Interesting Irish Ephemera: A Religious, Political and Cultural Collection

by Aedín Ní Bhróithe Clements, Irish Studies Librarian

Ephemeral items such as political pamphlets, religious pamphlets, programs of commemorative events, and broadsides often do not last long enough to serve as historic documents. They may often be found in people’s homes when first printed, but they are not often collected by libraries. Such cheap printings, slight pamphlets, and event programs find their way to the trash can, or in Ireland, to the rubbish bin.

Collections of such material may help to trace the progress of a political or religious movement, and they also serve as a record of people and organizations involved in various activities.

Our Rare Books and Special Collections include many such ephemeral items.

Today we give some examples of Irish pamphlets.

Rev. P. J. Mullen. Pagan Missions. 1933

Pagan Missions, a 32-page pamphlet summarizing the activities of various Irish Catholic religious orders in mission work throughout the world, has cover art that tells much about attitudes of the time. This 1933 pamphlet is of the many publications of the Catholic Truth Society of Ireland.

Nano Nagle: Foundress of the Irish Presentation Nuns.

Another Catholic pamphlet that informs of Irish religious working overseas is the story of Nano Nagle. This 1937 publication is the fifth edition, from the Irish Messenger series on “Founders”.

Considering the large number of Irish women who joined the Presentation Order, it is unsurprising that a biography of its foundress, Nano Nagle, would be popular. The inside cover lists a number of other biographies including those of Mother Mary Aikenhead, Mother Genevieve Beale, and Mother McAuley.

These Irish pamphlets complement the Hesburgh Library’s Catholic Pamphlet Collection, a rich and diverse collection of over 3,400 pamphlets covering many aspects of Catholic thought and history.

Fifty Points Against Partition. Is Ireland a Nation? With Preface by William M. Murphy

The above eight-page production, Fifty Points Against Partition, published by Independent Newspapers in 1917, is by L. G. Redmond Howard. The preface describes it as an “arsenal of arguments against the mutilation of our country.”

Fr. Denis Faul and Fr. Raymond Murray. The Sleeping Giant: Irish Americans and Human Rights in Ireland. Undated.

We continue to add to our Northern Ireland collection, and this pamphlet by Fr. Denis Faul and Fr. Raymond Murry is a recent addition. The Sleeping Giant: Irish Americans and Human Rights in Ireland is on the treatment of political prisoners in Northern Ireland. Along with a large collection of ephemera related to Northern Ireland in the Rare Books and Special Collections, the Hesburgh Library also has access to the digitized collection of the Linen Hall Library, Divided Society: Northern Ireland. 1990-1998, available to the Notre Dame community via the Library’s database page.

Feis na Mumhan 1910

We have many programs of cultural events throughout our collections. These include programs of plays, of commemorative events, and in this case, of Feis na Mumhan, a three-day festival held in Cork in September, 1910, that included a concert, a céilí, a conference and many competitions. The ‘feis’ is a festival that celebrates and encourages Irish traditional music and Irish language culture. This program has pencilled in notes of the winners of singing contests.

Our last example here is of a recipe book. Following last week’s blogpost on the Moosewood Cookbook we would like to mention Irish cuisine, and one of the most popular Irish cookbook writers of the twentieth century.

Maura Laverty. Christmas Fare.

Maura Laverty was a regular presenter on the Electricity Supply Board’s sponsored program on Radio Éireann, Ireland’s national radio station in the 1950s. This book of Christmas recipes, published in 1957, is a revised and enlarged edition of one published two years earlier. It includes recipes for roast goose with sage-and-onion stuffing or potato stuffing, plum pudding with brandy sauce along with a variety of familiar Irish Christmas recipes. Also included is a section on ‘Christmas Specialties from Many Lands.’

An example from the ‘Many Lands’ section is the recipe for Hungarian ‘Boszorkanyhab’ (Witch’s Froth), as follows:

2 lbs. cooking apples, whites of 2 eggs, 6 tablesps. sugar, 1 teasp. lemon juice, 1/4 pint cream, small tin fruit salad.

Bake the apples until very soft. Remove peel and core and rub pulp through a sieve. Beat the egg whites until very stiff; fold in the sugar and lemon juice. When the apple pulp is quite cold, fold it into the egg mixture. Pile on a glass dish and decorate with the whipped cream and drained fruit salad.

