Tag: printed ephemera

Women’s History Month 2026

We join the Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution and United States Holocaust Memorial Museum in commemorating and encouraging the study, observance and celebration of the vital role of women in American history by celebrating Women’s History Month.

Two Perspective on African American Women Workers during the Great Depression

by Rachel Bohlmann, American History Librarian and Curator

This March, RBSC celebrates Women’s History Month by highlighting two recent acquisitions about African American women and their place in the labor market during the Great Depression of the 1930s. Both sources recognize the double bind of race and gender discrimination experienced by African American women, but their similarities end there. 

African American journalists and Communist Party members Eugene Gordon and Cyril Briggs produced The Position of Negro Women in 1935. It was published in pamphlet form by the Communist Party USA. The authors wasted no time in declaring on the third line, that “The Negro woman worker is double victimized. She suffers both from the general discrimination against women workers and from her identity as a member of a nationality singled out by the ruling class for special plundering, persecution and oppression.” (p. 2)

The authors described the precarious position African American women held in industrial jobs—largely in laundries, and food and clothing production—as well as in every other part of the labor market. They held up domestic service for special opprobrium, noting that day workers—those who didn’t live in—were the most exploited, making as little as $10 a month (for comparison, women factory workers made $14 a week). Gordon and Briggs also included professional workers in their survey, noting grimly that “The Negro professional woman worker finds it almost impossible to secure a job.” (p. 11) School teachers were the exception. Although African American teachers in the North were generally paid the same as their white peers, in southern states African American teachers earned less than half, or worse, than that of their white counterparts. 

Gordon and Briggs called for African American and white worker unity through the Communist Party, for workers to rally together to fight discrimination, unemployment, and hunger. 

Three years later, Jean Collier Brown, Public Information Assistant of the Women’s Bureau of the Department of Labor, published The Negro Woman Worker. Brown’s was the first report by the department (headed by Frances Perkins, the first woman to serve in a cabinet) to establish basic facts about where African American women were employed in the labor market, numbers employed, employment opportunities, hours, wages, and working conditions. Although not comprehensive, the report offers significant detail about wage discrimination and terrible working conditions of African American women workers. 

Like Gordon and Briggs, Brown began by noting that “Though women in general have been discriminated against and exploited through limitation of their opportunities for employment, through long hours, low wages, and harmful working conditions, such hardships have fallen upon Negro women with double harshness.” (p. 1) From there, the report moved systematically through the major parts of the labor market in which African American women worked: domestic and personal service, agriculture, manufacturing and mechanical industries, and white-collar workers. 

While Gordon and Briggs’ pamphlet aimed to organize workers and rally them to the Communist Party, Brown suggested a multi-pronged approach of social and labor legislation, better education and training opportunities, and trade union organization to address the critical status of African American women workers. Both reports brought much needed attention—for the first time but in quite different ways—to the crisis facing African American women workers during the Great Depression. 

Post Script:

Jean Collier Brown later left the Department of Labor and by 1943 worked as an organizer for the United Domestic Workers Union of the CIO, Baltimore branch, a union of African American domestic laborers.

Other Women’s History Month posts on the RBSC blog:

2025: The First Women’s Political Party
2024: Second-Wave Feminist Articles from an Underground Newspaper
2023: Women for Peace and Disarmament
2022: The Feminine “Math-tique”
2021: Writing to Rehabilitate in the House of Detention for Women in New York City
2020: Mary Taussig Hall and Social Reform
2017: A Woman’s Sardonic Eye

Upcoming Events: March 2026

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Monday, March 5 at 5:00pm | Italian Research Seminar: M.A. Student Presentations (University of Notre Dame) — This semester’s speakers are: Giorgia Buscema and Madeline Grossman.

The Spring 2026 Exhibition | Cultivating Community: Stories from Special Collections

This exhibition highlights stories of survival, contemplation, competition, protest, and learning, from six distinct collections in Rare Books and Special Collections. Each section, presented by a different subject curator, focuses on an example of how people over time and in different places, construct community and cultivate hope.

