Collection highlights, news about acquisitions, events and exhibits, and behind-the-scenes looks at the work and services of Rare Books & Special Collections (RBSC) at Notre Dame.
RBSC will be closed for Easter weekend, April 7-9, 2023.
The spring exhibit, Printing the Nation: A Century of Irish Book Arts, features selected books from the Hesburgh Libraries’ Special Collections that demonstrate the art and craft of the Irish book since 1900. The exhibit, curated by Aedín Ní Bhróithe Clements, will run through the semester.
Tours of the exhibit may be arranged for classes and other groups, and additional curator-led tours are available at 12 noon on the following upcoming Friday: April 21.
The April spotlight exhibits are Language and Materiality in Late Medieval England (February – April 2023) and Hagadah shel Pesaḥ le-zekher ha-Sho’ah – Pessach Haggadah in memory of the Holocaust (April – May 2023).
Although ongoing library renovations will continue through 2023, Special Collections is no longer behind a construction tunnel!
Museums, special collections, and archives acquire materials in a variety of ways, most commonly through donation and purchase. Hesburgh Libraries is no exception.
Last fall, students in the multi-disciplinary class, Stories of Power and Diversity: Inside Museums, Archives, and Collecting, created acquisition proposals for Hesburgh Libraries. Class members were asked to put themselves in the shoes of curators and select materials that would develop the library’s collection in diverse and inclusive ways. The formats of prospective purchases were left fairly open; students could consider a wide range of types of materials–from books to manuscripts to posters and even artifacts (realia). As an incentive (and as a gesture to how libraries and archives compete for and manage resources), the most deserving proposal (determined by class vote) would be purchased, placed in the library’s collections, and featured on the library’s social media (this blogpost!).
Students searched vendor websites and online catalogs and considered some of the following questions.
How complete is this item or collection? Are there significant gaps or pieces missing?
If a collection of photographs, are they identified or identifiable, in terms of locations, dates, names of people?
If it is a printed item (a book, posters, pamphlet), how rare is it? (Use WorldCat.)
Does HL already own it? (Check the library catalog, ask librarians/instructors.)
If the item is a manuscript (not printed or published), does the library hold related items?
What might be the research value? How might researchers (in different disciplines–history, gender studies, art history, etc.) make use of this item(s)? What perspectives does the item convey? What can we learn from it?
The students presented their proposals in class and discussed some of the challenges and satisfaction they discovered along the way. Timi Griffin, who assembled a small but significant collection of printed materials and realia from different vendors about Civil Rights activist, presidential candidate, and comedian Dick Gregory, won the class’s vote for best proposal. Congratulations Timi!
The Dick Gregory Collection
Timi argued that the library should purchase items relating to Gregory’s 1968 presidential campaign, including a poster, flier, buttons, and fake dollar bills with the candidate’s portrait in place of Washington’s, and a signed copy of his 2000 memoir. Taken together, the items contextualize Gregory’s activism and prominence in the Civil Rights movement and American culture and politics in the last decades of the twentieth century.
The students’ presentations showed that they had taken seriously the assignment’s task of strengthening diversity and inclusion in the collections. Rare Books and Special Collections decided to purchase all of the items they proposed adding to the collections. These are:
–a 1914 photograph of the Hampton Normal and Agricultural Institute Football Team, an African American school in Hampton, Virginia.
Football Team, Hampton Normal and Agricultural Institute, 1914
–a signed, fine press copy of the first chapter of Margaret Atwood’s The Blind Assassin with an original print by Yoko Ono; created to raise funds to fight AIDS in Africa (2008).
Slipcover and print for Margaret Atwood’s Blind Assassin
–an issue of Black Fire, the newspaper of the Black Students Union at San Francisco State University from 1969.
Black Fire [December 16, 1969]
–a collection of nine mid-century lesbian pulp fiction paperbacks and reprinted novels, and a related work.
Two novels by Ann Bannon
–an album of photographs, probably by an American, of the Pacific and South-East Asia, including Hawaii, Japan, the Philippines, Ceylon, India, and the Himalayas, circa 1905.
Views from Darjeeling and “a thorn between two roses”chair carriers and “on the way to Tiger Hill to see Mt. Everest”
–diaries of Thaddeus Hayes of Connecticut, created between 1795 and 1803.
