Collection highlights, news about acquisitions, events and exhibits, and behind-the-scenes looks at the work and services of Rare Books & Special Collections (RBSC) at Notre Dame.
Rare Books and Special Collections will be closed for Christmas and New Year’s Break (December 22, 2017, through January 1, 2018). In addition, RBSC will be closed December 5, 11:00am to 2:00pm due to the Hesburgh Libraries Christmas lunch.
We otherwise remain open for our regular hours during Reading Days and Exams, and welcome those looking for a quiet place to study.
The fall exhibit, Elements of Humanity: Primo Levi and the Evolution of Italian Postwar Culture, continues to be on display through December 15, 2017. Public tours of the exhibit are offered Tuesdays at noon and Wednesdays at 3pm, and are also available by request for classes or other groups, including K-12 audiences. If you are planning to bring a group to Special Collections or would like to schedule a special tour, please email rarebook @ nd.edu or call 574-631-0290.
The monthly spotlight exhibit for November and December is Building A Colonial Mexican Tavern: Archive of the Pulquería El Tepozán, curated by Erika Hosselkus. This exhibit features a manuscript archive which includes real estate, licensing, and planning documents for the pulquería El Tepozán. It was one of four such establishments built by nobleman don Pedro Romero de Terreros, the Count of Regla, in Mexico City, beginning in the final years of the 1770s.
The winter spotlight exhibit is Baseball and Tin Pan Alley: Sheet Music from the Joyce Sports Collection, curated by George Rugg. This exhibit features highlights from the department’s collection of approximately 400 pieces of baseball related sheet music.
We join the Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution, and United States Holocaust Memorial Museum in recognizing the rich histories and traditions of Native Americans during this National Native American Heritage Month.
Alfred W. Ramsey and the Carlisle Indian Industrial School
In January 1909 Alfred W. Ramsey (1883-1955) accepted a provisional appointment as business teacher at the Carlisle Indian Industrial School in Carlisle, Pennsylvania. He was formally hired in March following a satisfactory result on his Civil Service examination. Ramsey was charged with organizing a business department at the school, to complement its trade and academic programs. He resigned his position effective 1 November 1910, apparently disillusioned with the Indian Service and the school.
The Carlisle Indian Industrial School was founded in 1879 by Captain Richard Henry Pratt, as part of a government project designed to “kill the Indian, save the man.” In Ramsey’s day it was overseen by the Office of Indian Affairs, Department of the Interior. Carlisle became the model for 25 government Indian schools, founded on the premise that Native Americans could be equal to European Americans, provided they assimilate into European American society and culture. While the school removed Native American children from poverty and provided them with a free education, it also encouraged children to abandon their native cultures.
The Alfred W. Ramsey Papers, acquired by RBSC in 2014, include a wealth of material from Ramsey’s time at Carlisle. Among the manuscripts are examples of student writing and typing exercises; copies of addresses by Carlisle administrators (especially superintendent Moses Friedman) and commencement speakers; school mission and policy statements; and essays on character and behavior with a bearing on Indian education. Some of this material would have been generated as a consequence of Ramsey’s teaching (including instruction in typing), but much of it was the result of his de facto status as clerical assistant to Friedman. There are also two memory books preserved by Ramsey, with questionnaires filled out in manuscript by 79 different Carlisle students.
The printed matter includes a broad selection of items from the Carlisle Indian Press; printing was one of the trades taught at the school, and Edgar Miller, the program’s superintendent, was a particular friend of Ramsey’s. Included are runs of school periodicals like the weekly The Carlisle Arrow and the monthly The Indian Craftsman (later titled The Red Man). There are also pamphlets, programs, broadsides, dance cards, and other ephemera.
Photographs include panoramas of the Carlisle campus and a number of group portraits of the student cast of the comic opera “The Captain of Plymouth”—the subject of next week’s blog.
Rare Books and Special Collections will be closed for Thanksgiving Break (November 23-24, 2017). In addition, RBSC will be closed December 5, 11:00am to 2:00pm due to the Hesburgh Libraries Christmas lunch.
The fall exhibit, Elements of Humanity: Primo Levi and the Evolution of Italian Postwar Culture, continues to be on display through December 15, 2017. Public tours of the exhibit are offered Tuesdays at noon and Wednesdays at 3pm, and are also available by request for classes or other groups, including K-12 audiences. If you are planning to bring a group to Special Collections or would like to schedule a special tour, please email rarebook @ nd.edu or call 574-631-0290.
