Notre Dame’s Medieval Institute has recently added the Sacramentary of Henry II to its substantial original-format facsimile collection. Original-format facsimiles are reproductions of important works that are intended to mimic the original. They are highly detailed, specialized, and provide insights into various aspects of intellectual history.
This sacramentary was a ceremonial service book for Mass to be used by the celebrant, and commissioned by Henry II, the Duke of Bavaria. Henry was crowned Holy Roman Emperor (1014-1024) by Boniface VIII and was known as a builder of the empire north of the Alps, as well as for being deeply religious. He considered himself to be “the Ruler of the House of God,” following in the footsteps of his not-so-distant ancestor, Charlemagne (d. 814), and thus was a great patron of the Bavarian church. The founder of the See of Bamberg, Henry and his wife Kunegunde were both canonized and are interred in the cathedral of Sts. Peter and Georg there.
Henry’s sacramentary is the epitome of a deluxe manuscript; it is made of calf and sheep skin, and its luxurious illuminations, decorated initials, elaborately designed marginalia, use of gold and silver lettering throughout the manuscript, and sumptuous goldsmith’s decorated binding with ivory decorative plate made this a book truly worthy of an emperor and one that the emperor thought worthy to celebrate the sacred liturgy. The original was produced in the scriptorium of the Benedictine monastery of St. Emmeram at Regensburg, later made its way to Bamberg, and is now in the Bayerische Staatsbibliothek in Munich, leaving its location in the vault only rarely. Unlike the original, the facsimile, though not inexpensive to purchase, is not priceless. Because it is not the original medieval manuscript, it may be handled, offering students and scholars the opportunity to learn about the sacramentary itself and aiding them in gaining insight into the history of medieval book production, liturgy, and art history.
Maintain that summer travel state of mind with a visit to our August Spotlight Exhibit, “Photograph Albums of Travel to Cuba, ca. 1900.” The recently acquired collection features two albums, the Liebee Family Cuba Photo Album and the Gómez Souvenir Album. The two albums illustrate the manner in which late nineteenth-century travelers memorialized their journeys through photography.
The exhibit is open to the public 9:00am to 5:00pm, Monday through Friday, through September 30, 2015.
The Hesburgh Libraries recently acquired the papers of Irish writer Patrick McCabe. A leading Irish writer and former Distinguished Keough Visiting Professor at Notre Dame, McCabe has received much recognition for his novels, short stories, plays and film scripts.
Patrick McCabe was born in County Monaghan in 1955. For over thirty years he has been at the forefront of the Irish literary scene. Two of his novels, The Butcher Boy and Breakfast on Pluto have been shortlisted for the Booker Prize and have been adapted for film. McCabe’s fictional settings are the small towns of the Irish midlands, a setting that he has made his own, to the extent that his writing has been called “Bog Gothic”.
His papers, now held in Hesburgh Libraries Special Collections, include notebooks, early drafts, later drafts, papers relating to films, financial papers from publishers, correspondence, song lyrics, photographs and newspaper clippings. A preliminary organization has taken place, and thanks to the work of Amanda Bohne and Finola Prendergast, it is anticipated that the papers will be available for scholars to consult by 2016.
The Architecture Library, with the support of Italian Studies, Art, Art History & Design, and Humanities funding, is pleased to announce our newest addition to the collection, Giovanni Battista Falda’s Nuovo Teatro della Fabriche from 1665. This volume consists of the first three books in the series, bound together, which are a collection of engravings detailing the contemporary architecture of Rome. The volume, in its present form, is incredibly rare with only twelve copies housed in American collections.
The illustrations contained in the volume are of the Renaissance and Baroque architecture of Rome, and include general views, facades, interiors, and details of churches, monasteries, palazzi, public buildings, monuments, piazzas, as well as other sites of interest in the city. This volume, important in itself because of its study of Rome, also complements the current holdings of the Ryan Rare Book Room, which houses Falda’s Palazzi di Roma, a counterpart to Il Nuovo Teatro delle Fabriche, and together these books present a more complete picture of Renaissance and Baroque Rome.
This volume is also an important acquisition for the expansion of our SPQR-ND mobile application (available for iPad and iPhone) and other digitization projects we have underway in the Architecture Library. This work provides the reader with a snapshot of Rome in the seventeenth century and, in the words of Professor Carroll William Westfall, this book “sharpens one’s understanding of Rome as a place where change is constant and each era has important things to teach.” Cities are not static places and each new project leaves its mark. This work documents Rome in one of its most noteworthy periods.
A curious hieroglyphick Bible, or, Select passages in the Old and New Testaments, represented with emblematical figures, for the amusement of youth: designed chiefly to familiarize tender age, in a pleasing and diverting manner, with early ideas of the Holy Scriptures: to which are subjoined, a short account of the lives of the Evangelists, and other pieces: illustrated with nearly five hundred cuts. Worcester, Massachusetts: Isaiah Thomas, 1788.
Isaiah Thomas’s hieroglyphic Bible of 1788 is both a landmark piece of American children’s literature and a newly ambitious use of woodcut illustration in an American printed book. The idea of a hieroglyphic Bible, in which select scriptural passages were presented in a combination of words and images, was consistent with Thomas’s interest in works for children that simultaneously instructed and amused. He based his book on an English edition first published in 1783. In his preface—dedicated to the “parents, guardians, and governesses of the [newly constituted] United States of America”—Thomas notes the “considerable expense” involved in commissioning the hundreds of woodcuts that fill the book. Some of these, to the modern eye at least, seem a bit opaque; fortunately, Thomas printed the full text of each passage at the foot of the page. The present copy is a first edition, with all of its pages intact. It was acquired by the Libraries in January 2015.
While the etchings from this book are well-known, both as framed reproductions and from the 1978 Dolmen Press edition, original editions, with their large and detailed prints, are very uncommon.
James Malton accompanied his father, an English architectural draughtsman, to Ireland and was employed for a time by the famous architect James Gandon, who was then working on Dublin’s Custom House. He was dismissed and later worked on a series of drawings of Dublin buildings, first published in six parts between 1792 and 1799 and later, in 1799, published in one volume.