Category: US History & Culture

Researching the Negro Leagues and African American Baseball in RBSC

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

Major League Baseball (MLB) recently announced that it has updated its official record book to include Negro Leagues statistics from the years 1920–1948. MLB has belatedly recognized that the highest levels of African American baseball during the era of segregation constituted “major league” competition. 

The expanded inclusive record book now counts player statistics from the Negro Leagues on an equal basis with those from the National League and the American League. In these years, organized white baseball leagues notoriously excluded Black players from the playing field until Jackie Robinson’s debut with the Brooklyn Dodgers in 1947 (read a recent RBSC blog post about Jackie Robinson). 

MLB’s rewritten record book now officially recognizes the statistical accomplishments of legendary African American baseball players like power-hitting catcher Josh Gibson, MLB’s new all-time leader in batting average and slugging percentage, and pitcher Satchel Paige, who now boasts MLB’s the third-lowest single-season earned run average.

In recognition of this announcement and in honor of the upcoming Juneteenth holiday, Rare Books & Special Collections highlights material from its collections that document the history of African American baseball. These resources will allow researchers to better contextualize and understand the statistics and the history of the Negro Leagues.

The Birmingham Black Barons Records (MSSP 0001) is a unique and important collection that documents the financial operation of the Black Barons, an influential Negro National League team. The collection includes a thick financial ledger book that lists the debits and credits—including salaries, fines, advances, expenses, etc.—for players from the 1926 through the 1930 seasons, a span which includes Leroy “Satchel” Paige’s rookie year. The Black Barons ledger book allows a rare opportunity for researchers to see the day-to-day finances of a major Negro League team. The complete ledge book has been fully digitized and is available to view through Marble.

The Birmingham Black Barons ledger book pages for Leroy “Satchel” Paige in 1928 show monthly salary credits of $80.00 and include debits on April 7th for shoes from Gray’s Sporting Goods ($7.50); unidentified debits on June 21st and June 30th to “Dr. Bradford” ($10.00 and $15.00); and fines on July 30th for “Not appearing in uniform in St. Louis” ($5.00) and “Staying out all night at Chicago” ($10.00).

The Negro Leagues Pennant Collection (MSSP 10079) contains nine vintage (c. 1930s-1940s) felt pennants advertising African American baseball teams. These rare original souvenirs document the fan experience and the iconography of the Negro Leagues.

MSSP 10079-02 and 10079-03: The Negro League Pennant Collection includes two variants of pennants for the Homestead Grays, Josh Gibson’s primary Negro Leagues team.
The Negro League Pennant Collection includes pennants from numerous important teams, including the New York Black Yankees (MSSP 10079-05), the Baltimore Elite Giants (MSSP10079–01), the Newark Eagles (MSSP10079-04), and the Philadelphia Stars (MSSP10079-007).

RBSC holds a scarce original copy of Sol White’s History of Colored Base Ball [Special Coll.Vault • GV 863 .A1 W45 1907], an incredibly important 1908 book by manager and former player Sol White. One of the first comprehensive histories of African Americans in baseball, White’s research documented the early experiences of Black baseball players before the establishment of the formal Negro Leagues. Since it original publication, this book has been an essential source for the historiography of African American baseball. The profusely illustrated 120-page volume has been digitized and is available to be viewed via Marble.

Photograph and biography of Sol White, Baseball Hall of Famer and pioneering historian of African American baseball.
The champion 1902 Philadelphia Giants team picture is one more than 50 photographs printed and preserved in Sol White’s book.

A four-page 1926 advertising pamphlet for the Illinois Giants of Chicago [Rare Books Large • GV 875 .N35 I5 1926] documents the experiences of a lesser-known minor league African American baseball team.

The advertising pamphlet for the Illinois Giants of Chicago declared that “Our team attained almost unbeatable form at that period and bowled over the leading semi-pro teams of Michigan and Wisconsin in rapid succession.” As an indication of the complicated racial politics of the era, the flier emphasized that the Giants were “under WHITE MANAGEMENT” perhaps to make games against the team more palatable to white fans.

The Negro Baseball Yearbook [Rare Books Large • GV 875 .N34 N46], published annually in the mid-1940s, celebrated and recorded the yearly accomplishments of African American baseball players.