A Community of Learners in Colonial America and the Early Republic
Rachel Bohlmann, Ph.D. (Curator, American History and American Studies)

The Gay Olympic Games: Community Through Sport
Gregory Bond, Ph.D. (Curator, Joyce Sports Research Collection)

Women Religious in Male Spaces
David T. Gura, Ph.D. (Curator, Ancient and Medieval Manuscripts)

Ireland’s Idealized Community
Matthew Knight, Ph.D. (Curator, Irish Studies)

A Community of Solidarity
Natasha Lyandres (Curator, Russian and East European Studies)

Transnational Communities of Resistance during El Salvador’s Civil War
Payton Phillips Quintanilla, Ph.D. (Curator, Latin American and Iberian Studies)

This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

The current spotlight exhibits are Pennant Race: Souvenir Fan Pennants of the Negro Baseball Leagues (January–February 2026) and First Impressions: An Introduction to Mesoamerican sellos / Primeras impresiones: Una introducción a los sellos mesoamericanos (January–April 2026).

All exhibits are free and open to the public during business hours.

Special Collections will be open regular hours during Notre Dame’s Spring Break (March 9 – 13, 2026).

Upcoming Events: February 2026

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Monday, February 16 at 4:00–6:00pm | WORKSHOP – Envisioning Dante, c. 1472-c. 1630: Seeing and Reading the Early Printed Page

Join Professor Guyda Armstrong (University of Manchester) and Dr Giles Bergel (University of Oxford) for an interactive workshop showcasing new digital methods for studying early modern printing. This session will introduce the research questions and first findings of Envisioning Dante c. 1472-1630: Seeing and Reading the Early Printed Page, funded by the UK government (c. £1 million; 2022-25). Participants will be given practical, hands-on demonstrations of the techniques and new digital tools developed by the project for analyzing and comparing early printed books.

The Spring 2026 Exhibition | Cultivating Community: Stories from Special Collections

This exhibition highlights stories of survival, contemplation, competition, protest, and learning, from six distinct collections in Rare Books and Special Collections. Each section, presented by a different subject curator, focuses on an example of how people over time and in different places, construct community and cultivate hope.

Curated by Rachel Bohlmann, Ph.D. (Curator, American History and American Studies), Gregory Bond, Ph.D. (Curator, Joyce Sports Research Collection), David T. Gura, Ph.D. (Curator, Ancient and Medieval Manuscripts), Matthew Knight, Ph.D. (Irish Studies Librarian and Curator), Natasha Lyandres (Curator, Rare Books & Special Collections), and Payton Phillips Quintanilla, Ph.D. (Librarian and Curator for Latin American and Iberian Studies).

This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

The current spotlight exhibits are Pennant Race: Souvenir Fan Pennants of the Negro Baseball Leagues (January–February 2026) and First Impressions: An Introduction to Mesoamerican sellos / Primeras impresiones: Una introducción a los sellos mesoamericanos (January–April 2026).

All exhibits are free and open to the public during business hours.

Special Collections will be closed all day on
Tuesday, February 17, 2026.

Happy Holidays from Special Collections!

Rare Books and Special Collections is open this week through Friday, December 19, 2025. However, the reading room will be closed on Thursday and Friday (December 18–19). Over the holiday break, the department will be closed from Monday, December 22, 2025, through Friday, January 2, 2026, in observance of the campus-wide holiday break for all faculty, staff, and students.

RBSC will reopen on Monday, January 5, while the reading room will reopen on Wednesday, January 7, 2026. It’s always best to make an appointment if you plan to visit us.

This is the last blog post for 2025.
Happy Holidays to you and yours from
Notre Dame’s Rare Books and Special Collections!

by Sara Weber, Special Collections Digital Project Specialist

Page from “An American Original” by Carol Stevens (Print magazine, v. 42 no. 1, 1988), showing the use of the above illustration as an advertisement.

As a final installment of our look at the materials in the Special Collections’ Edward Gorey Collection (EPH 5004) in recognition of the centenary of Edward Gorey’s birth and the 25th anniversary of his death, we turn to some of his Christmas images.

Gorey created title pages and book covers, greeting cards, advertisements, magazine articles, and even a book he authored and illustrated himself (The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas, published in 1997). An illustration of the last three verses from the Twelve Days of Christmas was used as a holiday subscription advertisement for The New York Times—our holdings include a poster of the illustration alone, as well as an issue of Print magazine from 1988 that includes a reproduction of the ad in an article about Gorey.

