W. B. Yeats (1865-1939) was a leading figure in the Irish Literary Revival. One of the greatest poets of his time, he was also a major force behind Ireland’s national Theatre, the Abbey, and had a great and lasting impact on Irish culture and literature. Yeats was awarded the Nobel Prize for Literature in 1923.
Visiting professor John Kelly alerted the Library to the availability of the Yeats collection of American scholar and bibliographer Milton McClintock Gatch. In all, 32 volumes from the Gatch Collection have been added to the Hesburgh Library.
This adds significantly to the already rich Yeats Collection at the Hesburgh Library. Besides editions of books by W. B. Yeats, the Library holds a collection of Abbey Theatre Programmes, a Cuala Press collection (the printing press of the Yeats sisters) and a considerable collection of books illustrated by Jack B. Yeats.
The exhibit is open to the public 9:00am to 5:00pm, Monday through Friday, through October 30, 2015.
November 5 at 3:00pm | “The Meaning of the Troubles” – Ian McBride (King’s Cross London) November 5 at 4:30pm | “The Long War” – Ruán O’Donnell (University of Limerick)
Co-sponsored by the Keough-Naughton Institute for Irish Studies and the Brian J. Logue Fund for Northern Ireland.
The Hesburgh Libraries recently acquired the papers of Irish writer Patrick McCabe. A leading Irish writer and former Distinguished Keough Visiting Professor at Notre Dame, McCabe has received much recognition for his novels, short stories, plays and film scripts.
Patrick McCabe was born in County Monaghan in 1955. For over thirty years he has been at the forefront of the Irish literary scene. Two of his novels, The Butcher Boy and Breakfast on Pluto have been shortlisted for the Booker Prize and have been adapted for film. McCabe’s fictional settings are the small towns of the Irish midlands, a setting that he has made his own, to the extent that his writing has been called “Bog Gothic”.
His papers, now held in Hesburgh Libraries Special Collections, include notebooks, early drafts, later drafts, papers relating to films, financial papers from publishers, correspondence, song lyrics, photographs and newspaper clippings. A preliminary organization has taken place, and thanks to the work of Amanda Bohne and Finola Prendergast, it is anticipated that the papers will be available for scholars to consult by 2016.
While the etchings from this book are well-known, both as framed reproductions and from the 1978 Dolmen Press edition, original editions, with their large and detailed prints, are very uncommon.
James Malton accompanied his father, an English architectural draughtsman, to Ireland and was employed for a time by the famous architect James Gandon, who was then working on Dublin’s Custom House. He was dismissed and later worked on a series of drawings of Dublin buildings, first published in six parts between 1792 and 1799 and later, in 1799, published in one volume.