This collage of team pictures and individual photographs from the 1945 Negro Leagues season prominently features an image of Homestead Grays third baseman Howard Easterling in his military uniform. The publishers likely hoped to emphasize to readers the service and patriotism of African Americans.

These and other sources are all open to the public and available to researchers who would like to learn more about and to better understand the Negro Leagues and the experiences of African American baseball players during the age of segregation.

Influencing Opinion by Mapping the Early American Civil War

by Rachel Bohlmann, American History Librarian and Curator

Rare Books and Special Collection recently acquired a Civil War broadside (a.k.a., poster) that was published very early in the conflict, probably in August or September 1861. Produced and printed in Boston, the map provided a Northern perspective on the war as it had unfolded to that point and offered reassurance about the conflict’s ultimate outcome. First, the broadside’s creators remind viewers that despite the Confederacy’s initial victories—at Fort Sumter in April and the Battle of Bull Run in July—the Union had prevailed in a battle for continued control of Fort Monroe, near Norfolk, Virginia, in May. The stronghold was strategically significant for Union designs on the Confederate’s capital at Richmond. Secondly, the broadside’s authors convey confidence that the North’s superior population and larger economy would ultimately prevail. 

Distance Maps. Map of the Atlantic States, Showing 50 Mile Distances from Washington. Map of the Battleground [at Manassas] Showing 5 Mile Distances from Washington. Map of the Fortress Monroe, Showing 1 Mile Distances from the Fortress. L. Prang & Co.: Boston, 1861.

The broadside’s most prominent feature is its three distance maps. The largest is a railroad map of the United States that shows distances from Washington, D.C. One of two smaller maps indicates distance from Washington to an unnamed battle ground, which people at the time would have understood as the Battle of Bull Run, just 30 miles from the capital. The Confederates had recently routed Union forces there, an outcome that worried many Northerners who had, until that point, expected a quick and decisive end to the war. 

The third distance map shows a detail of Norfolk Harbor and Fort Monroe, the site of a recent Union victory. The fortress remained in Union control throughout the war. 

Finally, this broadside provides population figures for the nation’s cities and towns, and states, as well as the number of enslaved people in states and territories. This data reinforced what even a glance at the railroad map implied: the North’s more developed industrial and economic infrastructure along with its superior numbers pointed to an eventual Union victory.

A happy Memorial Day to you and yours
from all of us in Notre Dame’s Special Collections!

2023 post: A Woman’s Reporting on the Bonus Army in Depression-Era Washington
2022 post: Representing Decoration Day in a 19th Century Political Magazine
2021 post: An Early Civil War Caricature of Jefferson Davis
2020 post: Narratives about the Corby Statues—at Gettysburg and on Campus
2019 post: Myths and Memorials
2018 post: “Decoration Day” poem by Henry Wadsworth Longfellow
2017 post: “Memorial Day” poem by Joyce Kilmer
2016 post: Memorial Day: Stories of War by a Civil War Veteran

Rare Books and Special Collections is closed today (May 27th) for Memorial Day and will be closed on July 4th for Independence Day. Otherwise, RBSC will be open regular hours this summer — 9:30am to 4:30pm, Monday through Friday.

Please note that the 14th floor of the Hesburgh Library is under renovation from May 20 to August 9. The Library Circle, East, and South Entrances will be blocked off intermittently during this time. See the logistics map for additional details.

“Girls Really Play Baseball”: The National Girls Baseball League Collection

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

“Girls Really Play Baseball.” So reported the cover of the Official National Girls Baseball League Magazine in August 1950, beneath a picture of power-hitting infielder Freda Savona. The National Girls Baseball League (NGBL), a Chicago-based rival of the better-known All-American Girls Professional Baseball League (AAGPBL), took the field from 1944 to 1954 and provided high-level athletic opportunities for women. The Joyce Sports Collection recently acquired a collection of printed material and ephemera documenting the NGBL. The opening week of the Major League Baseball season seems an appropriate time to revisit the National Girls Baseball League Collection (MSSP 10071).