The monthly spotlight exhibit for November and December is Building A Colonial Mexican Tavern: Archive of the Pulquería El Tepozán, curated by Erika Hosselkus. This exhibit features a manuscript archive which includes real estate, licensing, and planning documents for the pulquería El Tepozán. It was one of four such establishments built by nobleman don Pedro Romero de Terreros, the Count of Regla, in Mexico City, beginning in the final years of the 1770s.
The summer spotlight exhibit, “Which in future time shall stir the waves of memory” — Friendship Albums of Antebellum America remains open for one more week.The winter spotlight exhibit, Baseball and Tin Pan Alley: Sheet Music from the Joyce Sports Collection, will open in mid-November and highlights the department’s collection of approximately 400 pieces of baseball related sheet music.
The fall exhibit, Elements of Humanity: Primo Levi and the Evolution of Italian Postwar Culture, continues to be on display through December 15, 2017. Public tours of the exhibit are offered Tuesdays at noon and Wednesdays at 3pm, and are also available by request for classes or other groups, including K-12 audiences. If you are planning to bring a group to Special Collections or would like to schedule a special tour, please email rarebook @ nd.edu or call 574-631-0290.
The summer spotlight exhibit, “Which in future time shall stir the waves of memory” — Friendship Albums of Antebellum America, has been extended through October. The fall spotlight exhibit, opening in November, will feature highlights from the department’s collection of approximately 400 pieces of baseball related sheet music.
Please join us for the following events being hosted in Rare Books and Special Collections:
Tuesday, September 5 at 4:00pm | Opening reception for the fall exhibit, Elements of Humanity: Primo Levi and the Evolution of Italian Postwar Culture. This exhibit is curated by Tracy Bergstrom (Curator, Italian Imprints and Dante Collection) and opens on August 21.
Friday, September 15 at 4:00pm | Dedication program for Emily Young’s sculpture Lethos, to be followed by a reception in the Carey Courtyard View Area (Second Floor – Hesburgh Library). Sponsored by the Hesburgh Libraries and the Alumni Committee for Poetry and Sculpture.
The monthly spotlight exhibit for September is The Art of Botanical Illustration: Philip Miller’s Gardeners Dictionary.
The summer spotlight exhibit, “Which in future time shall stir the waves of memory” — Friendship Albums of Antebellum America, continues to be on display through September and features seven volumes from Special Collections’ manuscripts of North America holdings.
At the outbreak of the First World War, there were approximately 10,000 British nationals within the borders of the German Reich. Some were on holiday while others had resided in the country their entire lives or were passing through as sailors aboard merchant vessels. Regardless of background, their British citizenship marked them for suspicion in the eyes of the German government as well as retaliation for the plight of German nationals in Great Britain. Therefore, it was determined that male British nationals of military age were to be arrested and interned for the duration of the war (though with the possibility for freedom through prisoner exchanges). While various camps were hastily constructed to house these detainees, Ruhleben was the only camp that was entirely populated by civilian prisoners.
Constructed on the grounds of a horse racing track on the outskirts of Berlin, Ruhleben would house over 4,000 prisoners at its height. Inmates were barracked in repurposed stables in extremely poor condition due to the inadequate facilities. Over time and with the intervention of the American ambassador, Ruhleben would grow to include not only upgraded barracks and latrines, but also a library, school, stores, and post office. Lack of privacy was a perpetual concern for the men while at the same time they were virtually cut off from the rest of civilization apart from Red Cross parcels and short letters from home. As a result the camp formed its own community complete with newspaper, theater productions, sports teams, and various clubs to keep boredom at bay.
One such endeavor was In Ruhleben Camp and its successor The Ruhleben Camp Magazine. Special Collections recently acquired a full set of these issues in two bound volumes accompanied by a bound, two-volume scrapbook containing original drawings from the magazine. Published fortnightly, the magazine included stories and cartoons parodying camp life as well as reports of camp activities such as reviews of musicals, sports recaps, and advertisements for lectures. A marked tone of humor is prevalent throughout, in keeping with the unofficial camp slogan “Are we downhearted? No!” An in-depth chronicle of camp life, the magazine represents some of the best documentation of the Ruhleben experience.