1975
1979
1981

Over the years, Gorey designed various Christmas cards. Above are three of the limited run cards he created with Albondocani Press (only four hundred to four hundred and fifty copies printed). These cards were not sold at the time, but rather were “to be used as a holiday greeting by the artist and publisher.”

In 1979, with royalties from the New York Dracula production, Gorey purchased a home in Yarmouth Port, Massachusetts, traveling there for the summers from the one-room apartment he rented in Manhattan, close to his publishers and the New York City Ballet. In 1983, he left New York City to live there exclusively. Below are two card sets from 1989-1990 featuring illustrations by Gorey and sold to raise funds for “Cape Cod’s neediest citizens during this holiday season”.

A Closer Look at the Gorey-est of Vampires

by Sara Weber, Special Collections Digital Project Specialist

Merriam-Webster defines a vampire as, “the reanimated body of a dead person believed to come from the grave at night and suck the blood of persons asleep.” The Oxford English dictionary gives the middle of the eighteenth century as their earliest evidence for the word vampire, but the concept far predates that in the folklore of various cultures. While characters of a vampiric nature occur as early as Babylonian poems recorded on cuneiform and the ancient Greek writings of Philostratus, the folklore that is most significant to the development of the Western concept of a vampire was that of the Slavic cultures of Eastern Europe. These malevolent beings were seen as gruesome and frightening, because death, disease, and degeneracy were all attributed to their actions and influence. As the vampire became a more familiar figure in Western cultures during the eighteenth century (by 1740 Alexander Pope compared himself to “one of those vampires in Germany” when he went out at night), they were initially perceived in a similar, grotesque manner. However, over time the vampire—though still a villain—came to be portrayed as charismatic and seductive.

Bram Stoker, Dracula. Eighth edition. London: Archibald Constable & Co., 1904.
(Rare Books Small PR 6037 .T617 D7 1904)

Bram Stoker’s 1897 Dracula was not the first vampire in English literature, Robert Southey’s 1801 poem “Thalaba the Destroyer” is generally given that title. Polidori’s short story “The Vampyre” (1819), Varney the Vampire; or, the Feast of Blood (1845–1847), and Sheridan Le Fanu’s “Carmilla” (1872) all preceded it as well. But Stoker’s vampire has become the template against which all modern vampires are compared. The Count is initially described as,

“…a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere. …his hand grasped mine with a strength which made me wince, an effect which was not lessened by the fact that it seemed as cold as ice—more like the hand of a dead than a living man.” (Dracula, Chapter 2)

He is gracious and courteous, however, and as the novel progresses, and he feeds, he becomes less corpse-like. When Mina and Johnathan see him in London, she describes him as “a tall, thin man, with a beaky nose and black moustache and pointed beard… His face was not a good face; it was hard, and cruel, and sensual, and his big white teeth, that looked all the whiter because his lips were so red, were pointed like an animal’s.” (Dracula, Chapter 13)

Count Dracula has become more immortal in popular culture than he was in Stoker’s novel, the subject of numerous theatrical adaptations and cinema classics. The first play—more of a staged reading of the book, really—ocurred the same year as the book was published, as a way of securing copyright protection. In the 1920s, Hamilton Deane and John L. Balderson created their own adaptation, and in 1977 a revival of this version arrived on Broadway. This production featured the design work of Edward Gorey in its sets, costuming, posters, and playbills. He won a Tony Award for the Costume Design, and was nominated for Set Design. The play also won a Tony for Most Innovative Production of a Revival. (Frank Langella was nominated for Best Performance by a Leading Actor in a Play, while Dennis Rosa was nominated for Best Direction of a Play.)

As the play became a popular success as well as a critical one, Gorey’s designs appeared on a variety of merchandise from t-shirts and bags to puzzles, toys, and even a miniature theatre, examples of many of which are found in Notre Dame’s Special Collections.

The Suzy Conway and Robert M. Conway Collection of Gorey Ephemera (EPH 5004) also includes articles and article illustrations, drawings, picture postcards, posters, and correspondence. There are materials relating to his work illustrating book covers for Doubleday, including a few other vampire themed or related texts.

Fronts and back of the dust jackets for Vampires : Two Centuries of Great Vampire Stories, edited by Alan Ryan (Rare Books Medium PS 648 .V35 V3 1987) and 13 Plays of Ghosts and the Supernatural, selected by Marvin Kaye (Rare Books Medium PN 6120 .G45 T45 1990).