The National Girls Baseball League has faded into obscurity since its heyday, while the AAGPBL has been popularized by the movie and the Amazon streaming show A League of Their Own. But, at the time, the two women’s leagues were fierce and sometimes bitter rivals, routinely competing for players and fans. Founded by Charles Bidwell, owner of the National Football League’s Chicago Cardinals, and Emery Parichy, a local businessman, the NGBL dominated the lucrative Chicago market and attracted some of the best women athletes in the country. The NGBL emphasized the athletic ability of league players, and as the August 1950 official league magazine explained:

When one thinks of girls baseball they also think of a “powder puff” setup in which the feminine athletes do everything with a sort of “weaker sex” idea—that the ladies wielding bats couldn’t knock your hat off. 

Nothing is farther from the truth, and, if you don’t happen to be a regular patron of National Girls Baseball League games, a trip to one of the parks will convince you that the ladies swing a bat, throw, and field pretty much like your favorite major league baseball player.

Spread from the June 1, 1950 issue of the official league magazine featuring scenes from around the NGBL.

The league was popular in Chicago and often drew thousands of fans to games in the late 1940s and early 1950s. These pages below from the July 1949 issue of the official league magazine show league founder Emery Parichy in the crowded stands and also document a game visit by Chicago mayor Martin Kennelly. The magazine also featured a bold black-and-white advertisement for players, reading: “Wanted Girls From Any Part of the Country to Play in the National Girls Baseball League.”

Parichy owned the Bloomer Girls, league champions in 1947 and 1948, and was a driving force of the league. The owner of a roofing and house remodeling business, Parichy had begun sponsoring women’s baseball and softball teams in the 1930s, and he built Parichy Memorial Stadium in Forest Park, which would eventually become the home of his NGBL Bloomer Girls. As seen in this advertisement from the outside back cover of the July 1953 official league magazine, Parichy used the Bloomer Girls to help promote his roofing business.

Although players frequently jumped back and forth between the two leagues (as documented in this previous blog post about RBSC’s AAGPBL collection), there were some important distinctions between the the two leagues. The National Girls Baseball League only fielded teams in the Chicagoland area, while the All-American Girls Professional Baseball League placed teams in cities and towns across the midwest. The AAGPBL adopted overhand pitching in 1948, while the NGBL only allowed underhand pitching throughout its existence. The NGBL allowed players to wear shorts while on the diamond—as seen in this collection of promotional glossy postcards sold by the league—while AAGPBL uniforms always included skirts.

The postcards feature four players from the Queens, league champions in 1950, 1951, and 1952: second baseman Freda Savona, one of the best players in the league, who was inducted into the ASA National Softball Hall of Fame in 1998; catcher Dorothy Pitts; catcher Alice Kolski (the sister of Ed Kolski, ND ’32, the owner of the Queens); and shortstop Olympia Savona, Freda Savona’s sister.

The NGBL also sanctioned a marginally more diverse cast of players than its rival league. Although AAGPBL rosters included several Latina players over the years, the rest of the players in the league were white. The ranks of the National Girls Baseball League also featured Latina players like Helene Machado and Lillian Lopez. The AAGPBL famously never signed any African American players during its 12 years of existence, but in 1951 African American outfielder Betty Chapman played with the Music Maids of the NGBL. In addition, during the early years of the National Girls Baseball League, one of the best pitchers was Chinese American Gwen Wong. And, in 1953, Japanese American shortstop Nancy Ito starred for the Wilson-Jones Bloomer Girls and made the NGBL all-star team.

The National Girls Baseball League Collection contains printed material—including a nearly complete run of the Official NGBL Magazine from June 1949 through September 1953—ephemera such as postcards and team newsletters, and realia, including a signed official NGBL baseball. The Joyce Sports Collection hopes to better document the history of the NGBL League and seeks donations of material related to the National Girls Baseball League and its players. 

As the Major League Baseball season kicks off this year, let’s remember the boys and the girls of summer!

Women’s History Month 2024

We join the Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution and United States Holocaust Memorial Museum in commemorating and encouraging the study, observance and celebration of the vital role of women in American history by celebrating Women’s History Month.

Second-Wave Feminist Articles from an Underground Newspaper

by Rachel Bohlmann, American History Librarian and Curator

So What Are We Complaining About? is a 48-page booklet of feminist articles collected and reprinted from the pages of an underground newspaper, the Old Mole, published in Cambridge, Massachusetts. The booklet’s publication was a joint venture of the Old Mole and Bread and Roses, a socialist women’s liberation collective, in 1970. The booklet was created by the women’s caucus, a group within Bread and Roses. The Old Mole, which appeared bi-weekly from 1968 to 1970, was the publication of the Harvard chapter of the Students for a Democratic Society (SDS).