The highlight of this collection is the two-volume scrapbook. Bound in pasteboard and measuring 16.5″ x 12.75,” the scrapbook contains 53 original drawings in pen-and-ink, watercolor, and graphite. Although the purpose of the scrapbook is not certain, material on the front cover indicates that the scrapbook was a mock-up for a London publisher, George Newnes Ltd., to use for the publication of a book to be called, “The Lighter Side of Lager Life.” Who compiled the scrapbook is also unknown, but it may have been one of the magazine’s editors, Louis Egerton Filmore or C. G. Pemberton.
The scrapbook volumes include original illustration, many of which did not appear in the printed magazines. The drawings depict camp life in a vivid display of the camp’s signature humor. Original artwork is paired with clippings that parody classic British texts such as “Alice Through the Lager Glass” and Shakespeare rewritings. These parodies were some of the most popular types of entries in the printed magazine. Other literary pieces included poetry known as “Ruhlimericks” which poked fun at camp conditions and life or humorous advertisements for various services.
The June spotlight exhibit, on display through the end of the month, is J. P. Homann’s “Buffalo Map,” ca. 1720.
On display is a map of North America by the important German cartographer J. P. Homann, emphasizing French claims in the Mississippi River Valley in the early eighteenth century. The map is one of several hundred items making up the Edward and Sheila Scanlan Collection of Maps of the Great Lakes Region, donated by the Scanlans to the Hesburgh Libraries in 2003-04. The exhibit is curated by George Rugg (Curator, Special Collections).
The July spotlight exhibit will feature German children’s literature from the two World Wars, and will be co-curated by Sara Quashnie (MLIS Candidate, University of Illinois, Urbana-Champaign, ND ’15) and Julie Tanaka (Curator, Special Collections).
The Summer spotlight exhibit, on display now through September, is “Which in future time shall stir the waves of memory” — Friendship Albums of Antebellum America. On display are seven manuscripts from Special Collections’ manuscripts of North America holdings.
Among the characteristic manuscript forms of antebellum America are albums filled with poetry, prose, drawings, and other content created for the book’s owner by family and acquaintances. Such friendship albums, as they are called, have a long history, but they were especially prevalent in the Romantic era, with its new ideology of sentimental friendship. In the United States friendship albums begin to appear in number in the 1820s, and while contributors were often male, the albums themselves were usually maintained by young women.
In August 2015, Giles Constable donated a small collection of fragments and charters in memory of his daughter, Olivia Remie Constable (1960-2014), who had been the Robert M. Conway Director of the Medieval Institute at the University of Notre Dame. The gift included a thirteenth-century leaf from a processional, later shown to be at Wilton Abbey, a women’s Benedictine house, until 1860. The parent manuscript was broken by Cleveland biblioclast, Otto F. Ege (1888-1951), who included leaves from it in his portfolio, Fifty Original Leaves from Medieval Manuscript. It was Leaf no. 8. Leaves from the processional were disseminated widely through Ege’s portfolios as well as from later dealers, and now are part of many American and Canadian collections. Processionals contain the antiphons and rubrics pertaining to the processions themselves. For example, Palm Sunday and the Visitatio sepulchri are included.
Constable MS 4 contains part of the procession for Palm Sunday. Of great interest, and rarity, is the use of feminine forms in the rubrics (e.g., ‘cantrix’). This shows intentional customization for a female religious community, whereas many other manuscripts often transmit the masculine forms even though they were used by women.
Bibliography
Alison Altstatt, “Re-membering the Wilton Processional,” Notes 72 (2016): 690-732.
David T. Gura, A Descriptive Catalogue of the Medieval and Renaissance Manuscripts of the University of Notre Dame and Saint Mary’s College (Notre Dame, IN: University of Notre Dame Press, 2016), pp. 480-482.
Scott Gwara, Otto Ege’s Manuscripts (Cayce, SC: De Brailes, 2013).
Special Collections thanks our six graduating seniors for the work they have done for us processing collections, assisting visitors, reshelving books, shifting collections, scanning documents, and assisting our rare book catalogers.
Join co-curators Rachel Bohlmann (American History Librarian) and Jean McManus (Catholic Studies Librarian) for a guided tour Thursdays at 12:30 pm through March (excluding Spring Break, March 16), and learn more about American Catholic history held in the library’s Rare Books and Special Collections and ND Archives. Tours will last up to an hour.
To schedule a class or group tour, please contact Rachel Bohlmann via email or phone: (574) 631-1575.
Spotlight Exhibits: Bram Stoker’s Lecture on Abraham Lincoln and The Nathaniel Rogers Sermon Notebook, ca. 1634-1645.