In recognition of the centenary of Edward Gorey’s birth and the 25th anniversary of his death, RBSC’s September-October spotlight has highlighted Gorey’s engagement with the New York City Ballet in his distinctive noir style. Although the exhibit officially closes today, it will remain viewable through early next week, before the installation on November 5 of the November-December spotlight. Come visit Special Collections for a further look at some of Gorey’s distinctive work.

Happy Halloween to you and yours
from all of us in Notre Dame’s Special Collections!

Halloween 2024: An Irish Story Produces a Halloween Icon
Halloween 2023: Demon Horses and How to Tame Them
Halloween 2022: A Halloween Tale: “John Reardon and the Sister Ghosts”
Halloween 2021: A Welsh Witch in the Woods
Halloween 2020: Headless Horsemen in American and Irish Legend
Halloween 2019: A Halloween trip to Mexico
Halloween 2018: A story for Halloween: “Johnson and Emily; or, The Faithful Ghost“
Halloween 2017: A spooky story for Halloween: The Goblin Spider
Halloween 2016: Ghosts in the Stacks

National Hispanic Heritage Month 2025

We join the Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution, and United States Holocaust Memorial Museum in celebrating National Hispanic Heritage Month.

From our Latin American and Latino Studies Archives: Celebration and Resistance

by Payton Phillips Quintanilla, Latin American & Iberian Studies Librarian and Curator

2025 has seen various local and community-based annual public celebrations of Latino heritage scaled-down, postponed, or cancelled altogether out of fears for the safety of participants and community members. Other public celebrations have gone on as planned, with some organizers even rearticulating their yearly “Grito de Independencia” (the September 15th commemoration of the “Cry of Independence” from Spanish colonial rule, specific to the Mexican context) as “Grito de Resistencia” (“Cry of Resistance”). Both paths, however, are guided by a spirit of solidarity, and informed by a history of perseverance, that predate—and are poised to persist beyond—any formal federal recognition of the diverse cultures, accomplishments, and contributions of Latinos in the United States.

Inspired by that same spirit and history, we present three examples, preserved in Notre Dame’s Rare Books and Special Collections, of historical moments when Latino communities organized celebrations of resistance—both public and private, and throughout the calendar year—in direct response to histories and realities of persecution, oppression, exclusion, and erasure.  

1969: “La Fiesta de los Barrios”

“The Fiesta De Los Barrios is the Fiesta of all of our people. For the first time the heritage of our cultural past and the richness of our cultural present will be expressed through the creative talent and skill of our barrio artists, writers and performers. […] It is this pride in ourselves and confidence in our future that has made this magazine and indeed the entire Fiesta possible.”

The name “La Fiesta de los Barrios” carries multiple references: it was a community celebration, a literary journal, and an aspiration for the future. The actual “fiesta” took place in early May, 1969, at Lincoln High School in Los Angeles to celebrate the one-year anniversary of the LA Walkouts: a watershed movement through which Mexican American students protested systemic racism, abuses, and neglect on their campuses, and demanded inclusive and unbiased curricula. (For an introduction to the Walkouts, we suggest you watch this Retro Report hosted by PBS, or this excerpt from PBS’s Latino Americans.)

The journal by the same name, or Fiesta Magazine (MSH/LAT 0099-61), memorialized select verse, prose, and drawings created by community members and event participants, representing a diversity of voices and experiences. And finally, it was the hope, as articulated by photographer Pedro Arias in one of the journal’s opening essays, that all peoples of Mexican descent living in the United States could overcome generational and cultural divides to work together toward common goals: “Y entonces será un día de fiesta, será una FIESTA DE LOS BARRIOS, pero una Fiesta de Los Barrios permanente […]” (And then it will be a day of celebration, it will be a FIESTA DE LOS BARRIOS, but a permanent Fiesta de Los Barrios […]) (7).    

1984: “A benefit for Casa El Salvador Farabundo Martí”  

“Casa El Salvador Farabundo Martí is a solidarity committee of Salvadoran refugees living in the U.S. Our goals are to inform people about the situation in El Salvador and Central America, to promote friendship with our people, and to discourage U.S. intervention in our country.”  