It’s not surprising that Bread and Roses women wished to collect and recirculate this content. Among the collective’s founders were activists and a historians Meredith Tax and Linda Gordon. Both women contributed significantly to the feminist movement in the United States from the 1970s and wrote much of its history. Reprinting was one of the best and only ways to publicize content that had already appeared in print, often in small, locally-circulated and ephemeral papers like the Old Mole.

Tax and Gordon founded Bread and Roses in Cambridge, Massachusetts in 1969 as a women’s liberation organization. They chose “Bread and Roses” because it both references an historic labor strike by women (Lawrence, Massachusetts in 1912) and it captures what the collective wanted to attain for women—economic opportunity (“bread”) and quality of life (“roses”). Over the nearly two years the collective was active, it attracted hundreds of members, many of whom were clerical workers who faced poor wages and working conditions. A number of reprinted articles address these problems. The collective took action by forming a union, 9to5, for local clerical workers. Another legacy project became the women’s health resource, Our Bodies, Ourselves, which developed out of the collective’s 1970 initiative, “Women and Their Bodies: A Course.”

Other features included in this short volume are Bread and Roses’ declaration of women’s rights (March 1970); a satirical, “liberated,” comic strip; and a short history about the establishment of International Women’s Day.

So What Are We Complaining About? is a new acquisition in Rare Books and Special Collections and is part of a growing collection of second-wave, feminist periodicals and newspapers. 

Upcoming Events: February 2024

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, February 1 at 5:00pm | Italian Research Seminar: “Leonardo da Vinci’s Way of Seeing Water. Wetlands, Mapping, and the Art of Painting” by Francesca Fiorani (University of Virginia).

Thursday, February 29 at 5:00pm | Italian Research Seminar: M.A. Students Presentations (University of Notre Dame) — This semester’s speakers are: Fabiola D’Angelo and Peter Scharer.

In the spring exhibition, Mapping the Middle Ages: Marking Time, Space, and Knowledge, primary objects bring to the fore the tension between literal and figurative arrangements of space, time, and knowledge during the Middle Ages. Geography, whether real or imagined, manifests on the page to convey a variety of spatial arrangements: topography, pilgrimage, peripatetic liturgical procession, and boundary marking. The materiality of medieval manuscript books expresses a similar reality through geographic colophons, regional markings of book production, devotional locals, and even the dispersing of manuscripts through modern-day biblioclasty.

To map the Middle Ages is to journey through the space created by the objects and the individuals who used them. The manuscripts in this installation are drawn from the collection of the University of Notre Dame’s Hesburgh Library.

This exhibition is curated by David T. Gura, PhD, Curator of Ancient and Medieval Manuscripts.

The current spotlight exhibits are Football and Community at Historically Black Colleges and Universities and A Warning Against Rum in Early America. Both spotlights will change out in February, check our website for more details in the near future.

Welcome Back! Spring 2024 in Special Collections

Rare Books and Special Collections welcomes students, faculty, staff, researchers, and visitors back to campus for Spring ’24! Here are a variety of things to watch for in Special Collections during the coming semester.

Spring 2024 Exhibition: Mapping the Middle Ages: Marking Time, Space, and Knowledge

The tension between literal and figurative arrangements of space, time, and knowledge during the Middle Ages is brought to the fore through the primary objects that remain. Geography, whether real or imagined, manifests on the page to convey a variety of spatial arrangements: topography, pilgrimage, peripatetic liturgical procession, and boundary marking. The materiality of medieval manuscript books expresses a similar reality: geographic colophons, the regional markings of book production, devotional locals, and even the dispersing of manuscripts through modern-day biblioclasty.

To map the Middle Ages is to journey through the space created by the objects and the individuals who used them. The manuscripts in this installation are drawn from the collection of the University of Notre Dame’s Hesburgh Library.

Curated by David T. Gura, PhD, Curator of Ancient and Medieval Manuscripts.

This exhibition is being held in conjunction with the annual meeting of the Medieval Academy of America, which will be hosted March 14–16, 2024, at the University of Notre Dame.