Maura Laverty: Christmas Fare, 1957

While the examples above are only a small selection of the Irish pamphlets in the Hesburgh Library Rare Books and Special Collections, it is a fairly representative sample. We welcome opportunities to incorporate these materials into class work.

Acquiring Moosewood Cookbooks to Support Student Research

by Rachel Bohlmann, American History Librarian and Curator

As we approach the end of the term, when research projects materialize like spring flowers, Rare Books and Special Collections (RBSC) highlights some recent acquisitions that emerged from a student’s research interests.

Last fall a history major inquired about sources RBSC held about new thinking about food during the latter part of the twentieth century. We began talking about alternative cooking and restaurants and the vegetarian Moosewood Restaurant in Ithaca, New York came up. RBSC didn’t hold any of the famous cookbooks (of the same name) that emerged from that 1970s collective, so we purchased three editions (1977, 1992, and 2000).

Cover of the 1977 edition

Mollie Katzen, one of the founders of the Moosewood collective, compiled, wrote, illustrated, and self-published the original book of recipes in 1974. That first edition (with several reissues) circulated in a spiral-bound notebook format and in limited numbers.

Three years later, in 1977, a small, independent publishing house in Berkeley, California, Ten Speed Press, published the cookbook. (The press also produced What Color Is Your Parachute? (1970).) In this first commercial publication, Katzen described herself as the volume’s compiler and editor and she listed all of “The Moosewood People” who contributed to the book’s content. The book’s multiple sources is one of its central themes. Recipes come from different cooks as well as a variety of food cultures.

1977 edition

Commitment to a plant-based diet is another main focus. In the 1977 edition Katzen included a quotation by William Blake that announces the book’s vegetarianism, and her illustrations reinforce the idea throughout (see the speaking duck above the recipe for Chinese duck sauce).

Page 70 of the 1977 edition
1992 edition

Katzen retained important visual aspects of the 1974 book in later editions. Her original drawings, page layouts and cartouches, as well as her hand lettering, were translated into the commercialized editions and provide some of the book’s most identifiable characteristics over its long publication history. 

For all its warm, visual familiarity, The Moosewood Cookbook has also changed over time. Katzen has revised its content, layout, and format. In 1992 she added “A Personal History of This Book” section, which has appeared in all later editions, and photos of the Moosewood Restaurant were removed. The 2000 edition includes glossy, professionally staged photographs.

2000 edition

Each edition presents the reader with differences (in format, content, and flavor). Holding multiple editions, a researcher gains side-by-side access for comparative analysis. Libraries and special collections often acquire complete or near complete runs of editions to support research questions that such comparisons can spark.

Spotlight Exhibit: Remembering Early England

The April spotlight exhibit, Remembering Early England, brings together diverse materials that reveal the power of memory. Featuring an eleventh-century coin, a fifteenth-century medieval manuscript, an early printed grammar book, and a Victorian map, this exhibit is a sample of the breadth of the Hesburgh Library’s Special Collections. Each object represents the different ways that each generation has depicted the early English period (ca. 449 – 1066), whether or not their version of history reflected reality.

For 500 years, the area now conceived of as England was inhabited by diverse populations: the Welsh, Picts, Cornish, Angles, Jutes, Saxons, Danes, Franks, Icelanders, Irish, and Frisians. In fact, England was not considered a unified country until the tenth century when Aethelstan became the first King of the English. However, later inhabitants of England, particularly those in power, portrayed early England as homogenous, stable, and a romantic pre-figuration of themselves and their ideals.

This exhibit was co-curated by Dr. David T. Gura, Curator of Ancient and Medieval Manuscripts, and Anne Elise Crafton, PhD Candidate in the Medieval Institute and Graduate Curatorial Assistant, and can be viewed in 102 Hesburgh Library from 9:00 am – 5:00 pm on weekdays.

Upcoming Events: April and early May

Please join us for the following event being hosted in Rare Books and Special Collections:

Tuesday, April 5 at 4:00pm | “Piranesi’s Lost Book” by Heather Minor (Notre Dame).

POSTPONED—NEW DATE WILL BE ANNOUNCED WHEN KNOWN: Thursday, April 7 at 4:30pm | Ravarino Lecture: “Pandemic and Wages in Boccaccio’s Florence” by William Caferro (Vanderbilt).