In December 1984, the Chicago-based, refugee-led organization called Casa El Salvador Farabundo Martí hosted a benefit dinner and invited allies and supporters to “share this season of peace with the people of El Salvador.” El Salvador itself, rather than celebrating a season of peace, was deep in a brutal civil war marked by widespread human rights abuses: far from a conflict confined to fighting between armed factions, the government’s military and paramilitary death squads—trained and funded by the United States government—broadly targeted civilian non-combatants. Meanwhile, only a minuscule portion of refugees fleeing El Salvador were granted asylum in the United States. This combination of domestic U.S. policies, enabled by controversial Cold War rhetoric, sparked passionate peace, solidarity, and anti-intervention movements across the country. A snapshot of those efforts, and the array of allies that were involved in them, are captured in this small poster (MSH/LAT 0120 U.S./Central America Cold War Ephemera Collection).

(If this historical moment and its relationship to “sanctuary” activism is unfamiliar to you, an article published earlier this year in The Conversation is a good place to start reading.)

2001: “Encuentro del Canto Popular”

“A Tribute to 20 Years of Culture and Resistance”

San Francisco’s first annual “Encuentro del Canto Popular” (“Gathering of Popular Song”) was organized by volunteers from the community newspaper El Tecolote in 1982. The event was inspired by the life and legacy of Víctor Jara, a Chilean educator, activist, and singer-songwriter who was one of the founding figures of Chile’s—and, ultimately, Latin America’s—nueva canción (new song). This folkloric genre was imbued with such deep social commitment that it became an international movement (the Smithsonian offers an introduction to la nueva canción in their Folkways series). Jara was kidnapped, imprisoned, tortured, and executed by Chile’s military just after the U.S.-backed coup that ousted the democratically-elected president, Salvador Allende, and which began the 17-year military dictatorship of Augusto Pinochet.

Acción Latina, a community organization based in San Francisco’s Mission District that grew out of El Tecolote, took part in U.S.-based protests against Pinochet’s regime (as can be seen in this post from the Bancroft Library, which now preserves a substantial Acción Latina archive), as well as later solidarity movements. The poster featured here was created for the Encuentro’s 20th year, celebrated in 2001 under the stewardship of Acción Latina. Its lineup of musicians from Nicaragua for this “tribute to 20 years of culture and resistance” was a nod to the protest and dissent expressed in both Nicaragua and the United States following the CIA-led formation in 1981 of the Contras (an umbrella organization of anti-Sandinista combatants), a covert project that ultimately culminated in the Iran-Contra Scandal. The musician wearing the symbol of the United Farm Workers on her shirt speaks to solidarity within and between Latino communities.

Previous Hispanic Heritage Month Blog Posts:

Upcoming Events: October 2025

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Drop in to one of this month’s Exhibit Open Houses to meet and speak informally with one of the curators of the fall exhibition, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions.

Thursday, October 3, 2:00 – 3:30pm | Exhibit Open House with curator Giulia Maria Gliozzi (Notre Dame, Italian Studies doctoral candidate)

Thursday, October 10, 2:00 – 3:30pm | Exhibit Open House with curator Inha Park (Notre Dame, Italian Studies doctoral candidate)

Thursday, October 17, 2:00 – 3:30pm | Exhibit Open House with curator Salvatore Riolo (Notre Dame, Italian Studies doctoral candidate)

Thursday, October 30 at 5:00pm | Italian Research Seminar: Research presentations by 4th-year students in the Italian PhD program (University of Notre Dame) — this year’s speakers are: Elisa Bisson, Inha Park, and Salvatore Riolo.

The Fall 2025 Exhibition | “What through the universe in leaves is scattered”: Mapping Global Dante in Translation

This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature.

This exhibit is curated by Salvatore Riolo (Notre Dame, Italian Studies doctoral candidate), and co-curators Giulia Maria Gliozzi (Notre Dame, Italian Studies doctoral candidate); Inha Park (Notre Dame, Italian Studies doctoral candidate); and Peter Scharer (Yale, Comparative Literature doctoral candidate). Theodore J. Cachey Jr. (Notre Dame) and Jacob Blakesley (Sapienza Università di Roma) served as consultants on the exhibit.

The exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment.

