtove (1472?-1543). This prolific Catholic apologist of the Reformation era wrote a spirited defense of monasticism. In this work, he attacked the anti-monastic views of the famed Christian humanist, Desiderius Erasmus (1466-1536), although Erasmus is not mentioned by name in the text. This would be the first of numerous polemical exchanges between the two.

In addition to Notre Dame’s copy, there are only six other North American holdings of this title.

 


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Spotlight Exhibit: Plumb Crazy—Dante and Music

October 2016

1516i-DanteThis small exhibit highlights selections from the Hesburgh Libraries’ collections of musical adaptations of Dante’s works. On view are historical examples of compositions relating to Dante’s Divina Commedia and Vita Nuova. While Dante witnessed musical adaptations of his texts composed already in his own lifetime, they hit a high point in the mid-19th century when the author’s popularity surged in both Italian and translation readership.

This spotlight exhibit will be visible from October 3-28 in Rare Books & Special Collections on the ground floor of Hesburgh Library. The exhibit is presented in conjunction with Journeying La Divina Commedia: Desert, Discovery, Song, an interdisciplinary musical project, which will be performed at the DeBartolo Performing Arts Center on the campus of the University of Notre Dame on October 8-9, 2016.

For more information about the exhibit or collections in this area, please contact Tracy Bergstrom, Curator of the Zahm Dante and Early Italian Imprints Collection.