Rare Books and Special Collections will be open regular hours during Reading Days and Exams (April 27 – May 5). We welcome those looking for a quiet place to study.


The spring exhibit The Word throughout Time: The Bible in the Middle Ages and Beyond is now open and will run through June. This exhibit, curated by David T. Gura (Curator of Ancient and Medieval Manuscripts), marks the 75th anniversary of the University of Notre Dame’s Medieval Institute. Tours are available for classes or other groups, including K-12 audiences, by request.

The current spotlight exhibit are 100 Years of James Joyce’s Ulysses (January – April 2022) and Remembering Early England (March-April 2022).

All exhibits are free and open to the public during business hours.

Rare Books and Special Collections will be closed April 15 in observance of Good Friday.

We will resume regular hours
(Monday – Friday, 9:30am – 4:30pm)
on Monday, April 18.

Two Years On, and Over 150 Years Ago

by Anne Elise Crafton, Ph.D. Candidate, Notre Dame’s Medieval Institute

Reflecting on the last two years of the COVID-19 pandemic, one can find historical parallels. A recent addition to the Hesburgh Library, a collection of Harper’s Weekly magazines from the 1850s to the 1890s, reveals that late-nineteenth century Americans were also worried about how to stay safe during epidemics. The magazines document events during turbulent periods of American history: the Civil War, Reconstruction, and multiple epidemics. Numerous articles, cartoons, and advertisements reflect widespread concerns for how best to combat national health crises.

In 1858, a group of rioters attacked a hospital, known as “The Quarantine,” that held patients with smallpox, yellow fever, and cholera; at least two men died. The rioters feared that the quarantined patients represented a threat to the local community rather than necessary protection, as it was believed that disease spread through a miasma in the air.

Since bacteria had yet to be discovered and cures were not readily available, others looked to make a profit from those desperate to stay well. One 1864 advertisement for “Dr. T.B. Talbot’s Medicated Pineapple Cider” suggests that consumers snuff pineapple cider to cure the influenza. The fine print notes that customers might have to wait six months before being cured.

In 1879, America attempted to combat the rising cases of yellow fever by creating a National Board of Health, which ceased operations by 1884 due to various funding and operational issues. 

Despite these ups and downs it is also clear that in the midst of national anxieties, people found joy in life. For instance, each edition of Harper’s Weekly included a section of new chapters of ongoing novels. One of the most popular authors to publish a chapter-a-week was Charles Dickens, whose novels featured prominently in Harper’s Weekly.

The newspaper also frequently printed stories from far-off places; the images provided a taste of the world beyond America for those unable to travel.

Advertisements for the latest Parisian fashions, recipes for the at-home chef, and poetry accompanied news of politics and warfare. During the height of the Civil War, one cartoonist took a break from political imagery to joke about the ever-widening skirts of women’s’ fashion.

The Harper’s Weekly collection reminds us that while many things have changed and some haven’t, we have always found ways to endure.


COVID Policy Update: For fully vaccinated Notre Dame faculty, staff, students and visitors, masking is now optional indoors on campus. Those students, faculty, staff and visitors who are not fully vaccinated must wear masks inside campus buildings, including in Rare Books & Special Collections spaces. Anyone who would prefer to wear a mask in any setting is welcome to do so.

Upcoming Events: March and early April

Please join us for the following event being hosted in Rare Books and Special Collections:

Thursday, March 24 at 5:00pm | The Italian Research Seminar: “We, the People: Strategies of Representation in the Italian Novel” by Roberto Dainotto (Duke). The Spring lectures are being planned in a hybrid online and in-person format; registration for online access is available via the event description page. Sponsored by Italian Studies at Notre Dame.

DATE & TIME UPDATED – Tuesday, April 5 at 4:00pm | “Piranesi’s Lost Book” by Heather Minor (Notre Dame).

Thursday, April 7 at 4:30pm | Ravarino Lecture: “Pandemic and Wages in Boccaccio’s Florence” by William Caferro (Vanderbilt).


The spring exhibit The Word throughout Time: The Bible in the Middle Ages and Beyond is now open and will run through June. This exhibit, curated by David T. Gura (Curator of Ancient and Medieval Manuscripts), marks the 75th anniversary of the University of Notre Dame’s Medieval Institute. Tours are available for classes or other groups, including K-12 audiences, by request.