The current spotlight exhibits are: Portrait of the Artist as a Dance Fan: Edward Gorey and the New York City Ballet (September-October 2025) curated by Rachel Bohlmann (American History Librarian and Curator)…

…and Bibliomania: The Library of Sir Thomas Phillipps (May-December 2025) curated by Anne Elise Crafton (2024-2025 Rare Books and Special Collections Postdoctoral Research Fellow).

All exhibits are free and open to the public during business hours.

RBSC will be open regular hours during the University of Notre Dame Fall Break, October 18 – 26.

Reading the Gay Rodeo Ephemera Collection for Pride Month

by Greg Bond, Sports Archivist and Curator, Joyce Sports Research Collection

In observance of LGBTQ Pride Month, Rare Books and Special Collections is pleased to highlight the recently acquired Gay Rodeo Ephemera Collection (MSSP 10128). Containing programs, posters, fliers, and other printed material, the collection documents the history of rodeo organizations and rodeo events by and for LGBTQ people.

Souvenir Program, 2nd Annual Golden State Cowboys Round Up.

One of the earliest organized groups of gay rodeo enthusiasts was the California-based Golden State Cowboys (GSC) founded in 1969. In the introduction to the 1972 Souvenir Rodeo Program for the 2nd Annual Golden State Cowboys Round Up (MSSP 10128-01), GSC President Ernie Wilbanks described the group’s early history and explained the organization’s mission:

“Admittedly, we have had problems and growing pains but we have never lost our self respect and hopefully can become an even greater source of community pride. Without a goal no race is ever won and we believe the same criteria can apply to an organization without a purpose. Our purpose is one of friendship in performing those facets of service to our community that promote the honor and acceptance of our fellow man.”

Images of social events and activities from the Golden State Cowboys 1972 program.

A relatively small social organization for fans of rodeo and rodeo culture, the Golden State Cowboys folded by about 1976. Other organizations soon sprung up in the late 1970s and early 1980s—particularly in Nevada, California, and Colorado—that sponsored some of the first rodeos that explicitly featured and celebrated LGBTQ rodeo participants.

Although originating in the Western United States, organized gay rodeos slowly spread around the country. One of the earlier significant gay rodeos was held in New York City in Madison Square Garden on Saturday, October 1, 1983. Sponsored by the pioneering gay rights organization, Gay Men’s Health Crisis, Inc., the “World’s Toughest Rodeo” was an AIDS Benefit fundraiser (MSSP 10128-002).

The cover of the program for the World’s Toughest Rodeo (left), and page 5 (right) with the following dedication: “We dedicate this special evening to the memory of our many loved ones who have died and to the lovers, families, and friends who have endured these losses. We salute their courageous spirit and extend our continued support. Unity has given us this strength.”

Paul Popham, the President of Gay Men’s Health Crisis, Inc., described the purpose of community-building activities like the “World’s Toughest Rodeo” in the program for the event:

“What emerged as a horrifying disease that sapped our physical strength has resulted in newly-found strength in other areas. We have discovered communal strength, spiritual strength, and political strength. We find that we are truly more powerful than we had ever dreamed. By transcending the various social boundaries that kept us apart as strangers, we find that we are not only a nation, but an entire world of brothers, sisters, and friends.

A battle it has been and continues to be. But as we march, in greater numbers, and with greater courage, love, and hope, our victory seems more possible with every step.”

Gay rodeos increased in popularity during the 1980s and 1990s, culminating in the founding of the International Gay Rodeo Association (IGRA) in 1985. The IGRA sponsored the first International Gay Finals Rodeo competition in Hayward, California, in September 1987. RBSC’s Gay Rodeo Ephemera Collection includes a production copy of the poster for the inaugural IGRA championships (MSSP 10128-08-F2).

The collection includes other programs, posters, and pieces of ephemera that demonstrate the proliferation of gay rodeos. The holdings include, for example, a poster for the 1994 12th Annual Rocky Mountain Regional Rodeo sponsored by the Colorado Gay Rodeo Association (MSSP 10128-09-F2) and the program for the 1996 North Star Regional Rodeo and Great Northern Shindig in Lake Elmo, Minnesota, sponsored by the North Star Gay Rodeo Association (MSSP 10128-06). As seen on these two items, the newfound popularity of gay rodeos attracted corporate sponsors that helped to fund these events.

The Gay Rodeo Ephemera Collection is open and available to researchers. RBSC welcomes new donations to expand the contents of this important collection.