Thaddeus Hayes diary page, December 1797 – January 1798
–two photographic essays about Japan by W. Eugene Smith and associates: Japan–a Chapter of Image (1963) and Minamata : Life – Sacred and Profane (1973).
Front cover, Minamata“The Chisso Corporation waste-water 1971,” Minamata
These new acquisitions are welcome additions to the library’s special collections, adding particularly to sources about Southeast and East Asia, and materials created in the last 30 years. The collections need to be strengthened in all of these areas. The newly-purchased materials are currently in the process of being cataloged, organized, and housed so that they can be accessed and used by present and future generations of library users.
The Treaty of 1922 resulted in the formation of the Irish Free State. This tenth anniversary book, published under the Minister for Industry and Commerce and edited by Bulmer Hobson, is intended to show the world how Ireland has developed in all areas, from science and industry to education and art. The book is profusely illustrated.
The cover design by Art O’Murnaghan (1872-1954), is clearly making reference to the style of early Irish illuminated manuscripts. This decorative style, based on the art of illuminated manuscripts such as the Book of Kells and the Book of Durrow, became very popular during the Celtic Revival of the nineteenth and early twentieth centuries.
The Cromlech on Howth: a Poem, by Samuel Ferguson. With illuminations from the Books of Kells & of Durrow, and drawings from nature by M. S. (Margaret Stokes); with notes on Celtic ornamental art, revised by George Petrie. London: Day & Son, 1861.
An earlier example of the celebration of early Irish art is found in ‘The Cromlech on Howth’, a book that combines the fascination and research into Irish art and literature with a poem by Samuel Ferguson, decoration by Margaret Stokes, and an essay on Irish script by George Petrie.
Shamrocks and harps, however, have been used as emblems of Ireland for centuries, and in America in particular, book bindings of the nineteenth and early twentieth centuries proclaim the Irish context with a harp, a decoration of shamrocks, or both. In The Days of a Life, by “Norah” (Margaret Dixon McDougall), is a story of Ireland showing the plight of the laborers and the abuse of the landlord class, from the perspective of a young Canadian visitor. The additional images of a round tower and the ruins of a castle or monastery are also typically suggestive of Ireland’s history.
The Days of a Life by “Norah” (Margaret Dixon McDougall). Almonte, Ontario: Templeman, 1883. Loeber Collection of Irish Fiction.
The tiny edition of Thomas Moore’s extraordinarily popular Irish Melodies shown here includes a ‘female harp’ combining the harp, a symbol of Ireland with the female personification of Ireland. Among Moore’s Melodies, ‘The Harp that Once Through Tara’s Hall’ is one of Moore’s many references to the harp.
Irish Melodies by Thomas Moore. London: Longman, Brown, Green, Longmans, & Roberts, 1856.
The harp that once through Tara’s hall The soul of music shed, Now hangs as mute on Tara’s walls As if that soul were fled. So sleeps the pride of former days, So glory’s thrill is o’er, And hearts, that once beat high for praise, Now feel that pulse no more.
No more to chiefs and ladies bright The harp of Tara swells: The chord alone that breaks at night, Its tale of ruin tells. Thus freedom now so seldom wakes, The only throb she gives, Is when some heart indignant breaks. To show that still she lives.
A Philadelphia edition of Mrs. S. C. Hall’s stories, Wearing of the Green, or, Sketches of Irish Character, published in 1868, has a winged woman as part of the harp.
Wearing of the Green, or, Sketches of Irish Character, by Mrs. S. C. Hall. Philadelphia: William Flint, 1868.
This bound set of issues of Duffys Hibernian Magazine, published in Dublin in 1860, bears the bookplate Mathew Dorey of Dublin.
Please note that the corridor outside RBSC is temporarily narrowed to a pedestrian tunnel due to ongoing library renovations, but we generally remain open during our regular hours.
Due to renovation work, RBSC (and the west entrance to the Hesburgh Library) will be closed during Notre Dame’s Spring Break week, March 13-17, 2023.
RBSC staff and curators will be available via online channels.
Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:
The spring exhibit, Printing the Nation: A Century of Irish Book Arts, features selected books from the Hesburgh Libraries’ Special Collections that demonstrate the art and craft of the Irish book since 1900. The exhibit, curated by Aedín Ní Bhróithe Clements, will run through the semester.
Tours of the exhibit may be arranged for classes and other groups, and additional curator-led tours are available at 12 noon on the upcoming Fridays: March 10 and 31, April 7 and 21.
An exhibit lecture, “The Changing Face of Irish Writing” by Brian Ó Conchubhair (Associate Professor of Irish Language and Literature, University of Notre Dame), will be held this spring in Special Collections, at a date that will be announced later.
The March spotlight exhibits are Language and Materiality in Late Medieval England (February – April 2023) and “That Just Isn’t Fair; Settling for Left-Overs”: African American Women Activists and Athletes in 1970s Feminist Magazines (February – March 2023).
“Without the incredible resource of the people in conservation… Rare Books and Special Collections would not be able to exist in the present or in the future. It wouldn’t be able to be a resource for students and for faculty.”
– Heather Hyde Minor, Professor, Art History
Rare books and special collections don’t preserve themselves. The Analog Preservation and Conservation Unit in the Hesburgh Libraries is a dedicated team of people to do just that: care for the University of Notre Dame’s overall collections in the hopes that the items will inspire research, learning, and teaching for generations to come.
Notre Dame Stories recently created this video to highlight this team and the important yet little known work they do to protect and renew some of our most precious items in the Libraries’ collections.
Please note that the corridor outside RBSC is temporarily narrowed to a pedestrian tunnel due to ongoing library renovations, but we generally remain open during our regular hours (Monday through Friday, 9:30am – 4:30pm.)
This semester’s exhibit, “Printing the Nation: A Century of Irish Book Arts” curated by Aedín Ní Bhróithe Clements, invites visitors to look beyond the text and consider other aspects of books in our Irish collection.
The Little Book of the Blessed Eucharist. Verses by Brian O’Higgins. Scribe work and ornament by Mícheál Ua Briain. Printed by Colm O Lochlainn. Dublin: Brian O’Higgins, 1931. Special Coll. Rare Books Small PR 6029 .H5 L58 1931
To highlight the influence of early art on Irish book decoration and illustration in the early twentieth century, we have ‘borrowed’ the fine art facsimile Book of Kells from the Paleography Room on the 7th floor.
The Book of Kells. Fine Art Facsimile Edition. Faksimile-Verlag Luzern, 1989. Medieval [7th floor] Paleography (Rm. 715Q) • ND 3359 .K4 B65 1990
Pressmark of the Three Candles Press. Clann Lir. Rewritten by Mícheál Ó Colmáin and illustrated by Abhuistín Ó Maolaoidh. Cló na gCoinneal, c. 1928. Special Coll. Rare Books Large PB 1397 .A29 O36 1925z
Chapters of the history of the book in Ireland include the stories of printing presses, and we have selected a small sampling from our extensive collections of important presses such as the Cuala Press founded by the Yeats sisters, Colm Ó Lochlainn’s Three Candles Press, and the Dolmen Press of Liam Miller. Contemporary printing presses are also represented, with a limited edition from Salvage Press and the 1916 commemorative book 16 which was published by Stoney Road Press.
The exhibit’s title poster incorporates an illustration by Liam Miller, from the cover of Ten Poems by Padraic Colum, which is featured in the first case. The fonts in the poster, American Uncial and Pilgrim, were selected to reflect choices made by Irish printers. The poster was designed by Sara Weber.
The Irish language posed particular challenges for printers up to the 1960s when the standard of Irish language became the Roman alphabet. Throughout the exhibition, various examples are displayed of the styles of lettering used for Irish language titles and text.
An Béal Boċt nó An Milleánaċ: Droċ-sgéal ar an Droċ-shaoġal, curtha i n-eagar le (edited by) Myles na gCopaleen. Dublin: An Preas Náisiúnta, 1941. Special Coll. (MR) Small PB 1399 .O59 B4 1942
The aspect of typefaces in the Irish language will be the subject of a lecture later in the semester:
“The Changing Face of Irish Writing”
Lecture by Brian Ó Conchubhair, Associate Professor of Irish Language and Literature, University of Notre Dame
The date of this lecture will be announced later.