The current spotlight exhibit are 100 Years of James Joyce’s Ulysses (January – April 2022) and Remembering Early England (March – April 2022, opening soon).

All exhibits are free and open to the public during business hours.

Oliver Twist — An Affordable Edition

by Daniel Johnson, English; Digital Humanities; and Film, Television, and Theatre Librarian

The Household Edition of Charles Dickens was a new, quarto-sized version of the novelist’s works published by Chapman and Hall starting in 1871, after the author’s death, answering “calls for a truly popular and affordable edition of Dickens that were being voiced even before Dickens’s death” (Louttit 2014, 323). Like the novels in their original run, the Household Editions were printed both serially (either weekly or monthly) and as whole volumes. The whole-volume printings were themselves subject to “two methods of volume release: the distinctive green cloth and gilt boards (which adorn many of the volumes in circulation today) at 4s., and a cheaper ‘stiff paper wrapper’ priced at 3s” (2014, 326).

The history of the Hesburgh Library’s recently-acquired volume is not clear, but if it was originally purchased in whole volume form, it is a curious one — it does not bear “distinctive green cloth and gilt boards,” and for good reason. It is a Sammelband, seamlessly binding the Household Dickens Great Expectations together with Oliver Twist. The other method of whole volume distribution, via “stiff paper wrapper,” means the book would have come with no cover, making it cheaper to purchase but also enabling the book owner to order custom book binding. In either case, whether obtained serially in parts or as whole volumes, the book was bound by custom order, as can be further confirmed by the stamp on the back cover, “Bound by W. Drewett, Printer, Binder, Stationer.” Why a person might join together two Dickens novels with no apparent contiguity (Oliver Twist was the first book in the Household Editions, Great Expectations in the middle, and the novels were originally published decades apart) would be a worthy subject of exploration.

Title page, with frontispiece: “The evidence destroyed”.
The first page of Chapter 1, headed with an illustration of Oliver asking for more, while the boys around the table lick their fingers, their spoons, or their empty bowls.

In more general terms, collecting witnesses of the Household Edition can help scholars make comparative analysis against the volumes printed during the author’s lifetime (such as the handsome, two-volume first edition of Our Mutual Friend which the library purchased in 2016). Indeed, the Household Edition is receiving renewed attention, particularly for its visual content. By the late twentieth century, it had become commonplace to read Dickens as inextricable from his original illustrators – George Cruikshank, Hablot Knight Browne, and Phiz – which is logical enough. Many period readers would have closely tied the novels to the caricature-like images of these artists.

But approbation was not universal. As Chris Louttit shows, many who wrote on Dickens in the late nineteenth century “preferred instead the more realistic and less emblematic productions of the generation of artists including Fred Barnard, Charles Green and James Mahoney” who adorned the Household Edition (Mahoney was illustrator of the Household Oliver Twist) (2019, 150). Indeed, one Victorian critic, Edwin Pugh, claimed the original illustrations “are as unlike the creations of the Master’s brain as a painted, stuffed wax effigy is unlike the warm, breathing body of a beautiful woman or man” (ibid). Much could be made about the reading of the text based on the visual commentary available to readers at a given period.

The Household Edition of Oliver Twist (and Great Expectations) joins over a hundred other Dickensian special collections holdings of various kinds in the Hesburgh Library, including a Cruikshank-illustrated first edition of Oliver Twist, with a fireside plate “canceled in later issues.”

Title page and frontispiece of Great Expectations ‘with thirty illustrations by F. A. Fraser.
Sources consulted:

Louttit, Chris. 2014. “‘A Favour on the Million’: The Household Edition, the Cheap Reprint, and the Posthumous Illustration and Reception of Charles Dickens.” Book History 17 (1): 321-64. http://doi.org/10.1353/bh.2014.0013

—–. 2019. “Boz without Phiz.” In Reading Dickens Differently, 149-64. John Wiley. https://doi.org/10.1002/9781119602262.ch8.

Upcoming Events: February and early March

Please join us for the following event being hosted in Rare Books and Special Collections:

Wednesday, February 9 at 2:00pm – 5:00pm | Celebration: 100 Years of James Joyce’s Ulysses.

The semester-long Ulysses exhibition will be supplemented by a temporary ‘pop-up’ display of books and art. Visitors are welcome to come during any part of the afternoon. At 3:30, there will be a short talk titled “Joyce, Proust, Paris, 1922” by Professor Barry McCrea.