For further reading:

Nicholas Villanueva, Rainbow Cattle Co: Liberation, Inclusion, and the History of Gay Rodeo (Lincoln: University of Nebraska Press, 2004).

Gay Rodeo History: A Project Of The Gay & Lesbian Rodeo Heritage Foundation [website].

Upcoming Events: May 2025 and through the summer

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Tuesday, May 13 at 1:30pm | “Potawatomi in Un/Expected Places: Archives, Stories, and the Native American Initiative of Notre Dame” by Zada Ballew.

Last year, Ballew spent nine months at Hesburgh Library researching on behalf of the Native American Initiative (NAI) of Notre Dame. Her goal was to better understand the role that Indigenous peoples have played in the founding and shaping of Notre Dame’s history. What she found surprised her in ways that she didn’t expect. In this talk, she will share some of the most important findings with the people who helped make this work possible.

Presented by the Professional Development Committee (PDC) of Hesburgh Libraries.

Thursday, May 15 at 3:00pm | Hesburgh Libraries’ 2024-2025 Rare Books and Special Collections Postdoctoral Fellow Anne Elise Crafton (MI PhD ‘24) will discuss the major research and collections project they completed during their postdoc year. Crafton catalogued over 270 previously undescribed medieval and early modern documents in the Hesburgh Libraries’ collection. They will discuss the challenges and discoveries which emerged from the project and reflect on the intensive work of making the hitherto unknown documents accessible for scholars, students, and faculty at Notre Dame and beyond.

There are currently no events scheduled to be hosted in June or July.

The exhibition Tragedies of War: Images of WWII in Print Visual Culture runs through the summer and closes in late July. Learn more about the exhibit in this video, and plan your visit this summer.

The current spotlight exhibit is Building a Campus Boycott to Support Midwestern Farmworkers (January – May 2025). In May, we will install spotlights highlighting Medieval charters (May – August 2025) and Medieval homiletics (May – July 2025) from our collections.

Rare Books and Special Collections is open
regular hours during the summer.

RBSC will be closed Monday, May 26, for Memorial Day and Friday, July 4th, for Independence Day.

Upcoming Events: April 2025

Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:

Thursday, April 3 at 4:00pm | Medieval Institute Working Group “The Materiality of Medieval Texts” Lecture: “Workmanly and Truly Made: Everyday Writing and the Materiality of Literature” by Daniel Wakelin (University of Oxford).

Thursday, April 10 at 3:30pm | Exhibit Tour – Tragedies of War: Images of WWII in Print Visual Culture.

Thursday, April 10 at 4:30pm | Exhibit Lecture: “The Fascist Lair: the Battle of Berlin” by Robert M. Citino (retired Samuel Zemurray Stone Senior Historian at the National WWII Museum).

Thursday, April 22 at 3:30pm | Exhibit Tour – Tragedies of War: Images of WWII in Print Visual Culture.

Thursday, April 22 at 4:30pm | Yom HaShoah (Holocaust Remembrance Day) Program commemorating the victims of Holocaust and featuring a live performance of “I Never Saw Another Butterfly” by Lori Laitman, performed by Anne Slovin (Soprano, University of Notre Dame) and Jason Gresl (Clarinet, Saint Mary’s College).

The Spring 2025 Exhibition — Tragedies of War: Images of World War II in Print Visual Culture — is now open and runs through the end of July. Based predominantly on recently acquired Rare Books and Special Collections European holdings, the exhibition commemorates the end of the Second World War (1939-1945) and will explore a diverse assortment of themes including Fascist Racial Ideology, the Holocaust, Children in War, Resistance, Liberation, and Memories of War.

Curated by Natasha Lyandres (Curator, Rare Books & Special Collections), Jean McManus (Catholic Studies Librarian, University Archives) and Julia Schneider (German Language and Literature and Italian Studies Librarian, Hesburgh Libraries).

The current spotlight exhibit is Building a Campus Boycott to Support Midwestern Farmworkers (January–April 2025). In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, OH). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity.

Curated by Emiliano Aguilar (Assistant Professor of History, University of Notre Dame, and Faculty Fellow, Institute for Latino Studies).

Rare Books and Special Collections will be closed April 18 in observance of Good Friday.

We will resume regular hours on Monday, April 21.