The exhibit is open Monday – Friday, through July 2023.
Tours of the exhibit may be arranged for classes and other groups, and additional curator-led tours are available at 12 noon on the following Fridays:
Please note that the corridor outside RBSC is temporarily narrowed to a pedestrian tunnel due to ongoing library renovations, but we generally remain open during our regular hours.
Please join us for the following public events and exhibits being hosted in Rare Books and Special Collections:
“Anybody here speak English? / Non dovete avere paura, non c’è ragione”: Dubbing as Translation and Rewriting in Spike Lee’s Miracle at St. Anna, by Santain Tavella
The Infernal Arno: Mapping the Arno in Dante’s Hell through the Lens of Purg. XIV, by Toby Hale
Tuesday, February 28 at 3:30pm | Exhibit Lecture: “The Changing Face of Irish Writing” by Brian Ó Conchubhair (Associate Professor of Irish Language and Literature, University of Notre Dame). This lecture has had to be rescheduled—a new date will be announced later.
The spring exhibit, Printing the Nation: A Century of Irish Book Arts, features selected books from the Hesburgh Libraries’ Special Collections that demonstrate the art and craft of the Irish book since 1900. The exhibit, curated by Aedín Ní Bhróithe Clements, will run through the semester.
The February spotlight exhibits are Language and Materiality in Late Medieval England (February – April 2023) and “That Just Isn’t Fair; Settling for Left-Overs”: African American Women Activists and Athletes in 1970s Feminist Magazines
(February – March 2023).
Rare Books and Special Collections will be closed from 11:30am to 2:00pm on Thursday, February 9, 2023.
The spring exhibit Printing the Nation: A Century of Irish Book Arts will feature selected books from the Hesburgh Libraries’ Special Collections to demonstrate the art and craft of the Irish book since 1900. The exhibit, curated by Aedín Ní Bhróithe Clements, will open in January and run through the semester.
The current spotlight exhibits for are Hesburgh Library Special Collections: A Focus on W. B. Yeats (November 2022 – January 2023) and The Ladies Flower-Garden of Ornamental Annuals (December 2022 – January 2023). Later in the month, we will be installing the spring semester spotlight, which will explore changes in language within select Middle English manuscripts and early printed books from the 15th through 17th century (January – April 2023).
Classes in Special Collections
Throughout the semester, curators teach sessions related to our holdings. If you’re interested in bringing your class or group to work with our curators and materials, please contact Special Collections.
Due to OIT infrastructure work being done in the Hesburgh Library, Special Collections is closed today, Monday, December 19, 2022.
Rare Books and Special Collections is open Tuesday through Thursday this week (December 20-22, 2022). After that, we will be closed from Friday, December 23, 2022, through Monday, January 2, 2023, in participation with the campus-wide holiday break for all faculty, staff, and students. Special Collections will reopen on Tuesday, January 3, 2023.
This is the last blog post for 2022. Happy Holidays to you and yours from Notre Dame’s Rare Books and Special Collections!
A Prayer for Christmas Morning by Henry Van Dyke, donated by American poet Raymond E. F. Larsson (London & New York: Ernest Nister & E. P. Dutton, n.d.). Special Collections, Rare Books Small BV 45 .V32
Please note that the corridor outside RBSC is temporarily narrowed to a pedestrian tunnel due to ongoing library renovations, but we generally remain open during our regular hours.
Please join us for the following public event being hosted in Rare Books and Special Collections:
Daughters of Our Lady: Finding a Place at Notre Dame, an exhibition of materials from the University of Notre Dame Archives curated by Elizabeth Hogan and reflecting on the 50th anniversary of coeducation at Notre Dame, will run through December 16th.
The current spotlight exhibits are Hesburgh Library Special Collections: A Focus on W. B. Yeats (October – December 2022) and The Ladies Flower-Garden of Ornamental Annuals (December 2022 – January 2023).
Due to OIT infrastructure work being done in the Hesburgh Library, Special Collections will be closed on Monday, December 19, 2022.
Rare Books and Special Collections will be closed for Notre Dame’s Christmas and New Year’s Break (December 23, 2022, through January 2, 2023).
We otherwise remain open for our regular hours during Reading Days and Exams, and welcome those looking for a quiet place to study.