Registration is encouraged but not required. Read more and register


The spring exhibit The Word throughout Time: The Bible in the Middle Ages and Beyond is now open and will run through June. This exhibit, curated by David T. Gura (Curator of Ancient and Medieval Manuscripts), marks the 75th anniversary of the University of Notre Dame’s Medieval Institute. Tours are available for classes or other groups, including K-12 audiences, by request.

The current spotlight exhibits both feature materials relating to the centenary of James Joyce’s Ulysses: 100 Years of James Joyce’s Ulysses (January – April 2022) and David Lilburn’s Eccles Street Print (January – February 2022).

All exhibits are free and open to the public during business hours.

The Word throughout Time: The Bible in the Middle Ages and Beyond

This year marks the 75th anniversary of the University of Notre Dame’s Medieval Institute. The current exhibit is constituted in celebration of this anniversary and brings some of the University’s finest medieval manuscripts and early imprints to the fore, drawn from the Hesburgh Library, Snite Museum of Art, and the McGrath Institute for Church Life.

The Word throughout Time: The Bible in the Middle Ages and Beyond features Bibles and Biblical texts from the 12th through 21st century, including numerous illuminated Bibles from Italy, France, England, and Bohemia, a leaf from the Gutenberg Bible, chant manuscripts, and the Saint John’s Bible. The exhibit seeks to show the varying contexts of the medieval Bible as well as its early modern successors: in the schools through interpretation and commentary, in public through the liturgy and preaching, in private through prayer and devotion.

Cod. Lat. a. 2, folios 139v and 140r

This exhibit is curated by Dr. David T. Gura (Curator of Ancient and Medieval Manuscripts). This and other exhibits within the library are generously supported by the McBrien Special Collections Endowment.

The Word throughout Time: The Bible in the Middle Ages and Beyond is on view from January – June 2022 in Rare Books & Special Collections. Contact Dr. David T. Gura to schedule tours and class visits.

Ulysses 100 at Hesburgh Libraries

by Aedín Ní Bhróithe Clements, Irish Studies Librarian

At Hesburgh Libraries, along with the Keough-Naughton Institute for Irish Studies, we look forward to participating in the worldwide celebration on February 2nd of the one hundredth anniversary of James Joyce’s Ulysses.

The very first copies of the first edition of Ulysses were received from the printer on Joyce’s fortieth birthday, February 2nd, 1922. Sylvia Beach, the publisher, delivered a copy to James Joyce on that day. 

Of the thousand copies printed in that first edition, almost one hundred are currently in U.S. libraries. Our copy will be on display in our exhibition room throughout the semester.

Parts of Joyce’s novel had earlier been published serially in America in The Little Review, a magazine edited by Margaret Anderson and Jane Heap. This came to the attention of the Society for the Suppression of Vice, and eventually the magazine had to cease publication of the novel and it was banned by the United States Post Office.

Joyce subsequently had difficulty finding a publisher, and Sylvia Beach, owner of Paris bookshop and lending library Shakespeare and Company, agreed to publish the book. Every detail along the way, from finding typists who would agree to type the text through distributing (sometimes smuggling) the book to readers, forms an interesting story. Much of the story is recounted in Noel Riley Fitch’s book, Sylvia Beach and the Lost Generation (1983).

Another great champion of Joyce’s writing was publisher Harriet Weaver, whose Egoist Press in England published a number of his works. Her edition of Ulysses was also published in 1922 and our copy is on display. 

Also in the display case is a magazine in which unauthorized episodes were published, alongside a printed copy of the protest, signed by 167 artists and writers, against this piracy.

In a separate case, we will exhibit a print by the late Irish artist David Lilburn – Eccles Street, from In Medias Res: The Ulysses Maps: A Dublin Odyssey. This print will be available for viewing through the month of February.

The Celebration

On Joyce’s 140th birthday, we will host a special event in the Hesburgh Library, with the Keough-Naughton Institute for Irish Studies.

Professor Barry McCrea will speak on ‘Joyce, Proust, Paris, 1922’, and the launch of the ‘100 Years of James Joyce’s Ulysses‘ exhibit will be complemented by a one-afternoon temporary display.

Further information on this event is available here: https://irishstudies.nd.edu/events/2022/02/02/celebration-100-years-of-james-joyces-ulysses/