Stop in regularly to see our Collections Spotlights

Fall Spotlight, continued through the end of January: Football and Community at Historically Black Colleges and Universities

This exhibit features a selection of sources from the Joyce Sports Research Collection that document and preserve the history of football at Historically Black College and Universities (HBCUs). During the era of Jim Crow segregation, the vast majority of African American college students and student athletes attended HBCUs.

Many of the yearly gridiron contests between rival institutions developed into highly anticipated annual events that combined football with larger celebrations of African American achievement and excellence. The programs, media guides, ephemera, guidebooks, and other printed material on display document the athletic accomplishments, the celebrations, the spectacle, and the community-building that accompany football at Historically Black Colleges and Universities.

Curated by Greg Bond, Curator of the Joyce Sports Research Collection and the Sports Subject Specialist for Hesburgh Libraries.

December-January Spotlight: A Warning Against Rum in Early America

Displayed in the spotlight is a 1835 poster commemorating a Salem, Massachusetts minister’s attack on a neighbor for distilling and selling rum. This particular copy was partially hand-colored in watercolor, preserved with a cloth backing, folded, and bound into a pocket-sized leather cover. The broadside is part of Hesburgh Library’s Rare Books and Special Collections’ collection of prints, posters, and broadsides.

Curated by Rachel Bohlmann, Curator of North Americana at Hesburgh Libraries.

These and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

All exhibits are free and open to the public during regular hours.

Special Collections’ Classes & Workshops

Throughout the semester, curators will teach sessions related to our holdings to undergraduate and graduate students from Notre Dame, Saint Mary’s College, and Holy Cross College. Curators may also be available to show special collections to visiting classes, from preschool through adults. If you would like to arrange a group visit and class with a curator, please contact Special Collections.

Upcoming Events

Thursday, February 1st at 5:00pm | The Spring 2024 Italian Research Seminar and Lectures will begin with a lecture by Francesca Fiorani (University of Virginia), “Leonardo da Vinci’s Way of Seeing Water. Wetlands, Mapping, and the Art of Painting.”

Learn more about this and other Events in Italian Studies.

Recent Acquisitions

Special Collections acquires new material throughout the year. Watch this blog for information about recent acquisitions.

Early-20th-century souvenir programs of the Union Printers National Baseball League Tournament.
An 18th century work advocating converting Ireland’s Catholics to Protestantism
A collection of materials relating to the National Women’s Football League.
A revised martyrology for 16th century German Catholics.
Some of the recent acquisitions highlighted on the blog during the fall semester.

Happy Holidays from Special Collections!

Rare Books and Special Collections is open Monday through Thursday this week (December 18-21, 2023) — appointments are recommended. After that, we will be closed from Friday, December 22, 2023, through Monday, January 1, 2024, in participation with the campus-wide holiday break for all faculty, staff, and students.

Special Collections will reopen on Tuesday, January 2, 2024.

This is the last blog post for 2023.
Happy Holidays to you and yours from
Notre Dame’s Rare Books and Special Collections!

The Christmas Number of the Lake Michigan Yachting News,
December 1925, published by the Chicago Yacht Club.
Special Collections, Rare Books In Process

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

This post features images—including this colorful jack-in-the-box Christmas cover—from the Lake Michigan Yachting News, the official publication of the Chicago Yacht Club. The Yachting News covered all aspects of yachting and boating on Lake Michigan, reporting about sailing races, popular excursion routes, environmental conditions, sailing technology and equipment, and the social activities of the Midwestern yachting set.

The Yachting News also frequently relied on humor and satire in its columns as shown by the “Just a Few Merry Christmas Hints” column below. The journal’s tongue-in-cheek holiday gift suggestions included this advice:

If you have a friend who is a racing skipper you may give him a bunch of your old safety razor blades for splitting hairs on questions of rules. If you have a friend on the Race Committee, give him a drink—he will need it.

Hesburgh Libraries recently acquired a bound volume with 18 issues of the Lake Michigan Yachting News for the years 1925 and 1926. Worldcat lists only three other libraries with scattered holdings of this scarce publication.

Special Collections Goes to Hollywood

Fritz von Erich, The Iron Claw, and the Jack Pfefer Wrestling Collection

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

“I make a much better heel than babyface.”

Thus wrote former Southern Methodist University football player turned professional wrestler Jack Adkisson to Dallas-area wrestling promoter Ed McLemore in a September 1953 letter. Using the inside language of professional wrestling, Adkisson was explaining that he had found success wrestling as a villain—or “heel”—instead of as a fan favorite—or “babyface.”

Adkisson, a Texas native, got his start as a professional wrestler under McLemore and then traveled to New England to get more seasoning under the tutelage of promoter Tony Santos, Sr. Adkisson elaborated on his new “heel” persona to McLemore: “I have been working as Fritz Von Eric, the German Giant from Munich, Germany.”

Less than a decade after the end of World War II, Adkisson gained prominence in the ring by riling up and angering wrestling crowds with his Nazi-infuenced German villain. He explained to McLemore:

“I have gone over exceptionally well with the crowds as a heel, and once or twice I have had to literally fight my way to the dressing room. In Revere [Massachusetts], Santos was trying to hold the crowd back from me, and he was practically trampled. That was one night that my heart was in my throat. I couldn’t have felt more helpless in a cage of wildcats.”

The star-crossed von Erich family, a mainstay of professional wrestling in the second half of the twentieth century, is the subject of a soon-to-be-released motion picture The Iron Claw starring Zac Efron. The origin story of Fritz von Erich, the family’s patriarch, is partially documented in the Jack Pfefer Wrestling Collection—one of the most popular and heavily used manuscript collections in the Joyce Sports Research Collection.

Jack Pfefer was a wrestling manager and promoter whose influential career lasted from the 1920s through the 1960s. Pfefer unapologetically embraced the showmanship and theatrical spectacle of professional wrestling, and he routinely advertised and emphasized the entertainment aspects of his bouts.

Envelope advertising Ed McLemore’s Dallas-based wrestling shows at the famous Sportatorium. Adkisson used this envelope to mail a letter to Jack Pfefer in 1953. (PFE850-12-77)

Pfefer also meticulously saved his records. His papers, which Hesburgh Library acquired in the 1970s, fill more than 200 boxes and include voluminous correspondence, financial records, thousands of programs, and tens of thousands of photographs. The Pfefer Collection is one of the largest publicly accessible wrestling archival or manuscript collections in the country, and it documents nearly all aspects of professional wrestling during the middle years of the twentieth century.

The full five-page letter Jack Adkisson sent to Ed McLemore in 1953 describing his success wrestling as “Fritz von Eric” in New England. (PFE850-12-77)

The 1953 letter from Adkisson to McLemore eventually wound up in Pfefer’s possession, and, along with other material in the Pfefer collection, helps to to chart the rise of Fritz von Erich to legendary wrestling status.

But in 1953, Addkisson was still toiling near the bottom of the industry, and he complained to McLemore:

“I am making a living from this, but that is all. I am not saving anything to speak of. And if a guy can’t save some money in this business, what’s the use in staying? I have got to put away some money…”

Nevertheless, Adkisson remained hopeful: “I am more optimistic about my potential as a bad boy,”

The November 1963 issue of Big Time Wrestling magazine featured an article on Fritz von Erich. The headline claimed that von Erich had insured his right hand, which he used for the Iron Claw, for one million dollars. (PFE780-1-2)

Adkisson was right about his potential. Using his signature maneuver, the “Iron Claw,” von Erich and his German “bad boy” routine, rose up the ranks of the sport to make him one of professional wrestling’s more famous and bankable stars in the 1960s.

Publicity photo of “Fritz von Erich the Worlds Greatest Athlete,” c. 1960. (PFE700-36-6)

von Erich did eventually succeed in saving money, and he became a wrestling promoter in his own right, particularly in his home state of Texas. Fritz von Erich also had six sons, five of whom followed him into the ring. Tragically, five of the von Erich sons died young, leading to talk of a family curse. Fritz von Erich died at the age of 68 in 1997.

The movie Iron Claw, which tells the story of the ill-fated von Erich family, opens widely in theaters on December 22, 2023. The Jack Pfefer Wrestling Collection is open and available to the public for research.

Upcoming Events: December 2023

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, December 7 at 5:00pm | Italian Research Seminar: “Desire, Anxiety, Shame: Transatlantic (Re)Mediations and ‘Italian Culture'” by Loredana Polezzi (Stony Brook University).

The exhibition Making and Unmaking Emancipation in Cuba and the United States is now open and will run through the fall semester.

Tours of the exhibit may also be arranged for classes and other groups by contacting Rachel Bohlmann at (574) 631-1575 or Rachel.Bohlmann.2@nd.edu.

The December spotlight exhibits are Football and Community at Historically Black Colleges and Universities (August – December 2023) and TBD (December 2023 – November 2024).

Rare Books and Special Collections will be closed for Notre Dame’s Christmas and New Year’s Break
(December 22, 2023, through January 1, 2024).

We otherwise remain open for our regular hours during Reading Days and Exams, and welcome those looking for a quiet place to study.

Beat Generation Cookbook: Illustrated

by Rachel Bohlmann, American History Librarian and Curator

As a holiday centered around a meal, Thanksgiving includes some introspection, as we pause to reflect on the past year and give thanks before tucking in. 

This Beat Generation Cookbook, although not a particularly Thanksgiving-themed one, takes an irreverent and somewhat alternative approach to meals and cooking, and by implication, to national holidays like Thanksgiving. The Beats—a loosely comprised, countercultural community of writers, poets, musicians, artists, and free-thinkers—coalesced as a cultural phenomenon during the late 1940s.

Published in 1961, this booklet appeared at a time when some Beat counterculturalism had crossed over into mainstream American culture. The recipes—of intentionally dubious origins and quality—are named for (and in some culinary way) connect to Beats who had achieved widespread notice, if not mainstream celebrity. The first recipe, naturally, is named for Jack Kerouac, author of On the Road (1957) and a core Beat figure. He was also one of the best known Beats by the early 1960s; and he loved milk. The “Kerouac Kocktail” a vile-sounding concoction of milk, yeast, sugar, and water, was fermented then refrigerated. The recipe promises that “[i]t beats instant coffee, and it’s effervescent!” 

A dessert recipe, “Billy’s Graham Cracker Pie in the Sky,” spoofed Protestant Evangelist Billy Graham’s successful New York City crusade at Madison Square Garden during the summer of 1957. A chocolate pie, the dish’s “appeal has spread to the barbarians and cannibals, partly for its austere simplicity and partly for its religious flavor” the Beat cooks claim. The recipe called for “¼ cup melted margarine (Protestant)” as well as “2 tablespoons water (Holy)” and “2 disengaged eggs.” It further directed the cook to “chill for Seven Days. Go directly to Hell. Do not pass Purgatory. Do not collect Novenas.” This silliness is paired with an illustration of a Pilgrim eating a slice. 

Hesburgh Library’s copy is missing its outer cover, which was bright yellow with the title in large, red lettering. Our copy also looks well-used–with food (and perhaps paint) stains on the cover as well as more food stains inside, particularly on the pages with recipes for Streetcar Pie and Dharma Buns (a play on Kerouac’s novel, The Dharma Bums). 

The Beat Generation Cookbook: Illustrated also includes recipes for a number of artists and writers the Beats considered important influences. Pablo Piccaso is included as is Kenneth Rexroth, a San Francisco-based poet who supported and helped launch the literary careers of a number of young Beats, including Allen Ginsberg. The Beat Generation Cookbook recognized Rexroth with Rex Broth: a very large, one-pot meal of meat (“beef, mutton, goat, or goose”), beans, barley, root vegetables, spices, and “1 cup Mr. Clean,” with which “to scrub the whole pot (& everything that’s in it).” 

Rare Books and Special Collections holds the Kenneth Rexroth Collection: a grouping of works by and about the artist, of which this tongue-in-cheek, cultural, and culinary masterpiece is a light-hearted example. The Rexroth Collection is part of a substantial RBSC collection of post-World War II small press and avant-garde literature published in the United States. 

Happy Thanksgiving!

Special Collections will be closed during Notre Dame’s Thanksgiving Break (November 23-24, 2023). We wish you and yours a Happy Thanksgiving!

Thanksgiving 2022: Turkey for the People
Thanksgiving 2021: The Thanksgiving that Gave Us a Song, a Movie … and a Cookbook!
Thanksgiving 2020: Happy Thanksgiving to All Our Readers
Thanksgiving 2019: “Thanksgiving Greetings” from the Strunsky-Walling Collection
Thanksgiving 2018: Thanksgiving from the Margins
Thanksgiving 2017: Playing Indian, Playing White
Thanksgiving 2016: Thanksgiving Humor by Mark Twain
Thanksgiving 2015: Thanksgiving and football